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Hold the hat in an inside grip. Put the other arm out at an angle and twist the hand round so it faces backwards. Place the hat on the upper arm and let it roll down to a catch in another inside grip. Repeat as often as you like by alternating sides.
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1755
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04-12-2015
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Hold the hat by the brim in an outside grip with the crown facing forwards.
Swing your arm up infront of you, until your hand is about eye level, with the hat tilting slightly upwards. If you let go at the top of the swing, the hat's momentum should carry it through, and it will roll down your arm.
The movement that follows is similar to the one arm tumble. Look down your arm, tuck your chin in, and raise your arm slightly so that the hat rolls downhill and on to your head.
Once you can do that, try throwing the hat from your left hand, and using the right hand to guide it into a dynamic arm tumble.
00:03
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04-12-2015
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Turn your head to the left, then reach over with the right hand to grab the front of the brim (in as close to an inside grip as you can manage). Lift the front of the hat and remove it from the head so it is upside down above the shoulder. Straighten the arm so it ends in an inside grip at arms length.
Turn your head to the right so you are looking at the hat, flex the wrist so the hat lies inside the forearm then bend the elbow and replace the hat on the head (with your hand at the back).
Repeat on the other side.
00:06
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04-12-2015
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Hold the hat out in front of you, in an inside grip so that the brim is horizontal, and the crown is on top.
Pull back on the hat as you throw it, so that it floats, without spinning and catch it on your head. Here's what it looks like from the inside.
The key to the trick seems to be to keep the hat level, and pull it towards you as you let go. That and luck, and/or practice.
00:02
1939
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04-12-2015
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This one is quite easy, assuming you can already do a forward roll from a standing position.
So, learn to do a forward roll from a standing position (get a gymnast to teach you :-) then put a hat on the floor in front of you, with the opening facing skywards and give it a go!
00:02
1830
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04-12-2015
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Grip the front of the crown of the hat and remove it from the head. Hold the hat vertically and spin it outwards while pushing the hat up with the finger tips. After one spin catch the hat in an outside grip.
With a bit of extra practice you can do this with two or three spins or do it in "slow motion".
00:09
1778
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04-12-2015
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Place your palm flat on the back of the head for a neck chop and knock the hat upwards with the little finger side of the hand.
A few tries and you will see how much force is required to get it to spin 3/4 and land on your foot. You need to flex your foot as much as possible to stop it slipping off.
00:06
1604
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04-12-2015
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Hold the arm out to the side and move the head so that you are looking directly along the arm.
Use the neck chop to knock the hat and a let it roll down the arm. Catch it with an inside grip.
Raise the arm up and flick the hat back along it. Tuck the chin in beside the shoulder as the hat gets close and it will pop back onto the head.
The key to this trick is to move your arm so that the hat is always rolling "downhill".
00:03
1614
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04-12-2015
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One handed forward tumble - A one handed version of the forward tumble
First learn the forward tumble.
With practice you'll soon be able to quickly switch your grip and make it run one handed, as you can see in the video clip above.
From the TricksWithHats archive
00:03
1974
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04-12-2015
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Slide the back of the hand up your face to remove the hat with an inside grip. Do a forward tumble as you bow to your audience, and stick the hat back on your head as you stand up.
00:06
1412
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04-12-2015
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Tumble - Tumble the hat over the back of the hand
Hold the hat crown up in a outside grip. Swing the hat inwards and let go so it can roll up past the thumb onto the back of the wrist. While the hat is above the hand keep the wrist bent so the fingers are pointing outwards and lift the fingers as high as you can. The fingers will touch the inside of the crown and allow you to catch the hat in a inside grip.
To repeat the trick throw a half spin and catch the hat back in a outside grip or do a Reverse Tumble.
00:06
1947
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04-12-2015
[0]
Upward twiddle - Twiddle the hat directly above the head
Use a palm-up fork grip on both sides the hat, and lift it off the head and straight up. Remove the ring fingers from the brim and twist the hat between the fore and middle fingers. Stop the spin by gripping the brim between the fore fingers and thumb.
You can either place it straight back on the head, or reverse the twiddle on the way back down.
From the TricksWithHats Archive
00:03
1800
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04-12-2015
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Place the inside of the elbow against the forehead and duck your head down out of the hat. The little drop to the side in the video clip is based on a move normally done with plates.
This trick links nicely to levitation.
00:04
1630
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04-12-2015
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twhFrontCrossTwiddle.mpeg
00:03
1435
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04-12-2015
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twhFront_plate_drop.mpg
00:04
1223
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04-12-2015
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A timecode (alternatively, time code) is a sequence of numeric codes generated at regular intervals by a timing synchronization system.
02:39
1863
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16-11-2015
[1]
Pink ball juggling in a park under water on fallen trees in front of a train bridge in a wonderful sky.
02:55
2521
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09-10-2015
[1]
Arslanov (Russia) with a unique mouthstick balance routine at 15th Cirque de Demain in 1992. Bronze medal
mouthstick balance - ball & pedestals; stick balancing & spinning
Arslanov is still doing a similar act today, and has a JTV channel.
02:49
3059
0
09-10-2015
[0]
18 year old Serge Percelly with his tennis juggling at 6th Cirque de Demain 1983. Bronze medal.
3 & 5 tennis rackets
This is only about half his act. The full act starts with cap, ball & racket, and then devilstick with racket. You can find it at JTV#193.
02:45
2718
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18-09-2015
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cut together some old material, be prepared for 10min of high density devilstick tricks filmed in front of this strange little hut
10:55
1952
0
18-08-2015
[2]
Heavyweight juggler Markus on Paul Daniels Show in 1982.
Juggling cannon balls & various other heavy armaments.
In his introduction (not uploaded) PD says that the audience have verified that the props are genuinely heavy.
06:01
3740
0
07-08-2015
[2]
Boul - Frederic Zipperlin - at the 12th Cirque de Demain 1989. He gained a bronze medal.
Quirky bouffon character. Entry in large bubble. Acrylic juggling. Ball juggling. Contortion with large ball.
02:33
3440
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25-07-2015
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Master/beast club passing act - Didier Andre & Fabian Alberola - in Archaos "The Last Show on Earth" Australia 1992
The strongest character-based juggling act I've seen. Skill level was high for its time (5 clubs each, solid 8 club pass), the act is beautifully constructed, and it rocked the show every night I saw it.
07:32
2293
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21-07-2015
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Film made for a contest. Rules:
- 40 seconds maximum
- a red "sphere" should appear
Malabares en su tinta is the best blog, http://www.malabaresensutinta.com/, about circus in Spanish, at least I like it a lot. Consequently more than 1000 times a mouse has clicked the always longed for 'like' button on facebook, https://www.facebook.com/malabaresensutinta. This is my contribution to the contest organized to celebrate it.
The sexy camerawoman was: Agata Bednarz :*
The amazing music is Earl by BadBadNotGood
Recorded with a Oneplus One at 720p, forgot to change it :(
The crime scene is:
An old abandoned police building chosen this year to hold the periodic art exposition Survival. Survival happens once per year in Wrocław, a weekend. An old building or environment is filled with strange art, free entrance, the chance to see an abandoned closed place, drinking beer all around the place, juggling all around the place, and there are even DJs...
Survival: http://www.survival.art.pl/
00:41
3402
1
15-07-2015
[2]
Thom Wall is a Cirque du Soleil juggler with an award-winning, full-length variety show. With a background in event planning and administration, he’s the performer who sees your event’s “big picture” and can help you achieve your vision of success./nWhen Thom walks on stage, you get high energy and smart comedy. With a habit of delighting audiences of all sizes, Thom seamlessly combines award-winning juggling, acrobatic stunts, and theatrical comedy into a variety show that will leave you smiling down to your toes. Thom’s unique background of professional circus training, mime, and modern dance makes him a unique commodity in the performing arts world. His style is so fresh that even Sharon Osbourne exclaimed: ”He’s like a scene from Dirty Dancing!” when she saw him at the Fox Theatre in Atlanta. To this day, he has no idea what she meant by that.
02:34
3646
0
16-06-2015
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