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A video I had made on a boring day. "Keep on Juggling"

Originally invented by Mushy Pea Steve this move was refered to as "that move Steve does" and became known simply as The Steve. Hold your arm out in front of you with the staff a little above your head. Spin the staff towards you so it will roll down your arm and release it just before the staff is pointing straight in front of you. As the staff rolls down your arm straighten your arm a little to allow a smoother roll and raise your arm up. When it gets to your shoulder raise that shoulder and drop the other so it keeps rolling. As it comes onto your second arm raise that arm with the staff to give it the momentum to get back to your hand.

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sB iC cC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "sB": The manipulator substitutes a pass from A to B. 2. "iC": The manipulator (M) intercepts a the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator reads C's line. 3. "cC": The manipulator carries a club to C. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

Juggler: Bence Valkó Video & edit: Réka Bosznay /nThe whole project started as a lifestyle video in autumn, thanks to the last warm, sunny days. On a mild winter day we decided to continue and keep the recordings to make a one year long project season by season. The recordings were take accidentally: we didn't have a script etc. Nevertheless I like how the result of one year of practicing is so visible.

This is surprisingly effective when done well, it can really look like your leg has dissapeared! Unfortunately it's very angle sensetive, it only really works when viewed from the front. Incase you can't work it out from the video, here's how you do it. Hold the hat by the brim, with the opening resting against the top of your thigh, move it down until it covers your foot and hides it from view. As you raise the hat again, bend your leg at the knee. Et voila! Your leg has vanished! Lower the hat again, straightening your leg as you do so. Ooh look! Your leg has re-appeared! Top tips: Only raise the hat as far as your knee, and keep your foot hidden behind your thigh. A few minutes practice infront of a mirror and you'll soon get the hang of it. Bonus points: Make both legs dissapear, at the same time...

Big Circles - Swing the hat round at arms length - and make it look good. Hold the hat crown forward in an inside grip and swing it at arms length - twisting the wrist to keep the crown forward. At the top of the swing let go of the hat, untwist your wrist and recatch the hat in an inside grip, continue the swing and repeat as many times as you like.

Hold the hat out in front of you, in an inside grip so that the brim is horizontal, and the crown is on top. Pull back on the hat as you throw it, so that it floats, without spinning and catch it on your head. Here's what it looks like from the inside. The key to the trick seems to be to keep the hat level, and pull it towards you as you let go. That and luck, and/or practice.

Hold the hat by the brim with your left hand so that the crown of the hat is facing away from you. Take the stick in your right hand. With a flick of your wrist, throw the hat up slightly so that it starts spinning anti-clockwise. As the hat descends, hit the brim with the stick slightly to the right of center, such that the stick curves slightly upwards and outwards. This will cause the hat to spin as it rises into the air. As it descends again, repeat the hitting action. The idea of the basic spin is to keep the hat in the air by hitting it repeatedly with the stick in this manner. I find it helps if you look at the top portion of the inside of the hat. Adjusting the spin rate and direction: Hitting the hat nearer the center will give you a slower spin and more height, nearer the edge will give you a faster spin but less height. Obviously striking the left side of the brim will reverse the spin and cause the hat to go clockwise. From the TricksWithHats archive

Onehanded, Continuous Tumbles - The hat keeps tumbling, in your hand, continuously, infinitely, forever, or at least until you stop. This trick is an extension of the Tumble - so go learn that one now. You'll notice that after you have performed a tumble, you are holding the hat the wrong way round to perform a second tumble immediately after it. This is where the extension comes in. During the first tumble (which is a standard tumble), the hat rotates 1.5 times. The second tumble is similar, but the hat is thrown without a change in grip, it still does 1.5 spins, which means that it is now facing the same way as when you started! Inorder to give yourself space for the second tumble, it feels like you need to throw it a tiny bit higher or faster. Try to make it all flow together into a continuous movement, the hat shouldn't ever pause, the hand acts more as a guide to keep it rotating in the right direction. A nice variation on this is to tumble the hat infront of you, switching hands between tumbles.

Steve Rawlings showed me this trick in Birmingham and said that he used to do it in every show, but now that he's older (and a little rounder :-) he can't get it every time any more. Steve uses a china plate for this trick, but it works with hats too which is why it's here! :-) Take the hat in your right hand, using an inside grip and hold it so that the crown of the hat is facing to the left. Throw the hat virtically with some spin, and then do the following while the hat is in the air... Put your right hand between your legs Take the hand around the back of the right leg Stand on your left leg and move the right hand & foot behind the left leg Then, catch the descending hat in your right hand, from that position. Without falling over. Top Tips: Practice the "tangle yourself up" bit first without the catch. Keep your eye on the hat as it decends, practice loads... Luke Burrage managed to get this on video within 30 minutes. I've been trying for weeks and can't do it. It's pretty hard.

Throw to Foot - Throw the hat to your foot as if it was a hatstand. Hold the hat crown up above the shoulder with an inside grip. Lift the leg and keep it straight, flexing the foot as much as you can. With a flick of the wrist throw the hat straight to the foot with a single spin. This trick looks best if the throw is as straight as possible. Foot to Head is a nice return trick from here.

Tumble - Tumble the hat over the back of the hand Hold the hat crown up in a outside grip. Swing the hat inwards and let go so it can roll up past the thumb onto the back of the wrist. While the hat is above the hand keep the wrist bent so the fingers are pointing outwards and lift the fingers as high as you can. The fingers will touch the inside of the crown and allow you to catch the hat in a inside grip. To repeat the trick throw a half spin and catch the hat back in a outside grip or do a Reverse Tumble.

Trying to keep up with 12 year olds

Aidan Burns' Scrambled V Variation (iB cB sA) General information: The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. Walking: After pass three, B walks on a 4-count to the left side of A. All the jugglers are relabeled (A -> B', B -> C', C -> A') and the new feeder A' starts counting the 3 passes, starting with B'. The manipulation: 1. "iB": The manipulator (M) intercepts a pass from A to B. The juggler who was B is new M, and reads from the manipulator line. The juggler who was M now is B. 2. "cB": M carries a club to B. 3. "sA": M substitutes a the pass from B to A. How to do this pattern: We start manipulating the pattern by substituting the pass from B to A on beat three. You can skip the tree bit if you like.

Viktor Kee at TV Show "Le plus grand cabaret du Monde" (2016)

Cirque du Soleil's artist and juggling legend Viktor Kee expressing his feelings about the movie "Diabolo is a trip", from The Planet Diabolo Project. Discover the official trailer of "Diabolo is a trip": http://youtu.be/K_qDoNET0wY Preorder now available on Vimeo on Demand: https://vimeo.com/ondemand/diaboloisatrip Interview recorded during the "Legends Gala Show" at European Juggling Convention in Millstreet, Ireland, in July 2014. Discover Viktor's juggling world and carrer: http://www.viktorkee.com/ https://www.youtube.com/user/viktorkeejuggler The Planet Diabolo Project's 3DVDs Collection is available on www.planet-diabolo.com. Photos Credits: Anne-Lyse Blier Music by Sizzlebird - Skyward.

www.JugglingCentral.com Vimeo.com/TonySteinbach Youtube.com/TonySteinbach/nI've been filming a series of videos and uploading them to Vimeo in order to help me keep track of what I've been working on. This is the product of that.

The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "iC": The manipulator (M) intercepts the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line. 2. "cA": The manipulator substitutes a _pass_ from A to B. 3. "sC": The manipulator substitutes a _self_ from C (to C). The passes _from_ the feeder are not manipulated, the feeder does only normal pass throws to B, C, B

hi ! here is a new little video we keep the spirit of yellowall but we change the background ! hope you like it and thanks for wtching ! :D

Working on BBB a little bit of 5b and knife juggling.

Working On Weakness. Trying to keep up with the kids. Futility incarnate.

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The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "cC": The manipulator carries a club to C. 2. "sC": The manipulator substitutes a pass from A to C. 3. "iB": The manipulator (M) intercepts a the pass from A to B. The juggler who was B is the new manipulator, and reads from the manipulator line. All the jugglers are relabeled and the new feeder starts counting the 3 passes. It´s easier for the manipulator tells AND 1 2 3 as the cC actually happens before count 1. We find it much easier to start the pattern on count 2 and miss the cC in the first round. Wolfgang (blue t-shirts) moves different on iB. Just choose your favorite style.