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Ed Clark's "Minued", performed by Aidee Castro, Rhonda Murray, and Will Murray of Long Beach. The Minued is a pass-pass-self takeout pattern with a basic cycle of 9 beats. Each person takes a turn as the manipulator and then the pattern repeats in a mirror image, so one full cycle takes 54 beats. This video is just under two full cycles. It was shot at the Passing Zone Clubhouse in Huntington Beach, California on April 2, 2015.

A choreographed 1, 2 and 3 poi manipulation routine performed at Bath Upchuck Juggling Convention 2015./nThanks the Van Loop Media for the footage.

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: iB cB sB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "iB": The manipulator (M) intercepts a the pass from A to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line. 2. "cB": The manipulator carries a club to B. 3. "sB": The manipulator substitutes a pass from A to B. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iC cC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "sC": The manipulator substitutes a self from C to C. 2. "iC": The manipulator (M) intercepts a the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator, reads C's line. 3. "cC": The manipulator carries a club to C. This carry is performed as an over the shoulder move. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iC cC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "sB": The manipulator substitutes a pass from A to B. 2. "iB": The manipulator (M) intercepts a the self from B to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line. 3. "cA": The manipulator carries a club to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

Yeah, I have a condition. And yeah, alliteration is cool. Trick inspiration: Ryohei Kimura a.k.a. Jr. Music: EnrightBeats - Round Two Props: Norwiks. Location: University of Victoria, Canada (BC).

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: iB cB sC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "iB": The manipulator (M) intercepts a the pass from A to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line. 2. "cB": The manipulator carries a club to B. 3. "sC": The manipulator substitutes a self from C to C. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

__1__2__3 A: ps ps ps -> M B: ps ss ps -> C C: ss ps ss -> A M: cA sC iA -> B The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "cA": The manipulator (M) carries a club to A. 2. "sC": The manipulator substitutes a pass from A to C. 3. "iA": The manipulator intercepts a pass from B to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes. Juggled in memory of Aidan Burns by Nick Aikens, Jill Carson, Christian Kästner and Greg Phillips at the Not Quite Pittsburgh Juggling Festival, 9 November 2014.

Panto, juggled by Graham, Joanne, Danny and Ed. Part of the Aidan Burns Project to juggle all 27 of his variations to the Scrambled V. Notation: __1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iA cB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the carried pass and walks on four count (rotating the positions anti-clockwise). 1. "sC": The manipulator substitutes a self from C to C. This takes place while the juggler is walking on four count. 2. "iA": The manipulator (M) intercepts a the pass from C to A. The juggler who was A is the new manipulator, and reads from the manipulator line. The old manipulator, reads A's line. 3. "cB": The manipulator carries a club to B. We found it useful for the manipulator (who was the feeder for 1 and 2) to say 3 during the carry, for continuity. All the jugglers are re-labeled and the new feeder starts counting the 3 passes. Panto gets it's name from the pass from A to B on beat 1, the club is quite close to the back of the manipulators head (He's behind you!).

Starting off with the base pattern of rotating 2 count 4 count feed, we then add the maniuplators to do 3B (Brook in blue t-shirt the B maniuplator, Steve in black t-shirt the 3 manipulator). Every 30 beats you get back to the start, and so every 30 beats the B/V manipulator (Brook at this point) switches to the other pattern and the 5 people do around of 3B/3V. We do 3B/3V/3B/3V and then try to exit the pattern. Patterned invented by Aidan - see 'How to Steal From Your Friends' at http://www.juggle.me.uk/passing/ where 3,V,B and transitions between them are described. In Aidan Notation (X, Y, Z are the jugglers): X: Ps | Ps | Ps Y: Ps | ss | Ps Z: ss | Ps | ss 3: cZZ | sZX | iXY V: cXY | sYY | iXZ B: iXY | cYY | sYX I switch by doing the second column of the pattern I've arrived in (as manipulator) and then switching to the third column of the new pattern (and everyone responds accordingly).

Beating Voids Consistency record by 4!

Ice Cream Man from Long Beach California practicing to reggae music off the clock.

Two poles of different lengths balanced simultaneously on the head, as well as some other balancing tricks. This is know as a dual or twin inverted pendulum in control systems engineering. In the first 2 clips I use a long pole that is 4 times the length of the short pole. In the 3rd clip the long pole is only 3 times as long and is more difficult. The poles fit together in sections so that I can pack them in my bag. They're made from a cheap Argos wardrobe. The ball on the end of the long pole is mainly there to make the end more visible. I'm using rubber chair leg feet at the bottom end of the poles. Music is 'Heartbeats' by The Knife.

I thought of the title all by myself years ago but it got shelved into the cold dark reaches of my brain until I felt I had enough tricks to warrant its use. Special thanks to Yuki Ituda and Tao Wei for inspiring me to explore the possibilities of tossing style.

My dad thinks that my juggling has ruined the grass, but he and I both know that it died because he doesn't water it. Note: This version includes an exclusive bonus trick that I felt was worthy only for the hallowed halls of JugglingTV, NOT just because I forgot to put it in the original version. Music: Beat 1, Flynn (both by Ratatat)

Examen de fin d'étude à l'Institut de rythmique Dalcroze de Bruxelles

club swinging with 3 clubs to an electro swing beat. Dance Emphasis Music By: Jamko

www.ejc2013.org Toulouse - France July-27th to august 3rd Thank you to all our friends : - Alexander Brettel (France) - Tassio Folli (Brasil) - Morgan Cosquer (France) - Mikel Ayala (Spain) - Lorenzo Mastropietro (Italy) - Kerol (Spain) - Carlos Munoz (Chile) - All the juggliers and volunteers durinf the 5th French Juggling Convention (july 10/15th 2012) - Sylvain Beaudron (France) - Etienne Chauzy (France) - Romain Marguerite (France) - Antoine Terrieux (France) - Stevhoo (France)/nmusique : http://www.myspace.com/albatarbeats

One of my favorite passing patterns, 4.5p 2.5p 3.5p, named "Holy Grail" by Will and Rhonda, with fourhanded siteswap 975. I passed this pattern in longer rounds with balls and rings, but I think the best club rounds was passing it with Caspar this winter in Pass Out X. I added the Prechacthis site so you can see how to start, and what the single jugglers are doing in every beat.

A cool project I've been working on for a while, enjoy!

Wicked 3 torch Burn at the Pacific Fire Gathering 2012 on the Oregon coast. Music : Paranoia by MainStream Beats Juggler : Kevin Axtell

spectacle trace numero de jonglerie par alan

---------------------------------- WATCH THE FULL QUALITY VERSION HERE: http://www.youtube.com/watch?v=AprVCmWaYGA&feature=g-upl ---------------------------------- AURORA STARR for bookings or enquiries email [email protected] www.aurorastarr.co.uk - coming soon Thanks to Surefire Circus Theatre (http://sure-fire.co.uk/) Film by Starmap Studios for enquiries contact [email protected] http://www.starmapstudios.com http://www.facebook.com/starmapstudios Music Stray - Timbre Critical Music http://www.criticalmusic.com BUY IT HERE: http://www.surus.co.uk/critical-music/critical-sound-cd-format--10025.aspx OR HERE: http://www.beatport.com elease/critical-sound/197951 ----------------------------------

This is a trick more commonly done with clubs, diabolos, or devil sticks but I think it translates nicely with cigar boxes. These are just a few of the many possible variations that I'm working on.

A circus performance my friend and I performed in circus class last term. We have still yet to perform it to an audience this term. The basci story line is that I (the kid with blonde hair starting on stage) am doing some diabolo tricks. My friend (dark haired guy) walks on and sees me. He trys to show me up by juggling but fails (on purpose). I show him up again, and he steals my diabolo (twice) then he grabs some staffs. We fight, he "beats me", but then I get pu and finish him with the diabolo and do a final trick. ENJOY! :DDD/nP.S. The reason I ran off stage quickly was to grab a diabolo which rolled off stage. Sorry for the 2 fails (diabolo ones).