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As you can see in the vid the right leg works very much like the left arm in a conveyorbelt. When you get the staff onto the foot you need to turn into the staff so you end up in backwards fishtails. Once your into the fishtails you really need to turn your whole body each half beat to get it smooth (no easy task when your balancing on one leg and trying not to make jerky movements with the other).
00:29
2599
0
09-05-2011
[0]
This is a trick more commonly done with clubs, diabolos, or devil sticks but I think it translates nicely with cigar boxes. These are just a few of the many possible variations that I'm working on.
01:05
2564
1
09-05-2012
[3]
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C".
The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern.
On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "iC": The manipulator (M) intercepts the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line.
2. "cA": The manipulator substitutes a _pass_ from A to B.
3. "sC": The manipulator substitutes a _self_ from C (to C).
The passes _from_ the feeder are not manipulated, the feeder does only normal pass throws to B, C, B
00:52
2497
0
09-05-2015
[0]
This came about through me and Tim messing about with antispin contact ideas and trying to work out how to antispin a fishtail. We came up with the antispin fishtail fountain and realised it could be done without antispin (obviously). Surprisingly the antispin version is easier as it doesn't try to fly off your hand as much. Starting in reverse do 1 beat behind you then go straight into a 180 fishtail carry upwards. As you come out of the 180 do 1 beat of forwards fishtail behind you and pull it out into a low 180 carry back the way you came. Repeat.
00:31
2481
0
09-05-2011
[0]
Aidan Burns' Scrambled V Variation (iB cB sA)
General information:
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass.
Walking:
After pass three, B walks on a 4-count to the left side of A. All the jugglers are relabeled
(A -> B', B -> C', C -> A')
and the new feeder A' starts counting the 3 passes, starting with B'.
The manipulation:
1. "iB": The manipulator (M) intercepts a pass from A to B.
The juggler who was B is new M, and reads from the manipulator line. The juggler who was M now is B.
2. "cB": M carries a club to B.
3. "sA": M substitutes a the pass from B to A.
How to do this pattern:
We start manipulating the pattern by substituting the pass from B to A on beat three.
You can skip the tree bit if you like.
00:46
2463
0
09-05-2016
[0]
The Ambled 3V, a.k.a., Unicorn Charge! Performed by Keith Campbell, Ingrid Johnson, Will Murray, Britt Tyler, and Staffan Ulfberg in July 2017./nThe Scrambled 3V is a combination of Aidan Burns's Scrambled 3 and Scrambled V patterns to make a five-person, two-manipulator pattern. In the Ambled version, we add an extra club (12 in total) and make all the passes doubles so it takes place on a 10-club doubles feed. /nIn the Ambled 3, the manipulator (M) substitutes a pass from the right feedee (C) to the feeder (A). But *before* delivering that club to A, M must steal another club from A. (This is the same set of steals as in the Scrambled 3, but in the Scrambled 3 you don't have the time travel problem.) So M must actually juggle for one beat! /nWhen we filmed this, Ingrid and Britt were wearing matching unicorn t-shirts, so when they charged together they made unicorn horns. This is how the pattern shall forever henceforth be performed.
01:06
2427
0
01-08-2017
[1]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: iB cB sB -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "iC": The manipulator (M) intercepts a self from C to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator, reads C's line.
2. "ca": The manipulator carries a club to A.
3. "sA": The manipulator substitutes a pass from B to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
00:32
2426
0
10-04-2016
[3]
A short video of me training backstage at the batman live arena tour, a few things that i get up to when not getting beaten up by batman.
01:55
2421
3
07-11-2011
[1]
A little bit of extreme freeski, a less bit of juggling and a big beat in ski or die downhill blitz music.
Enjoy!
02:01
2405
0
03-01-2012
[1]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: sC iC cC -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "sB": The manipulator substitutes a pass from A to B.
2. "iB": The manipulator (M) intercepts a the self from B to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line.
3. "cA": The manipulator carries a club to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
00:31
2387
0
06-01-2015
[0]
A choreographed 1, 2 and 3 poi manipulation routine performed at Bath Upchuck Juggling Convention 2015./nThanks the Van Loop Media for the footage.
04:45
2384
0
03-03-2015
[1]
These can be done forwards and backwards. They arn't true elbow fishtails because there is only one beat of a fishtail at a time with other beats put in to get positioning. If anyone manages complete continuous elbow fishtails please let me know and i'll stick a vid up cos they are DAMN hard. The tricky bit of this move is getting your elbow across 180 fast enough to catch the fishtail but not so fast the staff flys off your elbow. (See also Reverse Elbow Fishtails)
00:34
2370
0
09-05-2011
[0]
Aidan Burns' Scrambled V Variation (cA sA iA)
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "cA": The manipulator carries a club to A.
2. "sA": The manipulator substitutes a pass from C to A.
3. "iA": The manipulator (M) intercepts a the pass from B to A.
The juggler who was A is the new manipulator, and reads from the manipulator line. All the jugglers are relabeled and the new feeder starts counting the 3 passes.
We start the pattern with an unmanipulated pass on beat 1 and on beat 2 with sA.
Once the pattern is running the sA happens while M stands close to the Feeder. It is still a substitution, but Feedee C really has to pass to M.
01:08
2367
0
17-04-2016
[1]
My dad thinks that my juggling has ruined the grass, but he and I both know that it died because he doesn't water it.
Note: This version includes an exclusive bonus trick that I felt was worthy only for the hallowed halls of JugglingTV, NOT just because I forgot to put it in the original version.
Music: Beat 1, Flynn (both by Ratatat)
02:00
2321
1
12-07-2013
[1]
MinuEd is a pass-pass-self base pattern, with some one beat manipulations, which makes it more difficult than standard notation patterns where every manipulation is given two beats. It is juggled in the Rhonda manipulation style http://juggling.tv/15646. First round of the pattern ever recorded (http://juggling.tv/15002) was in the iconic Rhonda styling, so it has set the default style for MinuEd
Notation is in the video!
00:58
2302
0
11-01-2016
[1]
Beating Voids Consistency record by 4!
01:27
2259
0
26-09-2014
[0]
This move evolved from the inside bit of 5 beat fishtails. Basically you are fishtailing on the inside bit of your thumb between your thumb and arm. This is fairly tricky to keep going so what I do (as you will see in the video) is add extra beats to keep the momentum going, this does technically declassify the move as a fishtail but I think it's quite a fun move and it feels nice to do.
01:13
2247
0
09-05-2011
[0]
Become a superhero! Oh, the beauty of one beat weaves!
Also check out JasonDivad.com
04:29
2246
0
09-03-2012
[1]
These can be done forwards and backwards. They arn't true elbow fishtails because there is only one beat of a fishtail at a time with other beats put in to get positioning. If anyone manages complete continuous elbow fishtails please let me know and i'll stick a vid up cos they are DAMN hard. The tricky bit of this move is getting your elbow across 180 fast enough to catch the fishtail but not so fast the staff flys off your elbow. (See also Elbow Fishtails)
01:02
2223
0
09-05-2011
[0]
Another good move to start with, this is just a reverse elbow wrap followed by a forwards elbow wrap but in wall plane (spinning in front of you as if you were facing a wall). As with all contact, don't let go of the staf untill your hand is touching the contact point (in this case the outside of your elbow). This helps give a nice smooth contact roll. As the video shows this move can be done with hands apart (adding an extra beat) or together. It also leads nicly into pivots.
00:33
2192
0
10-05-2011
[0]
club swinging with 3 clubs to an electro swing beat.
Dance Emphasis
Music By: Jamko
03:34
2141
1
08-04-2013
[3]
Includes techniques and contact variations such as: 333 contact chest roll, 333 contact arms chest roll, addicted roll, mill mess back contact, 531 chin contact,
Other techniques like: no beat and ball spinning, no beat activated, rubenstein, thomahauck, backcross and ball contact, 522 and ball contact, 531 and ball contact.
04:09
2126
0
15-06-2017
[2]
