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A new pattern created using Aidan notation. The manipulators in this pattern are dependent, as clubs are taken by one manipulator and replaced by the other.
4 count static Y base, with B at the back of the Y, D in the middle of the Y, A on the left of the Y (from the point of view of D and B) and C on the right. Aiden notation for the pattern:
A ps|ss|ps|ss|ps|ss
B ps|ss|ps|ss|ps|ss
C ps|ss|ps|ss|ps|ss
D ps|ss|ps|ss|ps|ss
M1 cD|--|sA|iA|cA|--
M2 sC|iC|cD|iD|cB|iB
Starting:
M1 starts back to back with D facing B
M2 stands in front of C facing C
We start with a ps and then the manipulators begin on ss. The manipulators start on the last instruction at ss as it is written above (M1 --, M2 iB)
When M1 reaches the end of the instructions, M1 becomes M2 (having reached the physical location of M2 at the start of the M2 instructions). Similarly M2 becomes M1
00:50
2713
0
29-07-2013
[0]
Setting a record for the BKA forum. 11 in a row. http://www.kendama.co.uk/forum/index.php/topic,209.0.html
00:41
2712
0
24-01-2013
[0]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: sC iC cC -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "sC": The manipulator substitutes a self from C to C.
2. "iC": The manipulator (M) intercepts a the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator, reads C's line.
3. "cC": The manipulator carries a club to C. This carry is performed as an over the shoulder move. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
00:30
2712
0
06-01-2015
[0]
solo performance for lichtfaktor crew at ´lange nacht der kölner museen´, in cologne, germany.
the original music was played live by drum´n´base guru THE GREEN MAN, sadly due to technical computer problems the music was lost. the juggling was full improvised to music.
10:04
2705
0
15-04-2011
[0]
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "cC": The manipulator carries a club to C.
2. "sC": The manipulator substitutes a pass from A to C.
3. "iB": The manipulator (M) intercepts a the pass from A to B.
The juggler who was B is the new manipulator, and reads from the manipulator line. All the jugglers are relabeled and the new feeder starts counting the 3 passes.
It´s easier for the manipulator tells AND 1 2 3 as the cC actually happens before count 1.
We find it much easier to start the pattern on count 2 and miss the cC in the first round.
Wolfgang (blue t-shirts) moves different on iB. Just choose your favorite style.
01:26
2700
0
09-05-2015
[0]
Setting a record for the BKA forum. Stab(bing Heaven).
01:50
2692
0
27-03-2013
[0]
A mildly plagiaristic 3 ball routine. :-)
01:11
2688
0
21-04-2010
[0]
I had big problems with editing this. I am sorry for the bad qualitly, it was hd at first but my pc couldn't handle it so I had to convert it into such a bad quality :(. I am proud of this video anyway :D, there are some awesome 3d skills and also some new variations with 1 and 2d I came up with in this video.
Pls comment :D
02:44
2677
0
21-04-2011
[0]
These are a nice varient of conveyor belts. First learn to do continuous. When the staff is falling off your last elbow, raise that elbow and bring your other elbow underneath to catch it by sort of hugging yourself. Give the staff a bit of a pop as it comes off so as to give yourself a little more time to catch it. When you've got that add the antispin by moving each point of the move to the antispin points (watch the video).
00:26
2676
0
10-05-2011
[0]
I've been putting a lot of focus into my 8 ball pattern and it's taking off! Hopefully I can get a world record run on camera soon.
00:60
2636
0
22-01-2015
[0]
Finally got a new prop, and I got it exactly 1 week before filming, and that week was E3 week. All the gamers out there can figure out how much practice I had that week...but yea, I upgraded to new sticks, string, and length 2 days before filming, so it took a while for me to get used to it, even now it feels weird./nBut yea, the 2nd song was a light fun hearted song (for most of it), so that's why I wasn't too serious about editing, it just seemed to fit well having extended clips. I like it.
hoop
- isolations
- after
- month
- and
- contact
- toss
- juggling
- poi
- years
- fushigi
- fushigi
- ball
- magic
- gravity
- ball
- magic
- gravity
- ball
- toss
- juggling
- rings
- big
- two
- sides
- double
- color
- balls
- clubs
- pendulum
- poi
- sock
- fire
- fireball
- snakes
- isolation
- hoop
- contact
- diabolo
- dia
06:20
2633
0
11-06-2012
[0]
A “Master of Modern Vaudeville,” Thom Wall has wowed audiences around the globe. With a sharp wit and sharper knives, Thom juggles, balances, and dives his way through exciting and fast-paced acts that astonish and amaze. /nAs one of the last great American gentleman jugglers, Thom presents an elegant show with nuanced comedy and some of the
most unusual tricks seen today. Thom is a complete variety performer, finely tailoring each performance to engage and surprise his audience, resulting in a unique and refreshing experience each time./nFor booking and more information, visit www.thomwall.com
04:20
2618
0
27-12-2015
[0]
Been wanting to do this trick for a while and I finally landed It!
00:20
2605
0
30-05-2015
[0]
Direction: Maksim Komaro
Performers: Sean Gandini, Sakari Männistö, Owen Reynolds, Iñaki Sastre,
Kati Ylä-Hokkala
Lighting Design: Juho Rahijärvi
Sound Design: Tuomas Norvio
Video Edit:Joonas Rissanen
Clubs by Play.
Production: Circo Aereo (FI), Gandini Juggling (UK)
Co-producers: Agit-Cirk (FI), Arts Council England (UK), Cirko Center for New Circus (FI)
01:33
2601
0
08-11-2011
[0]
I was bored afew nights ago so I decided to upload some short and extremely basic and easy club and ring rountines until the "Big Projects" are finished.
01:24
2600
0
04-05-2012
[0]
A promo for our routine Dueling Hats. Devised and performed by Paddy McCrea & Harry Clements
01:11
2596
0
20-12-2013
[0]
Nearing the end of what was turning out to be a pretty lame juggling practice session, I was dead tired and pissed off. Instead of stopping to employ some of my choicest expletives, I continued derpin' around which inadvertently gave birth to a new style of cigar box juggling./nMusic is Yumi-Ga-Hama by Kodo.
01:20
2582
0
09-05-2012
[0]
Today, I am going to show you how to take a "bit of clown" and use it's' power to change your life.
You can change all this by letting a little bit of "clown" into your life. Hey, no big deal! It is easier than falling out of bed.
04:28
2577
0
18-10-2010
[0]
1) Download
2) Open in Windows Movie Player
3) Press Ctrl + T to set repeat on
4) A near continuous slow-mo mills mess! Enjoy!
00:22
2547
0
09-03-2011
[0]
I can't do this move yet so here's a description from Tim:
Bacisally this move is just a way of combining a full steve & a matrix into one move. As the staff rolls down the left arm you need it to roll so the centre is a couple of inches infront of the arm (too much and the staff will speed up, too little and the staff won't make it round). The staff then goes round the left shoulder, round the neck and rolls up the right arm. As the staff gets to the top you propeller round the right wrist then let it roll back down the right arm. This is where it gets hard (espcially if you want it to feel smooth). As the staff rolls down the right arm you need to roll it so the centre moves behind the arm then roll it round the right shoulder round the throat and back up the left arm. It's tempeting to bring the staff round the right arm before it gets to the shouder but it don't look as good and it doesn't have the same flow to it).
In short the move goes 1/4 steve - 1/2 matrix - 1/2 steve -1/2 matrix - 1/4 steve enjoy
00:34
2545
0
22-02-2011
[0]
Juistinas from Fire Dancing talks to Nathan
04:37
2538
0
24-08-2010
[0]
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C".
The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern.
On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "iC": The manipulator (M) intercepts the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line.
2. "cA": The manipulator substitutes a _pass_ from A to B.
3. "sC": The manipulator substitutes a _self_ from C (to C).
The passes _from_ the feeder are not manipulated, the feeder does only normal pass throws to B, C, B
00:52
2537
0
09-05-2015
[0]
Setting a record for the BKA forum. Clifftop.
00:56
2523
0
27-03-2013
[0]
This came about through me and Tim messing about with antispin contact ideas and trying to work out how to antispin a fishtail. We came up with the antispin fishtail fountain and realised it could be done without antispin (obviously). Surprisingly the antispin version is easier as it doesn't try to fly off your hand as much. Starting in reverse do 1 beat behind you then go straight into a 180 fishtail carry upwards. As you come out of the 180 do 1 beat of forwards fishtail behind you and pull it out into a low 180 carry back the way you came. Repeat.
00:31
2518
0
09-05-2011
[0]
Aidan Burns' Scrambled V Variation (iB cB sA)
General information:
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass.
Walking:
After pass three, B walks on a 4-count to the left side of A. All the jugglers are relabeled
(A -> B', B -> C', C -> A')
and the new feeder A' starts counting the 3 passes, starting with B'.
The manipulation:
1. "iB": The manipulator (M) intercepts a pass from A to B.
The juggler who was B is new M, and reads from the manipulator line. The juggler who was M now is B.
2. "cB": M carries a club to B.
3. "sA": M substitutes a the pass from B to A.
How to do this pattern:
We start manipulating the pattern by substituting the pass from B to A on beat three.
You can skip the tree bit if you like.
00:46
2508
0
09-05-2016
[0]
