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Setting a record for the BKA forum. Stab(bing Heaven).
01:50
2856
0
27-03-2013
[0]
solo performance for lichtfaktor crew at ´lange nacht der kölner museen´, in cologne, germany.
the original music was played live by drum´n´base guru THE GREEN MAN, sadly due to technical computer problems the music was lost. the juggling was full improvised to music.
10:04
2853
0
15-04-2011
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Direction: Maksim Komaro
Performers: Sean Gandini, Sakari Männistö, Owen Reynolds, Iñaki Sastre,
Kati Ylä-Hokkala
Lighting Design: Juho Rahijärvi
Sound Design: Tuomas Norvio
Video Edit:Joonas Rissanen
Clubs by Play.
Production: Circo Aereo (FI), Gandini Juggling (UK)
Co-producers: Agit-Cirk (FI), Arts Council England (UK), Cirko Center for New Circus (FI)
01:33
2813
0
08-11-2011
[0]
A “Master of Modern Vaudeville,” Thom Wall has wowed audiences around the globe. With a sharp wit and sharper knives, Thom juggles, balances, and dives his way through exciting and fast-paced acts that astonish and amaze. /nAs one of the last great American gentleman jugglers, Thom presents an elegant show with nuanced comedy and some of the
most unusual tricks seen today. Thom is a complete variety performer, finely tailoring each performance to engage and surprise his audience, resulting in a unique and refreshing experience each time./nFor booking and more information, visit www.thomwall.com
04:20
2809
0
27-12-2015
[0]
I had big problems with editing this. I am sorry for the bad qualitly, it was hd at first but my pc couldn't handle it so I had to convert it into such a bad quality :(. I am proud of this video anyway :D, there are some awesome 3d skills and also some new variations with 1 and 2d I came up with in this video.
Pls comment :D
02:44
2799
0
21-04-2011
[0]
Been wanting to do this trick for a while and I finally landed It!
00:20
2784
0
30-05-2015
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Finally got a new prop, and I got it exactly 1 week before filming, and that week was E3 week. All the gamers out there can figure out how much practice I had that week...but yea, I upgraded to new sticks, string, and length 2 days before filming, so it took a while for me to get used to it, even now it feels weird./nBut yea, the 2nd song was a light fun hearted song (for most of it), so that's why I wasn't too serious about editing, it just seemed to fit well having extended clips. I like it.
hoop
- isolations
- after
- month
- and
- contact
- toss
- juggling
- poi
- years
- fushigi
- fushigi
- ball
- magic
- gravity
- ball
- magic
- gravity
- ball
- toss
- juggling
- rings
- big
- two
- sides
- double
- color
- balls
- clubs
- pendulum
- poi
- sock
- fire
- fireball
- snakes
- isolation
- hoop
- contact
- diabolo
- dia
06:20
2780
0
11-06-2012
[0]
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C".
The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern.
On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "iC": The manipulator (M) intercepts the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line.
2. "cA": The manipulator substitutes a _pass_ from A to B.
3. "sC": The manipulator substitutes a _self_ from C (to C).
The passes _from_ the feeder are not manipulated, the feeder does only normal pass throws to B, C, B
00:52
2778
0
09-05-2015
[0]
Today, I am going to show you how to take a "bit of clown" and use it's' power to change your life.
You can change all this by letting a little bit of "clown" into your life. Hey, no big deal! It is easier than falling out of bed.
04:28
2746
0
18-10-2010
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This came about through me and Tim messing about with antispin contact ideas and trying to work out how to antispin a fishtail. We came up with the antispin fishtail fountain and realised it could be done without antispin (obviously). Surprisingly the antispin version is easier as it doesn't try to fly off your hand as much. Starting in reverse do 1 beat behind you then go straight into a 180 fishtail carry upwards. As you come out of the 180 do 1 beat of forwards fishtail behind you and pull it out into a low 180 carry back the way you came. Repeat.
00:31
2701
0
09-05-2011
[0]
I can't do this move yet so here's a description from Tim:
Bacisally this move is just a way of combining a full steve & a matrix into one move. As the staff rolls down the left arm you need it to roll so the centre is a couple of inches infront of the arm (too much and the staff will speed up, too little and the staff won't make it round). The staff then goes round the left shoulder, round the neck and rolls up the right arm. As the staff gets to the top you propeller round the right wrist then let it roll back down the right arm. This is where it gets hard (espcially if you want it to feel smooth). As the staff rolls down the right arm you need to roll it so the centre moves behind the arm then roll it round the right shoulder round the throat and back up the left arm. It's tempeting to bring the staff round the right arm before it gets to the shouder but it don't look as good and it doesn't have the same flow to it).
In short the move goes 1/4 steve - 1/2 matrix - 1/2 steve -1/2 matrix - 1/4 steve enjoy
00:34
2691
0
22-02-2011
[0]
Aidan Burns' Scrambled V Variation (iB cB sA)
General information:
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass.
Walking:
After pass three, B walks on a 4-count to the left side of A. All the jugglers are relabeled
(A -> B', B -> C', C -> A')
and the new feeder A' starts counting the 3 passes, starting with B'.
The manipulation:
1. "iB": The manipulator (M) intercepts a pass from A to B.
The juggler who was B is new M, and reads from the manipulator line. The juggler who was M now is B.
2. "cB": M carries a club to B.
3. "sA": M substitutes a the pass from B to A.
How to do this pattern:
We start manipulating the pattern by substituting the pass from B to A on beat three.
You can skip the tree bit if you like.
00:46
2681
0
09-05-2016
[0]
Setting a record for the BKA forum. Clifftop.
00:56
2655
0
27-03-2013
[0]
Attempting trick 3 of the BKA Outlink Competition.
00:16
2654
0
28-02-2015
[0]
Fishtail transfers are when you go straight from forwards fishtail to backwards (or vice versa). These are a good way of getting your fishies nice and tight. Also once you have these you can do 360 Fishtails cos you just keep turning the same way.
00:25
2634
0
10-03-2011
[0]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: sC iC cC -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "sB": The manipulator substitutes a pass from A to B.
2. "iB": The manipulator (M) intercepts a the self from B to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line.
3. "cA": The manipulator carries a club to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
00:31
2630
0
06-01-2015
[0]
From forward with the right hand when the staff comes in front of you start the movement off as if you were going to do a 180 fishtail, but instead of taking the staff behind you (on the other side) you do a quick 360 and tuck your hand behind your head then go back into forward fishtails (it feels a bit like you untwisting your body underneth the staff). p.s. you don't really need to hold your chest wheil doing this move
00:19
2601
0
09-05-2011
[0]
These can be done forwards and backwards. They arn't true elbow fishtails because there is only one beat of a fishtail at a time with other beats put in to get positioning. If anyone manages complete continuous elbow fishtails please let me know and i'll stick a vid up cos they are DAMN hard. The tricky bit of this move is getting your elbow across 180 fast enough to catch the fishtail but not so fast the staff flys off your elbow. (See also Reverse Elbow Fishtails)
00:34
2588
0
09-05-2011
[0]
The Mondial Hop yo-yo transition move demonstrated by Luke Renner. Yo-Yo used in the demonstration is the Duncan Mondial along with the MagicYoYo N6 and T5. The Mondial Hop is used in Pop N Fresh. The Mondial yo-yo was originally created by Harry Bair and has around 50 string gap settings. Video features an onscreen cameo by Jacob Renner along with Izzi's audio cameo. Filmed and edited in Northwest New Mexico New Year's Eve 2012. Cinematography by Izzi. Music "A Shot in the Dark" by El Patapsco.
01:02
2585
0
09-02-2013
[0]
Extract from the show Downfall at the Clore Studio in the Royal Opera House London, 2008.
Performers: Owen Reynolds, Kati Ylä-Hokkala, Frederike Gerstner, Iñaki Fernández Sastre, Sean Gandini.
Directed by John Paul Zaccarini
Lighting Design: Jean-Ba Laude
Cameras by Mark Morreau
09:25
2582
0
08-11-2011
[0]
A segment from my practice session today.
Drilling BtN (behind the neck) variations of things. It's still bumpy but progress is being made, slowly but surely. Posting on the web for concrit and tips from other jugglers.
I start by showing the normal move I am doing/attempting, then proceed with attempted BtN variations of that move.
05:09
2578
0
08-05-2011
[0]
Getting back at shalafi. :-)
03:14
2557
0
04-09-2014
[0]
Beating Voids Consistency record by 4!
01:27
2544
0
26-09-2014
[0]
Aquí os dejo un vídeo de algunos trucos con el Kendama nuevo en mi azotea. Las tomas están grabadas con mi propio móvil, espero que os guste y den like!
03:50
2538
0
06-04-2016
[0]
