juggling.tv
the online depository for juggling videos
club... @ TADAH
no contact in this one
00:33
1771
0
26-06-2015
[1]
Balero is the south american relative of Kendama. A friend of mine gave this one to me, so I had to put some tricks together for a short edit./nThe Ball is really heavy and the stick is very light, making it quite challenging./nSong is REVA LON by Van Syla, under Creative Commons license.
01:59
2324
0
17-06-2015
[0]
One final Tuesday night session.
04:17
2378
1
09-06-2015
[1]
Showing some level of control in this video. Some really hard kicks in this one! Also did 6 balls in 1 hand so yeah...that's cool
01:55
1954
0
26-05-2015
[1]
Åbo version of Poles
02:22
3067
0
20-05-2015
[4]
New part of the Random Juggling series ;)
Music: Anastacia - Left Outside Alone
04:57
2022
2
07-05-2015
[0]
Around the... kendama tricks are combinations of cups and spike. This is the one I call "Around Ireland" Small Cup ~ Base Cup ~ Spike./nBecause Ireland is a small island, it makes sense that the combination is short; so are Around Japan and Around Britain./nIn fact Around Ireland uses the same cups as Around Britain but in reverse order, because reasons.
01:01
1865
0
06-05-2015
[1]
"Tiempo Cero" es un video arte grabado en la Estancia San Manuel en Coronel Pringles, Provincia de Buenos Aires, Argentina. /nMalabarista: Gonzalo Purvis
Cámara: Nacho Echeberría - Leandro Barneche
Edición: A La Gorra Producciones
Música: Hungry Ghosts - Back For More I Go
Facebook: https://www.facebook.com/gonzalo.purvis
02:54
1694
0
22-04-2015
[4]
From the creators of Pixel-Poi, pioneers of bespoke light performance since 2001, Feeding the Fish present the future of live LED dance: Pixel Video Suits
A fast paced co-ordination of colour, choreography and animated graphics where pixel-mapped LED costumes display moving images across dancers' bodies in synchronisation with a tightly choreographed dance routine
“Splendidly luminescent!” Jon Bentley (The Gadget Show)
For bookings and more information, please contact: [email protected].
feedingthefish
- pixelvideosuits
- pixel
- led
- costume
- pixel
- poi
- suits
- events
- dance
- dancing
- video-mapping
- graphics
01:20
2896
0
22-04-2015
[0]
Probably the first video of the pattern now known as the Scrambled V - we hadn't told anyone else about this discovery yet.
This video was shot just 10m from the group photo taken at a convention in 2007 and 2008.
Filmed on a hot Saturday in August (2004-08-07, 13:52) in a gym in Hilden, Germany.
00:22
2073
0
06-04-2015
[1]
Ed Clark's "Minued", performed by Aidee Castro, Rhonda Murray, and Will Murray of Long Beach. The Minued is a pass-pass-self takeout pattern with a basic cycle of 9 beats. Each person takes a turn as the manipulator and then the pattern repeats in a mirror image, so one full cycle takes 54 beats. This video is just under two full cycles. It was shot at the Passing Zone Clubhouse in Huntington Beach, California on April 2, 2015.
01:40
3371
0
05-04-2015
[2]
Saibca, by Christian Helbling, Rhonda and Will Murray, and Michael Rees (Someren, 2014). Part of the Aidan Burns Project to juggle all 27 of his Scrambled V variations.
Notation:
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: sA iB cA -> M
The feeder is A and the feedees are B (on A's left) and C. The feeder counts 1 2 3. On 1 and 3, A and B exchange a pass. On 2, A and C exchange a pass. On 3, B catches the pass and walks over by A, rotating the positions.
1. "sA": The manipulator (M) substitutes a pass from B to A (catches the pass and replaces it with a different club).
2. "iB": The manipulator intercepts B's self. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator reads B's line.
3. "cA": The manipulator carries two clubs over and hands one to A. Then all the jugglers are re-labeled (but not the manipulator) and the new feeder starts counting the 3 passes.
00:42
3679
0
05-04-2015
[0]
Second day at the BJC, having a great time seeing everyone!
00:24
2132
0
28-03-2015
[1]
Just a short vid I got today! Can't wait to see everyone at the BJC
00:11
2287
0
24-03-2015
[0]
This is surprisingly effective when done well, it can really look like your leg has dissapeared! Unfortunately it's very angle sensetive, it only really works when viewed from the front.
Incase you can't work it out from the video, here's how you do it.
Hold the hat by the brim, with the opening resting against the top of your thigh, move it down until it covers your foot and hides it from view. As you raise the hat again, bend your leg at the knee. Et voila! Your leg has vanished!
Lower the hat again, straightening your leg as you do so. Ooh look! Your leg has re-appeared!
Top tips: Only raise the hat as far as your knee, and keep your foot hidden behind your thigh. A few minutes practice infront of a mirror and you'll soon get the hang of it.
Bonus points: Make both legs dissapear, at the same time...
00:07
1651
0
15-03-2015
[1]
This is one of the videos that was filmed for our former site, TricksWithHats, which never went live. So it doesn't have a write-up and is presented here for posterity.
00:05
1221
0
15-03-2015
[0]
Thumb Spins - Spin the hat around your thumb
Hold the hat in an inside grip and spin it so the top of the brim stays in contact with the thumb. After a single spin catch it again in an inside grip.
Once you've mastered singles try longer spins. This trick is very versatile and can be used to add lots of flourishes. Try adding one in anywhere that you use an inside grip, or just throw one in with your hand outstretched or up above your head.
From the TricksWithHats archive
00:04
1982
0
15-03-2015
[0]
Twiddled Big Circles - A trickier but nicer version of Big Circles
Big Circles is a big, visual trick, but the grip change can be slightly ungainly. The twiddle that this trick adds gives a similar effect but has a smoother, if slightly more difficult, change.
Mike and LP disagree on the best way to do this - LP's way, shown in the video clip above, is to do a finger twiddle, as described in the Forward Twiddle when the hat is at the top of the circle. Mike uses a Thumb Spin to adjust the grip.
Try both and decide which feels more comfortable to you, there's little point getting both smooth as they look identical to anyone except a hat manipulation geek, and there aren't many of them in the world!
From the TricksWithHats archive
00:05
1769
0
15-03-2015
[0]
This is one of the videos that was filmed for our former site, TricksWithHats, which never went live. So it doesn't have a write-up and is presented here for posterity.
00:03
1710
0
15-03-2015
[0]
Place the back of one hand against the front of the crown and the palm of the other hand against the back of the hat. Lift the hat off and roll the hands round each other so that the hat tumbles through one complete spin as you carry the hat down to waist level.
Reverse the process to return the hat to the head.
00:05
1721
0
15-03-2015
[0]
This is a combination of parts of two other tricks, so it would probably help to learn them first. They are the Arm Roll and the Wipe Up
Start with the hat on your head. With the right arm, do the first part of a wipe up, just to the point where the hat comes off your head. However, instead of carrying it out to the side, push the hat back on your head so that the bottom of the brim comes into contact with your shoulder blades.
Use your upper arm to push the hat off and to the left, so that it can roll down your arm as though you were doing an Arm Roll, catching it in you hand as you do so
One variation that Mike is fond of, is to grip the front part of the crown with the crook of the elbow. Mike claims this gives him more options, and more control over where the hat goes. Try it, it may work for you too!
00:03
1981
0
15-03-2015
[0]
Little trap sequence attempt one!
00:16
1750
0
14-03-2015
[0]
This is Johan Wellton's most advanced and lavish stage production ever. With special effects, natural phenomenon and the art of engineering he shoots out for a new and unexplored adventure. All inventiveness and experimental curiosity becomes the framework for a story about our dreams, hope and despair. How far are we willing to go to become loved? To understand ourselves? To find context and a meaning in life?/nSee one of the world’s best jugglers in what may be one of the most complex shows about something as simple as life itself./n“It is totally sensational, mind blowing"
- Expressen/n“Spellbinding chaos”
- Hallandsposten/n“Do not miss it, whatever you do.”
- Västerbottens-kuriren/nTour dates and more at:
http://www.johanwellton.com/en/for-arrangorer/glitch//nGLITCH was produced 2010-2014 and premiered September 2014./n© copyright Johan Wellton - all rights reserved.
johan
- wellton
- glitch
- theatre
- circus
- philosophy
- acting
- lightbulbs
- pendulum
- playground
- dice
- clubs
- fire
- explosions
- innovation
- wave
- pendulum
- juggling
02:19
4019
0
09-03-2015
[4]
one_handed_turnover.mpg
00:03
1342
0
09-03-2015
[0]
one_hand_cigar_takeout.mpg
00:03
1165
0
09-03-2015
[0]
