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Aidan Burns' Scrambled V Variation (cA sA iA) The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "cA": The manipulator carries a club to A. 2. "sA": The manipulator substitutes a pass from C to A. 3. "iA": The manipulator (M) intercepts a the pass from B to A. The juggler who was A is the new manipulator, and reads from the manipulator line. All the jugglers are relabeled and the new feeder starts counting the 3 passes. We start the pattern with an unmanipulated pass on beat 1 and on beat 2 with sA. Once the pattern is running the sA happens while M stands close to the Feeder. It is still a substitution, but Feedee C really has to pass to M.

A choreographed 1, 2 and 3 poi manipulation routine performed at Bath Upchuck Juggling Convention 2015./nThanks the Van Loop Media for the footage.

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iC cC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "sB": The manipulator substitutes a pass from A to B. 2. "iB": The manipulator (M) intercepts a the self from B to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line. 3. "cA": The manipulator carries a club to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: iB cB sB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "iC": The manipulator (M) intercepts a self from C to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator, reads C's line. 2. "ca": The manipulator carries a club to A. 3. "sA": The manipulator substitutes a pass from B to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

These can be done forwards and backwards. They arn't true elbow fishtails because there is only one beat of a fishtail at a time with other beats put in to get positioning. If anyone manages complete continuous elbow fishtails please let me know and i'll stick a vid up cos they are DAMN hard. The tricky bit of this move is getting your elbow across 180 fast enough to catch the fishtail but not so fast the staff flys off your elbow. (See also Reverse Elbow Fishtails)

MinuEd is a pass-pass-self base pattern, with some one beat manipulations, which makes it more difficult than standard notation patterns where every manipulation is given two beats. It is juggled in the Rhonda manipulation style http://juggling.tv/15646. First round of the pattern ever recorded (http://juggling.tv/15002) was in the iconic Rhonda styling, so it has set the default style for MinuEd Notation is in the video!

My dad thinks that my juggling has ruined the grass, but he and I both know that it died because he doesn't water it. Note: This version includes an exclusive bonus trick that I felt was worthy only for the hallowed halls of JugglingTV, NOT just because I forgot to put it in the original version. Music: Beat 1, Flynn (both by Ratatat)

These can be done forwards and backwards. They arn't true elbow fishtails because there is only one beat of a fishtail at a time with other beats put in to get positioning. If anyone manages complete continuous elbow fishtails please let me know and i'll stick a vid up cos they are DAMN hard. The tricky bit of this move is getting your elbow across 180 fast enough to catch the fishtail but not so fast the staff flys off your elbow. (See also Elbow Fishtails)

This move evolved from the inside bit of 5 beat fishtails. Basically you are fishtailing on the inside bit of your thumb between your thumb and arm. This is fairly tricky to keep going so what I do (as you will see in the video) is add extra beats to keep the momentum going, this does technically declassify the move as a fishtail but I think it's quite a fun move and it feels nice to do.

Here is my entry for IJA's Video tutorial contest 2016./nThe "Sync No-Beat Cascade" is a foundational pattern for poi jugglers, as it is stable and varies well into other patterns./nEnjoy!

3 3-Count Roundabouts All period 6, one-sided. Notation in the video. Jill, Eva, and I taught a workshop on these three 3-count roundabout variations that we deciphered from Aidan's book and reconstructed from notes from Nicki's workshop. Filmed at Passout on Vashon Island, WA. All takeouts on right-handed beats. For two-sided variations see the period 9 patterns PGDI (http://juggling.tv/16674) and Vashon Roundabout (http://juggling.tv/16675)

Wicked 3 torch Burn at the Pacific Fire Gathering 2012 on the Oregon coast. Music : Paranoia by MainStream Beats Juggler : Kevin Axtell

33 Patterns. All with at least one zap. All period seven. All with five clubs. All with two people. All for 6 rounds (where one round is 14 beats of the pattern globally). For our more playful video also filmed at TADAH see: https://youtu.be/-rO6grGcPis The list is written in four handed global siteswap notation: 1. 6662555 2. 6672752 3. 6672625 4. 7572662 5. 6752555 6. 7562555 7. 7572752 8. 7772255 9. 6782525 10. 7582562 11. 7862255 12. 8572625 13. 8672255 14. 6682562 15. 6852662 16. 6862652 17. 8552555 18. 8582525 19. 8852255 20. 8882225 21. 6692552 22. 6962527 23. 9962225 24. 9952262 25. 6929522 26. 9629252 27. 9269225 28. 7592552 29. 9527822 30. 9552662 31. 7a72252 32. a862225 33. 8279225 Special thanks: James for creating his siteswap spreadsheet from which we got our list. TADAH for having us to stay for long enough to learn and film so many patterns. Music: From the album 'Money, Blood and Light [LCL14]' by Plurabelle; licensed under a Attribution-NonCommercial-ShareAlike 3.0 International License.

this video includes techniques of great difficulty of juggling staff, you can appreciate the accuracy when throwing, making contacts, numerology, no beats, mill mess, 4 staff and ball spinning 5551, 5 staff, I hope you like it and inspire you to follow creating in juggling, enjoy it as much as I enjoy doing juggling.