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While walking forward grip the front of the brim (using any grip you like) with the right hand and the back of the hat with the left. Stop when your right foot is forward and lift up onto the toes. Hold the hat still above the head and pivot round so the left foot and hand are now in front of you. You can continue walking or turn back and forth on the spot.
00:07
1848
0
15-03-2015
[0]
This is one of the videos that was filmed for our former site, TricksWithHats, which never went live. So it doesn't have a write-up and is presented here for posterity.
00:03
1780
0
15-03-2015
[0]
Place the back of one hand against the front of the crown and the palm of the other hand against the back of the hat. Lift the hat off and roll the hands round each other so that the hat tumbles through one complete spin as you carry the hat down to waist level.
Reverse the process to return the hat to the head.
00:05
1795
0
15-03-2015
[0]
Place the inside of the elbow against the forehead and duck your head down out of the hat. The little drop to the side in the video clip is based on a move normally done with plates.
This trick links nicely to levitation.
00:04
1640
0
04-12-2015
[0]
This is a combination of parts of two other tricks, so it would probably help to learn them first. They are the Arm Roll and the Wipe Up
Start with the hat on your head. With the right arm, do the first part of a wipe up, just to the point where the hat comes off your head. However, instead of carrying it out to the side, push the hat back on your head so that the bottom of the brim comes into contact with your shoulder blades.
Use your upper arm to push the hat off and to the left, so that it can roll down your arm as though you were doing an Arm Roll, catching it in you hand as you do so
One variation that Mike is fond of, is to grip the front part of the crown with the crook of the elbow. Mike claims this gives him more options, and more control over where the hat goes. Try it, it may work for you too!
00:03
2063
0
15-03-2015
[0]
Throw a pancake throw, and catch it with your other hand above head. The catch is easier if you stick your thumb forward like a coat peg.
From the TricksWithHats archive
00:03
1787
0
09-03-2015
[0]
Hold the plate by it's edge and spin it so that the rim stays in contact with your thumb. After a single spin catch it again. Once you've mastered singles try longer spins. This trick is very versatile and can be used to add lots of flourishes.
From the TricksWithHats archive
00:03
1705
0
09-03-2015
[0]
Hold the plate by it's edge and spin it so that the rim stays in contact with your thumb. After a single spin catch it again. Once you've mastered singles try longer spins. This trick is very versatile and can be used to add lots of flourishes.
00:12
1420
0
09-03-2015
[0]
These are exactly the same as the throws with clubs. They work best with pancake throws.
From the TricksWithHats archive
00:04
1519
0
09-03-2015
[0]
Slide the plate down your back and allow the plate to catch and stay in the back of your trousers. What comedy!
From the TricksWithHats archive
00:08
1715
0
09-03-2015
[0]
Hold the plate flat in your left hand, bring your right hand up and over the plate, cross your arms and put the heel of your right hand against the underside of the plate's rim. Bring your right hand up and turn it over so that plate ends up flat in the palm of your right hand. If you turn this round it becomes the Forward Turnover
From the TricksWithHats archive
00:03
1728
0
09-03-2015
[0]
A variation of the simple turnover:
Start with the plate flat in your right hand. Throw it slightly, and while it's airborne turn your right hand so that the heel of the hand contacts the underside of the left rim of the plate as it descends. Push upwards and over with your hand and turn it over so that the plate comes to rest back in your palm.
From the TricksWithHats archive
00:05
1765
0
09-03-2015
[0]
A variation of the simple turnover:
Start with the plate flat in your right hand. Throw it slightly, and while it's airborne turn your right hand so that the heel of the hand contacts the underside of the left rim of the plate as it descends. Push upwards and over with your hand and turn it over so that the plate comes to rest back in your palm.
From the TricksWithHats archive
00:05
1690
0
09-03-2015
[0]
Start with plate flat on your right hand. Swing it in a full anti-clockwise circle, twisting your wrist over at the top so the plate finishes back in its original position with your shoulder and wrist twisted to support it. Reverse the move to unkink your arm.
It's also possible to stop the plate at the top of the circle and bring it back down the way it came.
From the TricksWithHats archive
00:03
1614
0
09-03-2015
[0]
Start with a normal right handed upward curl and as soon as the palm is facing forward at the top reach the left hand over and put it onto plate to the right of the right hand. Curl both hands round the front of the plate, which comes down in front of the belly, and then continue to bring the hands round to the back, pushing the plate back up to the left. Take the right hand off and do a left handed downward curl.
From the TricksWithHats archive
00:06
1665
0
09-03-2015
[0]
Throw the plate vertically and catch it under the leg (on the left side of right leg with right hand).
From the TricksWithHats archive
00:03
1551
0
09-03-2015
[0]
Throw the plate vertically and catch it under your leg (on the right side of your right leg with your right hand).
00:03
1537
0
09-03-2015
[0]
The plate is held and thrown vertically, and spins in the vertical plane. Jugglers will recognise this as the way that rings are usually thrown.
From the TricksWithHats archive
00:04
1524
0
09-03-2015
[0]
The Willy Catch:
Throw the plate vertically, then reach between your legs from behind and catch the plate in front of your crotch.
From the TricksWithHats archive
00:05
1679
0
09-03-2015
[0]
3 club with balance blind kick to 4.
00:22
2927
1
08-11-2012
[3]
2 male Chinese acrobats performing with tridents. I do not know which troupe they are from.
This skill is sometimes called Fei-cha. It is a traditional Chinese acrobatic form. The tridents have loose elements at the head, which creates the characteristic jangling noise.
From a video titled Chinese Acrobatic Feats.
05:10
2312
0
04-09-2015
[0]
Solo female Chinese acrobat performing with tridents. I do not know which troupe she is from.
This skill is sometimes called Fei-cha. It is a traditional Chinese acrobatic form. The tridents have loose elements at the head, which creates the characteristic jangling noise.
From a video titled Beijing Magic Shows.
03:38
2501
0
04-09-2015
[0]
Teenage boy & girl from Chinese acrobatic troupe performing with tridents - a traditional Chinese acrobatic form. From the Chinese National troupe.
The trident heads have loose elements which make the characteristic jangling noise.
(This skill is also known as fei-cha)
04:27
2837
3
04-09-2015
[0]
This form of staff juggling now seems to be commonly called "fei-cha".
It comes from the traditional Chinese acrobatic repertoire, and in chinese acrobatics books and videos that I have seen it is translated as "trident manipulation".
The trident has loose elements at the head, which make the jangling sound - it's often a very noisy act.
This spinner is Mohamed Badr El Nouby from the Cairo Circus School.
01:33
3328
0
02-09-2015
[2]
