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This is my entry to the 2014 IJA Video Tutorial contest. I am entering as a non-competitive entry (not wishing to be considered for prizes). Check out the IJA's Homepage: http://www.juggle.org/nThis is a sequel to my previous Claymotion Juggling Building Blocks tutorial, which can be found here: http://juggling.tv/11828

And a pink egg-clock.

The first entry in a weekly Michael Karas video series designed to spark creativity and destroy juggler's block.

This is filmed at Lake Monger, facing towards Perth's CBD. The music is Roads by Portishead. It focuses on the orbits in various juggling patterns. Every juggling pattern is a combination of one or more orbits. Each colour in a pattern corresponds to a different orbit. An orbit is simply a path that a single ball follows. For example if you follow a red ball in a particular pattern, you will see it repeats through a set path. All the red balls in the pattern follow this same path; all the green balls follow their own different path and all the blue balls follow a third separate path. One technical note: 97531 actually consists of 5 orbits - 91 clockwise, 91 anticlockwise, 73 clockwise, 73 anticlockwise and 5. I combined the two 91 orbits and the two 73 orbits to blue and green because it simply looks much better this way.

2 jugglers, locked in a launderette with only a camera, 14 bounce balls and energy drinks.

This is Little Black Box, performed for the "Cheese and Crackers" Cabaret night on the Battersea Barge for Excess All Areas in April 2013.

marco paoletti aphex twin juggling difficult malabares pelotas berlin germany katakomben balls siteswaps beanbags balles jonglierbälle tricks juggler jongleur jonglieren

- london tube contact juggling - produced by howie.tv - released April 2013. Matt brings together elements of popping/locking, juggling, manipulation, isolation, illusion and humour to create a modern twist on the classic contact juggling art first seen by many when performed over 25 years ago by Michael Moschen in Jim Henson's 'Labyrinth'. Credited as one of the co-creators of the modern contact juggling style, Matt continues to captivate audiences across the world with his unique performance. He uses a combination of a 100mm solid crystal clear acrylic ball and a touch of obsession. - the music is 'Hard to Find' by Robot Koch. - www.robotsdontsleep.com - soundcloud.com/robot-koch - www.thatguywithaball.com

MiniEd - 4-person, extra-walking, period-6 MinuEd variation /nBase pattern: rotating PPSPPS feed, with C walking on 2 and A walking on 4; walking always on a left hand, clockwise Manipulation sequence as MinuEd without the zip-zip part; crossing pop helps to avoid clubbed heads/nNotation in video, underlining indicates walking/nPro tip: Pass to A on beat 1 should be aimed at M's head/n(This took us quite a few festivals to put together. Thanks for everybody who had the patience with me at MadFest, Mondo, Charlottesville, IJA, EJC, and Passout.)

NÄYTTÄMÖ 'Performing arts center, Joensuu, Finland' Pilkontie 7, 80120 Joensuu/nNÄYTTÄMÖ is a performing arts and concert venue situated at the Pilkontie 7, Joensuu, Finland. NÄYTTÄMÖ is the flagship arts and cultural venue in Joensuu, creating a year-round programme that encompasses the best in contemporary performance, arts participation, cultural education and outreach work for both its community and the sector as a whole./nSirkus Supiainen founded NÄYTTÄMÖ 2018 with support of Finnish Culture Foundation. The NÄYTTÄMÖ is the home stage for Sirkus Supiainen's perormances. We are committed to leading the way in the creation, production, presentation and artist/audience development of and for contemporary circus theatre. /nNÄYTTÄMÖ exists to ignite creativity within, diverse communities and works tirelessly to overcome traditional barriers - including age, socioeconomic background and geography – to achieve full engagement with the arts for everyone./nTechnical Specifications STAGE Block box Layout Stage

I am juggling 3 balls with my arms inhibited by bicycle locks.

Panto, juggled by Graham, Joanne, Danny and Ed. Part of the Aidan Burns Project to juggle all 27 of his variations to the Scrambled V. Notation: __1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iA cB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the carried pass and walks on four count (rotating the positions anti-clockwise). 1. "sC": The manipulator substitutes a self from C to C. This takes place while the juggler is walking on four count. 2. "iA": The manipulator (M) intercepts a the pass from C to A. The juggler who was A is the new manipulator, and reads from the manipulator line. The old manipulator, reads A's line. 3. "cB": The manipulator carries a club to B. We found it useful for the manipulator (who was the feeder for 1 and 2) to say 3 during the carry, for continuity. All the jugglers are re-labeled and the new feeder starts counting the 3 passes. Panto gets it's name from the pass from A to B on beat 1, the club is quite close to the back of the manipulators head (He's behind you!).

One night in a circus Block 33, Thessaloniki, Greece 13,14,15 March 2011

8x10 - Pieces of Stuff at EJC 2010 in Joensuu, Finland Pieces of Stuff: Marco Paoletti (juggling), Milian Vogel (music) and Christian Kielblock (video projection) World record on stage

Aidan Burns' Scrambled V Variation (cA sA iA) The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "cA": The manipulator carries a club to A. 2. "sA": The manipulator substitutes a pass from C to A. 3. "iA": The manipulator (M) intercepts a the pass from B to A. The juggler who was A is the new manipulator, and reads from the manipulator line. All the jugglers are relabeled and the new feeder starts counting the 3 passes. We start the pattern with an unmanipulated pass on beat 1 and on beat 2 with sA. Once the pattern is running the sA happens while M stands close to the Feeder. It is still a substitution, but Feedee C really has to pass to M.

Last summer, we did a little jamming at the beautiful Denckler Block, fancy style. Watch in HD. Check out Felix channel, if you liked his style in the video: http://juggling.tv/users/3345/CreativeClubChaos

Sponsored by Drop Props!/nI did a performance at the Cleveland Fest that was WAY droppy and I was pretty down about it for a while. To try to cheer myself up, I tried to make a list of tricks/patterns that I liked that I could do, then figured it would make an okay video./nThanks to Nikki, Mike, and Princess for help with recording. And Quinn for encouraging me in the fight with inverted sprung cascade./nThe music is Dr. Wily Symphonic by Blue.Nocturne, one of many great remixes at OverClocked ReMix

Ice Cream Man from Long Beach California practicing to reggae music off the clock.

Phantom patterns in rhythm 4,3 & 2 ball patterns based on Pich's theory on 4 balls spin-spin and anti-spin + more techniques about changing independently the direction of the spins of the balls or hands. Example - Pattern from 0:20-2:06 is: Both hands counter clock wise spin all the time. [half spin/full spin-spin] x2 [half spin/full anti-spin] x2

Phantom patterns in rhythm Some pattern analysis: LH=left hand / RH=right hand CW=clockwise/ CCW=counter clockwise S=spin / SS=spin-spin / AS=anti-spin 0:32-1:44: (RH & LH, CCW for the whole pattern) half S - RH full SS & LH full AS - half S - RH full AS & LH full SS 1:45-2:38: (RH & LH CCW) three quarters of SS (x4) (RH & LH CW) three quarters of SS (x4) 2:39-3:37: (RH & LH, CCW for the whole pattern) Half S - pass - full SS (x4 to complete a full pattern with 3 balls) 5:31-5:44: Balls Asymmetric. (RH & LH CCW) 1 quarter of S - 1 quarter of SS (x4) (RH & LH CW) 1 quarter of S - 1 quarter of SS (x4)

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iC cC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "sC": The manipulator substitutes a self from C to C. 2. "iC": The manipulator (M) intercepts a the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator, reads C's line. 3. "cC": The manipulator carries a club to C. This carry is performed as an over the shoulder move. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iC cC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "sB": The manipulator substitutes a pass from A to B. 2. "iB": The manipulator (M) intercepts a the self from B to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line. 3. "cA": The manipulator carries a club to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

We've been wanting to film big flames in slow motion for a long time. Finally at 300fps here's the result... Shot in lovely Bristol, UK. /nBig thanks to Clockwise Media for the fantastic work behind the Epic RED camera & to both LEO UK and DJ Alias for the remix of 'San Francisco Bay'. http://youtu.be/afkaQADWMJk

contact juggling with a bunch of headrolls. The music is from Jeff Smith at http://www.myspace.com/greaterthanthr... . Filming by Christopher Hill. he can be contacted through http://www.youtube.com/user/DimensionX or at his website www.lockdownfilms.com. and the juggler is me Kyle Johnson. This footage is actually from a few months ago, but i have a lot more yet to be filmed

This is a recent reunion performance of the Stoolies, at Lannie's Clock Tower Cabaret.