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the Boscombe Spinners Circus Club did a lot more in March , the weather turned lovely agin and we ventured back outside where we belong, and onto the beach again for fire spinning, Ruby the hoop was Christened and partner poi was learnt. lots more fun to come people!

A new act for a special occasion. During the performance I did it with knives. It was for a book presentation of " vals nest "" Belgian book for young people. Voor de Belgische geïnteresseerden : http://www.lees-wijzer.be/begeleider/boek/vals-nest

keeping record of my landmarks: not first (sadly it was not made on camera), but second ever 6b-flash

Apparently, the 4 ball version wasn't good enough for bLUe/shaDOw :), so here's the 3 ball version.

When I was learning 4 clubs

From the Gandini Vaults. Mike Day's solo 1 from nEither Either botH and. Choreographed by Gill Clarke. 1993 at the Place Theatre. This was the Gandini's firt show. Live Music by Steve Williams.

From the Gandini Vaults. Mike Day's solo 2 from CAUGHT - STILL /HANGING. Choreographed by Gill Clarke. 1994 at the Place Theatre. This was the Gandini's second show. Live Music by Steve Williams.

The Magic Drop move/mount demonstrated by Luke Renner. Yo-Yo used in the demonstration is the YoYoFactory NorthStar. The Magic Drop move was created by Paul Escolar. This move / special string mount is also necessary to complete the Kamikaze yo-yo trick (which was also created by Paul Escolar). Music "A Shot in the Dark" by El Patapsco.

This was my first and last attempt at BYJOTY being 21 at the next one so it had to be done. I wasn't ready due to a car accident so should have been much better but at lest i can say ive done it = D

My 2010 IJA video tutorial contest. No prize, but it was fun to make. Still a work in progress--try to keep the idle straight while juggling, not in an arc.

A circus performance my friend and I performed in circus class last term. We have still yet to perform it to an audience this term. The basci story line is that I (the kid with blonde hair starting on stage) am doing some diabolo tricks. My friend (dark haired guy) walks on and sees me. He trys to show me up by juggling but fails (on purpose). I show him up again, and he steals my diabolo (twice) then he grabs some staffs. We fight, he "beats me", but then I get pu and finish him with the diabolo and do a final trick. ENJOY! :DDD/nP.S. The reason I ran off stage quickly was to grab a diabolo which rolled off stage. Sorry for the 2 fails (diabolo ones).

Panto, juggled by Graham, Joanne, Danny and Ed. Part of the Aidan Burns Project to juggle all 27 of his variations to the Scrambled V. Notation: __1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iA cB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the carried pass and walks on four count (rotating the positions anti-clockwise). 1. "sC": The manipulator substitutes a self from C to C. This takes place while the juggler is walking on four count. 2. "iA": The manipulator (M) intercepts a the pass from C to A. The juggler who was A is the new manipulator, and reads from the manipulator line. The old manipulator, reads A's line. 3. "cB": The manipulator carries a club to B. We found it useful for the manipulator (who was the feeder for 1 and 2) to say 3 during the carry, for continuity. All the jugglers are re-labeled and the new feeder starts counting the 3 passes. Panto gets it's name from the pass from A to B on beat 1, the club is quite close to the back of the manipulators head (He's behind you!).

This is from my appearance on The Late Show with David Letterman for the Stupid Human Tricks segment. I pop a balloon by firing a glowing dart out of a blowgun stuck up my nose. It was a blast being on the show. David was fun to be on stage with and his staff was incredibly friendly and made me feel comfortable and welcome.

Found 2 Fire Fiends at Lampeter while i was staying with Jessx. they perform a lil' duo fire show, followed by me trying to juggle clubs & spin with them too. A lil Poi session at the end too. enjoy & comment

Saibca, by Christian Helbling, Rhonda and Will Murray, and Michael Rees (Someren, 2014). Part of the Aidan Burns Project to juggle all 27 of his Scrambled V variations. Notation: __1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sA iB cA -> M The feeder is A and the feedees are B (on A's left) and C. The feeder counts 1 2 3. On 1 and 3, A and B exchange a pass. On 2, A and C exchange a pass. On 3, B catches the pass and walks over by A, rotating the positions. 1. "sA": The manipulator (M) substitutes a pass from B to A (catches the pass and replaces it with a different club). 2. "iB": The manipulator intercepts B's self. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator reads B's line. 3. "cA": The manipulator carries two clubs over and hands one to A. Then all the jugglers are re-labeled (but not the manipulator) and the new feeder starts counting the 3 passes.

This was done on October 17, 2010/nMusic: Ya Mama - Fatboy Slim

First I have to say a huge thank you for Sir_Riel for an amazing job shooting and editing this video, I love it, and you should all check him out here http://www.youtube.com/user/sirrielkeebler This video was mostly shot at Turbofest in Canada, some other parts are just shot in my room. I have nothing else to add to that, Sir_Riel did an amazing job, go watch his videos!

Rich kohut in the last episode of the season tlking about the first ever Pocono Juggling festival and how awesome it was, along with video from the fest and more. 16:17 - Music Video 37:38 - Random Highlights

Boscombe Spinners at their coldest

I practised single backcrosses for quite a while now and there was a request concerning the next song in my next juggling video :P So, here you can see my current 3 club single backcross record which is sth between 60 and 70 catches =)

the fourth video in the series, sorry it is slightly late but i was on a beach somewhere i believe this week's trick is a B5B515151

Just a quick tutorial i put together. I wasnt as prepared this year! Enjoy

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sB iC cC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "iC": The manipulator (M) intercepts a the self from C to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator reads C's line. 2. "cA": The manipulator carries a club to A. 3. "sC": The manipulator substitutes a self from C to C. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

Haymaker Yo-Yo Trick -Luke Renner. A trick that is fun to perform and features various catches. The Haymaker requires a non-responsive yo-yo. The yo-yo used by Luke Renner is the MagicYoYo N8. Special Thanks to MagicYoYo in Shenzen! String is 50/50 slick string courtesy of Shannon Jackson. Filmed outside in Northwest New Mexico in August 2012. The outside wind speed when the trick was filmed was around 6mph from the NW. The Haymaker is much easier to perform indoors without the wind factor. Music courtesy of Stuart and the Juice Tigers.

Originally invented by Mushy Pea Steve this move was refered to as "that move Steve does" and became known simply as The Steve. Hold your arm out in front of you with the staff a little above your head. Spin the staff towards you so it will roll down your arm and release it just before the staff is pointing straight in front of you. As the staff rolls down your arm straighten your arm a little to allow a smoother roll and raise your arm up. When it gets to your shoulder raise that shoulder and drop the other so it keeps rolling. As it comes onto your second arm raise that arm with the staff to give it the momentum to get back to your hand.