juggling.tv

Parce que l'abstraction est le premier pas vers une véritable réalisation non déterminée par des potentialités inclusives, nous pensons que cette impossibilité d'une négation absente représente la clef de voûte d'une authentique démarche libre et asymptomatique pour une inspiration concrète.

video de los mismos circo show, malabarismo en el circo. Musica peyote rojo.

Capitulo numero 2 del super programa o video podcast malabarismo TV

I am about to graduate soon....and thats what I am working on for my graduation...enjoy

Marylou foot juggling act

Metaracha in Nantes

By an artist for the artists - If you need one promo video - Contact me. Video by : Raphael Caputo - www.Metlili.net - France & International Artists : Gauthier Tritschler, Rafa PikaPau, Bruno Delgado, Meraki Circus, Joseph Chee, John Dogobone, Gaëlle Cathelineau, Pierre Cie KL, Madera Em, Dai Zaobab, Lila Margaux, Albin Hedon, Martin Cerf, Juan Marmol, Dominique Abraham Camera : Panasonic Gh4

Entrenando saltar la cuerda del diabolo mientras este se lanza al aire... en una altura aproximada de 10 mt.

Jugglign summer 2009

Juggling trip

Adys Amazingly sumblime juggling antics in another awesome video... Are you ready for the juggling gas?

Vortex anti suicide vortex - I havnt seen this done before wondered if anyone else has done it? Loads of peeps probably have.

Numéro de diabolo de Nico Pires lors du Cirque de Noël de Toulouse, décembre 2016. Nico Pires's diabolo act for Christmas Circus of Toulouse, december 2016. More info : www.diabolo4life.com Captation & Montage / Video & Editing : Lilian Ginet - Irakli KHUTSICHVILI - Maxime MARION - www.lilianginet.com Images additionnelles / Extra footage : Cédric INFANTI - Rudy GRONDIN - www.projectarts.fr Direction : Alain DUMAS Introduction : Richard MEDINI Accessoires / Accessories : Miguel & Simon PIRES - Jean & Pierre CONSTANTIN Assistants Piste / Ring Assistants : Ilie CONFEDERAT - Stefan CUZMICI - Silviu GRADINARU - Ionut MEMET - Gabi MEMET Costume : Margaux PASQUET - www.facebook.com/lefunantule/ Lumières / Lights : Pascal GONZALES - Grégoire GOSMAN - Bernard JUISTINI Musique / Music : C2C - The Cell / Sizzlebird - Création originale / Original soundtrack Voix Off / Voice Over : Karlfried GRAF DURCKHEIM

Performance in the Bolshoi circus. the great antipodist Olga riis uses a kara box for feet jugglers.

My friend made this edit of me.. no choreo hardcore, just flowing on the sunny Omani beach for fun :-)

2nd go, music richard cheese again. got a bit frantic, so don't yell at me for the editing.

www.metlili.net www.visualjuggling.com

Outlink 2016 trick #4 Keyword: Apparently Deadline: March 2nd 22:00 BST

You really should have seen me learning this. It was hilarious.

Panto, juggled by Graham, Joanne, Danny and Ed. Part of the Aidan Burns Project to juggle all 27 of his variations to the Scrambled V. Notation: __1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iA cB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the carried pass and walks on four count (rotating the positions anti-clockwise). 1. "sC": The manipulator substitutes a self from C to C. This takes place while the juggler is walking on four count. 2. "iA": The manipulator (M) intercepts a the pass from C to A. The juggler who was A is the new manipulator, and reads from the manipulator line. The old manipulator, reads A's line. 3. "cB": The manipulator carries a club to B. We found it useful for the manipulator (who was the feeder for 1 and 2) to say 3 during the carry, for continuity. All the jugglers are re-labeled and the new feeder starts counting the 3 passes. Panto gets it's name from the pass from A to B on beat 1, the club is quite close to the back of the manipulators head (He's behind you!).

Video edit from my south America journey. Research of movement with clubs- manipulation, juggling, contact, balance.. Peru/ Ecuador. If you like it, follow me :-) info/ booking/ contact: email: [email protected] web: mantis-triptofun.eu FB: Mantis el Triptofun Instagram: mantis_el_triptofun

Aidan Burns' Scrambled V Variation (cA sA iA) The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "cA": The manipulator carries a club to A. 2. "sA": The manipulator substitutes a pass from C to A. 3. "iA": The manipulator (M) intercepts a the pass from B to A. The juggler who was A is the new manipulator, and reads from the manipulator line. All the jugglers are relabeled and the new feeder starts counting the 3 passes. We start the pattern with an unmanipulated pass on beat 1 and on beat 2 with sA. Once the pattern is running the sA happens while M stands close to the Feeder. It is still a substitution, but Feedee C really has to pass to M.

By it's name the Sirkus Supiainen / Projekt NMN's performance [heresy] is a research on any belief or theory that is strongly at variance with established beliefs, customs, etc. It is a study on control, substance and sanctity, inspired by art, religions and beliefs concerning the cause, nature, and purpose of the universe. Projekt NMN:n performance [heresy] mixes physical theater with juggling, live music and questioning laughter. Premiere of full [heresy] performance in September 2013, Helsinki Sponsored by: Epic juggling props and Koistinen kantele (www.koistinenkantele.com)

www.pyrodanza.com [email protected] Video edit : www.metlili.net

SIRKÜS Esitys rapistuneissa sirkusväreissä/nSIRKÜS on hauska ja yllättävä kaikenikäisille katsojille sopiva lämminhenkinen sirkusparodia joka elää ja hengittää menneisyyden sirkusromantiikkaa. Esitys tarkastelee sirkushistoriaan kuin menneisyyden sirkusvaunun rikkinäisestä ikkunasta./nEsityksn esiintyjät muuttavat roolihahmojaan numerosta toiseen, näyttämölle saapuu niin pöyhkeää ranskalaista baskeripäätä kuin kurimuksessa kärsivää sirkuseläintä, ja nähdään esityksessä huima washington trapetsi -numerokin. Ironisen ivallinen mutta kuitenkin lempeä ja herkkä SIRKÜS -esitys iskee silmää yleisölle, koko estetisoiva sirkustaide ja romantisoitu sirkuskuvasto päätyvät näyttämölle koko totuudessaan. Eikä ketään varmasti häiritse, vaikka vatsastapuhuja ei ole kovin hauska, temput eivät aina onnistu, tirehtööri on ylidramaattinen ja orkesteri soittaa vähän sinne päin. Mutta se kaikki kuuluu sirkukseen: mennyt loisto ja jäntevä nuoruus. Sama artisti esiintyy monella nimellä, myy välissä ylihintaista popcornia – taitei