juggling.tv

Knife throwing is the most common and well-known discipline within the impalement arts. It includes the throwing of axes, machetes and other sharp implements as well as knives./nTwo Tornados Irene and Rolf Stey are members of an old Swiss circus family who did a knife act between 1965 and 1985 and made various television appearances, including a performance at the International Circus Festival of Monte-Carlo. They are one of only two acts other than Elizabeth and Collins to have done the simultaneous combination of throwing from a tightrope and the wheel of death.

A “Master of Modern Vaudeville,” Thom Wall has wowed audiences around the globe. With a sharp wit and sharper knives, Thom juggles, balances, and dives his way through exciting and fast-paced acts that astonish and amaze. /nAs one of the last great American gentleman jugglers, Thom presents an elegant show with nuanced comedy and some of the most unusual tricks seen today. Thom is a complete variety performer, finely tailoring each performance to engage and surprise his audience, resulting in a unique and refreshing experience each time./nFor booking and more information, visit www.thomwall.com

www.thomas-dietz.com next workshop 3.6.Oktober.2013 Regensburg Registration [email protected] 2. Juggling workshop with Thomas Dietz! This workshop is for everybody! Here the facts: WHEN? 21.-23. August 2009 WHERE? Ciscus Schnick Schnack in Herne 4 masts big top (9 meter high) and a lot of space to try out, and a two masts training tent. address: Circus Schnick Schnack Roonstraße 22 44629 Herne Contact? Thomas Dietz EMail: [email protected] TEL: 0049 (0) 941 4644980 Mobile: 0049 (0) 163 9019838

Onehanded, Continuous Tumbles - The hat keeps tumbling, in your hand, continuously, infinitely, forever, or at least until you stop. This trick is an extension of the Tumble - so go learn that one now. You'll notice that after you have performed a tumble, you are holding the hat the wrong way round to perform a second tumble immediately after it. This is where the extension comes in. During the first tumble (which is a standard tumble), the hat rotates 1.5 times. The second tumble is similar, but the hat is thrown without a change in grip, it still does 1.5 spins, which means that it is now facing the same way as when you started! Inorder to give yourself space for the second tumble, it feels like you need to throw it a tiny bit higher or faster. Try to make it all flow together into a continuous movement, the hat shouldn't ever pause, the hand acts more as a guide to keep it rotating in the right direction. A nice variation on this is to tumble the hat infront of you, switching hands between tumbles.

The hatstand made its debut at chocfest 7, where I was compering. After a period of prototyping and refining, I built the version that worked. I demoed this a couple of times then it broke. I replaced the elastic and set it up for the big day, used it on stage and it worked, then broke next time I used it. Be prepared to spend significant tinkering time in between uses, and for frequent breakdowns. That said, it's never let me down when I've needed it. All in all I've found it a great way to get chicks[1], if you don't count the long evenings spent honing the design and strewing the house with geeky construction equipment, and the fact you'll be laughed out of most nightclubs if you go in wearing a topper. But on stage it works, and it has drawn admiring glances from fellow jugglers and even won us a bag full of croissants on one occasion. Sweavo, June 2003 [1] facts may vary From the TricksWithHats archive

A variation of the simple turnover: Start with the plate flat in your right hand. Throw it slightly, and while it's airborne turn your right hand so that the heel of the hand contacts the underside of the left rim of the plate as it descends. Push upwards and over with your hand and turn it over so that the plate comes to rest back in your palm. From the TricksWithHats archive

A variation of the simple turnover: Start with the plate flat in your right hand. Throw it slightly, and while it's airborne turn your right hand so that the heel of the hand contacts the underside of the left rim of the plate as it descends. Push upwards and over with your hand and turn it over so that the plate comes to rest back in your palm. From the TricksWithHats archive

juggling act involving drama ball juggling and actro dance.

Firemagic Production - "Because no fire without magic..." Fire juggler, firedance team https://www.firemagic.hu/