juggling.tv

Some juggling next to all the monuments I could find in my neighbourhood!/nAlso stumbled across a dog that seemed mesmerised by what I was doing. He was actually quite helpful...

Start with plate flat on your right hand. Swing it in a full anti-clockwise circle, twisting your wrist over at the top so the plate finishes back in its original position with your shoulder and wrist twisted to support it. Reverse the move to unkink your arm. It's also possible to stop the plate at the top of the circle and bring it back down the way it came. From the TricksWithHats archive

What do you think about that one? Something new at all? Dunno. Have fun!!!

Practice video have fun :)

Rob, Adam & Void having some clicking fun at Bath Upchuck juggling convention.

This is a collection of video I shot over the years as I developed a routine around the tennis ball and can./nHere's my recollection of the history of 3 tennis balls and a tennis can: On easter of 1989 I was bored and picked up a can of tennis balls thinking, "I can probably throw all of the balls out of the can and then go into a 4 pattern that includes the can." I quickly discovered some of the centrifugal properties of the can and began developing a routine at the Celebration Barn with people like Fritz Grobe and Steven Ragatz helping to critique my idea. At the same time in another part of the world, Scott Slesnick had discovered the same prop, but was doing different things with it. Neither of us knew of the other for years, but when we met at an IJA convention in Vegas one year, we pieced together the rumors we had heard of each other and decided that we had both come up with it independently and had been spreading it around the world over the years.

Worst quality of all time, but here you go: Aero > Jumping Stick > Build the Lighthouse > Lighthouse Somersault > In > Reverse Build the Lighthouse > Reverse Lighthouse Somersault > In > Reverse Jumping Stick

The hatstand made its debut at chocfest 7, where I was compering. After a period of prototyping and refining, I built the version that worked. I demoed this a couple of times then it broke. I replaced the elastic and set it up for the big day, used it on stage and it worked, then broke next time I used it. Be prepared to spend significant tinkering time in between uses, and for frequent breakdowns. That said, it's never let me down when I've needed it. All in all I've found it a great way to get chicks[1], if you don't count the long evenings spent honing the design and strewing the house with geeky construction equipment, and the fact you'll be laughed out of most nightclubs if you go in wearing a topper. But on stage it works, and it has drawn admiring glances from fellow jugglers and even won us a bag full of croissants on one occasion. Sweavo, June 2003 [1] facts may vary From the TricksWithHats archive

This is my first video here, there's some older stuff but I hope it is still entertaining! Enjoy the music as well. The song is Swinging from the Castle- Awolnation

one guy, one diabolo.... much fun ;)... !!!! maybe a kind of oldschool style, with just one diabolo, but its time to make no numbers!!!!

I've been putting a lot of focus into my 8 ball pattern and it's taking off! Hopefully I can get a world record run on camera soon.

This is how Ari and I spent New Years Eve. A lot more fun than the traditional sort of celebration in my opinion!

All 20 set tricks from Outlink 2014 compiled into 1 video.

Rings routine. Fun to make. Enjoy.

Just for remember some beautiful months in spain [email protected] http:/ apidodiabolo.weebly.com/

Clips from BBC shows. Full 'Pistolero' routine to Streets Of Laredo.

Trailer Création 2014 Music : Jack The Ripper - Liberation/nPetite forme d’extérieur : jardin, roseraie, place, parc… Duo dansé, jonglé, objets volants./nConception et interprétation : Isabelle Avid et Albin Hédon/nIsabelle Avid 61, rue Gérard Duvergé 47000 AGEN [email protected] cielecorpsage.com/ Téléphone : 06 31 95 15 55/nPour trouver la légèreté au propre comme au figuré, Connaitre son poids est une nécessité. Que ce soit le corps du danseur, du jongleur ou celui de l’objet, le poids seul permet de trouver l’envol : se soulever, oser la vivacité, s’offrir l’agilité, à contrario de l’immobilité. Et pourtant nous ne sommes pas oiseaux, la légèreté peut se passer ailleurs que dans le battement d’ailes. Elle peut se nicher dans les recoins de l’être, aux confins de sa danse, de son équilibre. On se sent alors plein d'une Légèreté cristalline, vibrante. Et que dire du parfum des roses ?

I've uploaded this video on youtube, but the music was deleted (in Germany, I don't know about other countries) so here is the video WITH music ;) Youtube: https://www.youtube.com/watch?v=itlbd-YlCwo&list=UUJJ40yhuQTwfUqn2Rm8I8MQ

Marleen gave us some helium balloons. We had a lot of fun with them. ^^

Fun on a Sunday

Johnny and I traveled to so many conventions this year and Mees has always been there. Also Mees came to visit me this year. So these are some clips of us juggling and having fun

Juggling is fun! Please don't pay attention to the quality of the movie. It's my first clip here, i'm intrested in constructive criticism. I love to juggle to music and to make some choreos. Thanks for every watch!

All clips shot at Aidan Burn's post-funeral celebration, "Passing Time".

Panto, juggled by Graham, Joanne, Danny and Ed. Part of the Aidan Burns Project to juggle all 27 of his variations to the Scrambled V. Notation: __1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iA cB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the carried pass and walks on four count (rotating the positions anti-clockwise). 1. "sC": The manipulator substitutes a self from C to C. This takes place while the juggler is walking on four count. 2. "iA": The manipulator (M) intercepts a the pass from C to A. The juggler who was A is the new manipulator, and reads from the manipulator line. The old manipulator, reads A's line. 3. "cB": The manipulator carries a club to B. We found it useful for the manipulator (who was the feeder for 1 and 2) to say 3 during the carry, for continuity. All the jugglers are re-labeled and the new feeder starts counting the 3 passes. Panto gets it's name from the pass from A to B on beat 1, the club is quite close to the back of the manipulators head (He's behind you!).

Got an iPhone 6, so decided to make the most of the slomo function to show some ideas which are hard to see at full speed. Video tends to flicker unless it is done with natural light, but at least you can see the tricks clearly.