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Firemagic Production - "Because no fire without magic..."
Fire juggler, firedance team
https://www.firemagic.hu/
firemagic
- production
- firejuggler
- firedance
- tűzzsonglőr
- tűztánc
- acrobatic
- akrobatikus
- produkció
- tűzvarázs
- fire
02:35
2167
0
05-02-2015
[1]
Urban circus acrobatic and juggling skills filmed in Liverpool over summer break 2014. Rooftop exploration and freerunning, 7 ball juggling, handstands and head-balance, gym acro and tricking training. Jugg life.
05:28
4225
0
04-02-2015
[3]
Upping the count on the forum record.
01:46
2689
0
03-02-2015
[0]
Having a crack at the forum record.
05:50
2263
0
03-02-2015
[0]
Outlink trick one - big cup cheek trap!Visit www.kendama.co.uk/forum to have a look why I am doing this, but hurry!
00:10
2143
0
03-02-2015
[0]
First stage of BKA Outlink 2015 - Cheeky Trap
00:26
1730
0
03-02-2015
[0]
Windscreen Wipers! :-)
00:17
3613
0
03-02-2015
[0]
outlink competition from kendama.co.uk/forum
00:11
1978
0
02-02-2015
[0]
Juggling - April 2013
More on https://www.youtube.com/user/p0otty/
03:15
1740
0
01-02-2015
[2]
1st trick of Outlink 2015 competition of the BKA.
00:20
1889
0
01-02-2015
[0]
Hold the hat by the brim with your left hand so that the crown of the hat is facing away from you. Take the stick in your right hand.
With a flick of your wrist, throw the hat up slightly so that it starts spinning anti-clockwise. As the hat descends, hit the brim with the stick slightly to the right of center, such that the stick curves slightly upwards and outwards. This will cause the hat to spin as it rises into the air. As it descends again, repeat the hitting action.
The idea of the basic spin is to keep the hat in the air by hitting it repeatedly with the stick in this manner. I find it helps if you look at the top portion of the inside of the hat.
Adjusting the spin rate and direction:
Hitting the hat nearer the center will give you a slower spin and more height, nearer the edge will give you a faster spin but less height. Obviously striking the left side of the brim will reverse the spin and cause the hat to go clockwise.
From the TricksWithHats archive
00:05
2772
0
24-01-2015
[1]
This is my first video here, there's some older stuff but I hope it is still entertaining! Enjoy the music as well. The song is Swinging from the Castle- Awolnation
01:34
1901
0
23-01-2015
[1]
Luke's Monster Yo-Yo Mount (easy mount) - Demonstrated by Luke Renner. Yo-Yos featured the new 2015 MagicYoYo Silencer and MagicYoYo K5. Special thanks to MagicYoYo in Shenzhen! Filmed in Northwest New Mexico December 2014 and January 2015. The Monster Mount is being released for new tricks coming to the StringSlingerNM channel (see the K9 training). Music "A Shot in the Dark" by El Patapsco. Monster footage is in from the public domain from public domain movie trailers.
01:43
4405
0
20-01-2015
[1]
5,6 and 7 ball juggling in 1987 at the National Circus of Austria (Althoff-Jacobi). Believe it or not, but when I performed 7 balls in these years I had never seen any other juggler doing this before.
I used tennisballs filled with rice. 1987 was my only booking in a circus, usually I performed in night-clubs, casinos and cabarets with low ceiling. You notice that I didn't juggle very high.
14:22
4537
1
19-01-2015
[4]
Black-light juggling at the Casino de la Vallée, St. Vincent, Italy)
09:51
2070
0
18-01-2015
[2]
WIP work in progress or a TIP trick in progress... featuring the MagicYoyo K5. Special Thanks to MagicYoYo in Shenzhen!
00:11
1589
0
17-01-2015
[0]
Scrambled V variation '3' juggled by Christian, Michael, Mark-Jan and Juli at PassOut 2014-2015 in Someren, NL.
1 2 3
A: ps ps ps
B: ps ss ps
C: ss ps ss
cC sA iB
Music: RiGNA FOLK - Criminal Part 1
00:49
3202
0
06-01-2015
[0]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: iB cB sB -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "iB": The manipulator (M) intercepts a the pass from A to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line.
2. "cB": The manipulator carries a club to B.
3. "sB": The manipulator substitutes a pass from A to B. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
00:31
3039
0
06-01-2015
[0]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: sC iC cC -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "sC": The manipulator substitutes a self from C to C.
2. "iC": The manipulator (M) intercepts a the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator, reads C's line.
3. "cC": The manipulator carries a club to C. This carry is performed as an over the shoulder move. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
00:30
2835
0
06-01-2015
[0]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: sC iC cC -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "sB": The manipulator substitutes a pass from A to B.
2. "iB": The manipulator (M) intercepts a the self from B to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line.
3. "cA": The manipulator carries a club to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
00:31
2540
0
06-01-2015
[0]
Nevrotiq, from névrose (neurosis), a strange atmosphere video
http://lnk.nu/youtube.com/1d6kh
03:09
1873
1
05-01-2015
[3]
Tricklist for the Advanced Division of the Irish Kendama Open (IKO) 2015.
IKO 2015 will be part of the Dublin Circus Festival and will be help on March 21st.
More info on the event: http://kendama-ireland.org/irish-kendama-open-2015/
02:04
3083
0
04-01-2015
[1]
Hom(m)
Un enfermement volontaire pour libérer les désirs
Loïc Faure s'enferme pour inventer un nouveau chemin vers la liberté. Enchaîné à sa cage, il grimpe, jongle, s’obstine et déborde d’énergie. Le corps se forge, les balles s’apprivoisent, le spectaculaire se mêle de virtuosité et de poésie. /nAcrobatie au sol ou sur mât chinois, cascades, tour de force, Loïc Faure pratique un théâtre physique où toujours il jongle. Épris de défis, il cultive sa passion en l'assaisonnant d'embûches. Avec Hom(m), il faudra entrer dans la cage-matrice pour s'adonner au désir irrépressible de jongler. Et comment s'y prendre quand les mains sont entravées ? En persistant, quitte à jouer de la tête, des oreilles, des pieds.
02:14
2270
0
24-12-2014
[0]
Trailer
Création 2014
Music : Jack The Ripper - Liberation/nPetite forme d’extérieur : jardin, roseraie, place,
parc… Duo dansé, jonglé, objets volants./nConception et interprétation : Isabelle Avid et Albin Hédon/nIsabelle Avid
61, rue Gérard Duvergé 47000 AGEN
[email protected]
cielecorpsage.com/
Téléphone : 06 31 95 15 55/nPour trouver la légèreté au propre comme au figuré,
Connaitre son poids est une nécessité.
Que ce soit le corps du danseur, du jongleur ou celui de l’objet,
le poids seul permet de trouver l’envol : se soulever, oser la vivacité,
s’offrir l’agilité, à contrario de l’immobilité.
Et pourtant nous ne sommes pas oiseaux, la légèreté peut
se passer ailleurs que dans le battement d’ailes.
Elle peut se nicher dans les recoins de l’être, aux confins de sa danse,
de son équilibre.
On se sent alors plein d'une Légèreté cristalline, vibrante.
Et que dire du parfum des roses ?
02:52
3106
0
22-12-2014
[3]
