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A new act for a special occasion. During the performance I did it with knives. It was for a book presentation of " vals nest "" Belgian book for young people. Voor de Belgische geïnteresseerden : http://www.lees-wijzer.be/begeleider/boek/vals-nest

www.tentativotentempie.blogspot.com

Oficiální prezentační Jugglequip video. Jugglequip je český výrobce žonglérského vybavení a funkčních doplňků. Originalita a kvalita jsou hlavními symboly značky Jugglequip. Odlište se od ostatních svým stylovým náčiním a originalitou! Jugglequip je úžasnou příležitostí být lepší než ostatní. Naše produkty zvýrazňují žonglérskou image a jsou navrhovány samotnými žongléry. „Zábava pro profesionály" www.jugglequip.com (v neděli 8. 9. 2013 NOVÝ WEB!) Žongléři: Václav Peca Kamera a střih: Jiří Benáček www.facebook.com/jugglequip ----------------------------------------------EN----------------------------------------------- Official video presentation of Jugglequip. Originality and quality are general attributes of anything with the Jugglequip brand. Be different to others using our equipment and stylish accessories. Jugglequip is an amazing opportunity to be better than the others. Our products are important parts of juggler's style. They are designed by us, jugglers. "Entertainment for Professionals" www

Here's a non-trailer trailer for an upcoming mini-series of Boppo's Whiteboard ... namely, several different methods to calculate or deduce transition sequences between excited-state siteswap tricks. If you know the get-in and get-outs, that's enough to make transitions. If you know of or can find a trick that has states in common with the tricks you wish to transition between, that is enough to make transition sequences. If you know the states themselves and can find throws to convert between them, that too is enough. Also, if you can give the total arrival schedule, if you will, of the entire sequence you wish to have transitions within, that too enables you to deduce possible transition sequences. They all work for synch, too, but the last is maybe the best method for me.

petite vidéo diabolistique sans prétention. exploitation d'anti spin et autres.

The Fire Show from BJC07 Nottingham

Panto, juggled by Graham, Joanne, Danny and Ed. Part of the Aidan Burns Project to juggle all 27 of his variations to the Scrambled V. Notation: __1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iA cB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the carried pass and walks on four count (rotating the positions anti-clockwise). 1. "sC": The manipulator substitutes a self from C to C. This takes place while the juggler is walking on four count. 2. "iA": The manipulator (M) intercepts a the pass from C to A. The juggler who was A is the new manipulator, and reads from the manipulator line. The old manipulator, reads A's line. 3. "cB": The manipulator carries a club to B. We found it useful for the manipulator (who was the feeder for 1 and 2) to say 3 during the carry, for continuity. All the jugglers are re-labeled and the new feeder starts counting the 3 passes. Panto gets it's name from the pass from A to B on beat 1, the club is quite close to the back of the manipulators head (He's behind you!).

Saibca, by Christian Helbling, Rhonda and Will Murray, and Michael Rees (Someren, 2014). Part of the Aidan Burns Project to juggle all 27 of his Scrambled V variations. Notation: __1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sA iB cA -> M The feeder is A and the feedees are B (on A's left) and C. The feeder counts 1 2 3. On 1 and 3, A and B exchange a pass. On 2, A and C exchange a pass. On 3, B catches the pass and walks over by A, rotating the positions. 1. "sA": The manipulator (M) substitutes a pass from B to A (catches the pass and replaces it with a different club). 2. "iB": The manipulator intercepts B's self. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator reads B's line. 3. "cA": The manipulator carries two clubs over and hands one to A. Then all the jugglers are re-labeled (but not the manipulator) and the new feeder starts counting the 3 passes.

The extraordinarily talented Fu Xiuyu from the Changchun Acrobatic Troupe, at the 12th Monte Carlo Circus Festival (1987), kicking multiple bowls up to her head while on a giraffe unicycle ... on a rolling globe! Astonishingly the act did not win either a gold or silver clown, but the Changchun troupe, which presented this act and a highwire act, won "Monaco City Prize" and "Monte Carlo TV Station Prize".

Feeding the Fish performing their juggling duo act Flux on BBC TV's 'The Slammer'. The group also perform graphic logo juggling with their very own patented Pixel-Poi®. www.feedingthefish.com Facebook page: http://www.facebook.com/pages/Feeding-The-Fish-State-of-the-art-juggling/312536945472951 Twitter: https://twitter.com/#!/PixelPoi

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sB iC cC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "iC": The manipulator (M) intercepts a the self from C to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator reads C's line. 2. "cA": The manipulator carries a club to A. 3. "sC": The manipulator substitutes a self from C to C. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sB iC cC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "sB": The manipulator substitutes a pass from A to B. 2. "iC": The manipulator (M) intercepts a the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator reads C's line. 3. "cC": The manipulator carries a club to C. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: iB cB sB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "iB": The manipulator (M) intercepts a the pass from A to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line. 2. "cB": The manipulator carries a club to B. 3. "sB": The manipulator substitutes a pass from A to B. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

Feeding the Fish present their new Pixel Poi® act inspired by the London Olympics 2012. www.feedingthefish.com Facebook page: http://www.facebook.com/pages/Feeding-The-Fish-State-of-the-art-juggling/312536945472951 Twitter: https://twitter.com/#!/PixelPoi

Kaleidoscopic Mutation aka Star Wars Yo-Yo String Trick - Luke Renner. Yo-yo used in the demonstration is the MagicYoYo April. Filmed and edited in Northwest New Mexico in December 2016. Special Thanks to everyone at MagicYoYo in Shenzhen! Music courtesy of Stuart & the Juice Tigers.

Michael Karas demonstrates pancake pulldowns using different amounts of rotation with 3, 4, and 5 rings.

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: iB cB sC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "iB": The manipulator (M) intercepts a the pass from A to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line. 2. "cB": The manipulator carries a club to B. 3. "sC": The manipulator substitutes a self from C to C. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

3 ball improvisation to music

The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "cC": The manipulator carries a club to C. 2. "sC": The manipulator substitutes a pass from A to C. 3. "iB": The manipulator (M) intercepts a the pass from A to B. The juggler who was B is the new manipulator, and reads from the manipulator line. All the jugglers are relabeled and the new feeder starts counting the 3 passes. It´s easier for the manipulator tells AND 1 2 3 as the cC actually happens before count 1. We find it much easier to start the pattern on count 2 and miss the cC in the first round. Wolfgang (blue t-shirts) moves different on iB. Just choose your favorite style.

A new pattern created using Aidan notation. The manipulators in this pattern are dependent, as clubs are taken by one manipulator and replaced by the other. 4 count static Y base, with B at the back of the Y, D in the middle of the Y, A on the left of the Y (from the point of view of D and B) and C on the right. Aiden notation for the pattern: A ps|ss|ps|ss|ps|ss B ps|ss|ps|ss|ps|ss C ps|ss|ps|ss|ps|ss D ps|ss|ps|ss|ps|ss M1 cD|--|sA|iA|cA|-- M2 sC|iC|cD|iD|cB|iB Starting: M1 starts back to back with D facing B M2 stands in front of C facing C We start with a ps and then the manipulators begin on ss. The manipulators start on the last instruction at ss as it is written above (M1 --, M2 iB) When M1 reaches the end of the instructions, M1 becomes M2 (having reached the physical location of M2 at the start of the M2 instructions). Similarly M2 becomes M1

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iC cC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "sC": The manipulator substitutes a self from C to C. 2. "iC": The manipulator (M) intercepts a the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator, reads C's line. 3. "cC": The manipulator carries a club to C. This carry is performed as an over the shoulder move. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

European Youth in Flames ist eine Jugendbegegnung, die im Juli stattfindet. TeilnehmerInnen kommen von ganzer Europa. Jugendlichen haben die Möglichkeit zu jonglieren, sich auszutauschen, usw. ______________________________________________________ European Youth in Flames is a meeting between young people coming from Europa, which takes place in July. Youngs have the possibility to juggle and to share new Tricks.

Anlässlich einer Tagung für Apotheker erklärt Jonglator Stephan Ehlers spielerisch mit Jonglierbällen, wie unser Gehirn arbeitet, wie Lernen funktioniert und warum es aus Sicht des Gehirns "logisch" ist, warum wir Menschen nur langsam lernen können. Jongliert werden 3 G's: Gehirn - Gedächtnis - Gingium (Produkt von HEXAL), das 4. G = Grenzstabilität wird mit dem Publikum "erarbeitet".

The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "iC": The manipulator (M) intercepts the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line. 2. "cA": The manipulator substitutes a _pass_ from A to B. 3. "sC": The manipulator substitutes a _self_ from C (to C). The passes _from_ the feeder are not manipulated, the feeder does only normal pass throws to B, C, B

Before YouTube, we were all home movie stars. Stats on this one reveal a viewership of at least two: the giant stuffed polar bear (direct observer) and probably my cat, Chloë. 16 years old, year 2003.