juggling.tv

Patrik Elmnert: Juggling -patrikelmnert.com Wes Peden: Filming & Editing -wespeden.com Music: Beats by Ratatat Samples from youtube by Wes Clubs: Henrys Delphins Location: Danshögskolan,Studio 9 Stockholm, Sweden

www.ejc2013.org Toulouse - France July-27th to august 3rd Thank you to all our friends : - Alexander Brettel (France) - Tassio Folli (Brasil) - Morgan Cosquer (France) - Mikel Ayala (Spain) - Lorenzo Mastropietro (Italy) - Kerol (Spain) - Carlos Munoz (Chile) - All the juggliers and volunteers durinf the 5th French Juggling Convention (july 10/15th 2012) - Sylvain Beaudron (France) - Etienne Chauzy (France) - Romain Marguerite (France) - Antoine Terrieux (France) - Stevhoo (France)/nmusique : http://www.myspace.com/albatarbeats

Two poles of different lengths balanced simultaneously on the head, as well as some other balancing tricks. This is know as a dual or twin inverted pendulum in control systems engineering. In the first 2 clips I use a long pole that is 4 times the length of the short pole. In the 3rd clip the long pole is only 3 times as long and is more difficult. The poles fit together in sections so that I can pack them in my bag. They're made from a cheap Argos wardrobe. The ball on the end of the long pole is mainly there to make the end more visible. I'm using rubber chair leg feet at the bottom end of the poles. Music is 'Heartbeats' by The Knife.

Yeah, I have a condition. And yeah, alliteration is cool. Trick inspiration: Ryohei Kimura a.k.a. Jr. Music: EnrightBeats - Round Two Props: Norwiks. Location: University of Victoria, Canada (BC).

Experimental 4 club shapeshifting with the premier of "archetypes" Video By Kevin Axtell. Music by Beats Antique. Get the full length Club Motion DVD to learn more by clicking on the link below the video.

Three things and a hat- Performed December 4th, 2010 in Bangor, Maine. Performer: Brian Maneely Music: "I Got" by Beats Antique

Starting off with the base pattern of rotating 2 count 4 count feed, we then add the maniuplators to do 3B (Brook in blue t-shirt the B maniuplator, Steve in black t-shirt the 3 manipulator). Every 30 beats you get back to the start, and so every 30 beats the B/V manipulator (Brook at this point) switches to the other pattern and the 5 people do around of 3B/3V. We do 3B/3V/3B/3V and then try to exit the pattern. Patterned invented by Aidan - see 'How to Steal From Your Friends' at http://www.juggle.me.uk/passing/ where 3,V,B and transitions between them are described. In Aidan Notation (X, Y, Z are the jugglers): X: Ps | Ps | Ps Y: Ps | ss | Ps Z: ss | Ps | ss 3: cZZ | sZX | iXY V: cXY | sYY | iXZ B: iXY | cYY | sYX I switch by doing the second column of the pattern I've arrived in (as manipulator) and then switching to the third column of the new pattern (and everyone responds accordingly).

This is a trick more commonly done with clubs, diabolos, or devil sticks but I think it translates nicely with cigar boxes. These are just a few of the many possible variations that I'm working on.

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: iB cB sB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "iC": The manipulator (M) intercepts a self from C to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator, reads C's line. 2. "ca": The manipulator carries a club to A. 3. "sA": The manipulator substitutes a pass from B to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

By one, get one FREE! (part 1 of 3) Music: Roustabout by Beats Antique

Ed Clark's "Minued", performed by Aidee Castro, Rhonda Murray, and Will Murray of Long Beach. The Minued is a pass-pass-self takeout pattern with a basic cycle of 9 beats. Each person takes a turn as the manipulator and then the pattern repeats in a mirror image, so one full cycle takes 54 beats. This video is just under two full cycles. It was shot at the Passing Zone Clubhouse in Huntington Beach, California on April 2, 2015.

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: iB cB sB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "cB": The manipulator carries a club to B. 2. "sA": The manipulator substitutes a pass from C to A. 3. "iB": The manipulator (M) intercepts a self from C to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator, reads C's line. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

I thought of the title all by myself years ago but it got shelved into the cold dark reaches of my brain until I felt I had enough tricks to warrant its use. Special thanks to Yuki Ituda and Tao Wei for inspiring me to explore the possibilities of tossing style.

First Juggling vid. I hope you enjoyed it./nMusic by 5xl Beats

A choreographed 1, 2 and 3 poi manipulation routine performed at Bath Upchuck Juggling Convention 2015./nThanks the Van Loop Media for the footage.

Wicked 3 torch Burn at the Pacific Fire Gathering 2012 on the Oregon coast. Music : Paranoia by MainStream Beats Juggler : Kevin Axtell

33 Patterns. All with at least one zap. All period seven. All with five clubs. All with two people. All for 6 rounds (where one round is 14 beats of the pattern globally). For our more playful video also filmed at TADAH see: https://youtu.be/-rO6grGcPis The list is written in four handed global siteswap notation: 1. 6662555 2. 6672752 3. 6672625 4. 7572662 5. 6752555 6. 7562555 7. 7572752 8. 7772255 9. 6782525 10. 7582562 11. 7862255 12. 8572625 13. 8672255 14. 6682562 15. 6852662 16. 6862652 17. 8552555 18. 8582525 19. 8852255 20. 8882225 21. 6692552 22. 6962527 23. 9962225 24. 9952262 25. 6929522 26. 9629252 27. 9269225 28. 7592552 29. 9527822 30. 9552662 31. 7a72252 32. a862225 33. 8279225 Special thanks: James for creating his siteswap spreadsheet from which we got our list. TADAH for having us to stay for long enough to learn and film so many patterns. Music: From the album 'Money, Blood and Light [LCL14]' by Plurabelle; licensed under a Attribution-NonCommercial-ShareAlike 3.0 International License.

this video includes techniques of great difficulty of juggling staff, you can appreciate the accuracy when throwing, making contacts, numerology, no beats, mill mess, 4 staff and ball spinning 5551, 5 staff, I hope you like it and inspire you to follow creating in juggling, enjoy it as much as I enjoy doing juggling.

__1__2__3 A: ps ps ps -> M B: ps ss ps -> C C: ss ps ss -> A M: cA sC iA -> B The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "cA": The manipulator (M) carries a club to A. 2. "sC": The manipulator substitutes a pass from A to C. 3. "iA": The manipulator intercepts a pass from B to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes. Juggled in memory of Aidan Burns by Nick Aikens, Jill Carson, Christian Kästner and Greg Phillips at the Not Quite Pittsburgh Juggling Festival, 9 November 2014.

The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "cC": The manipulator carries a club to C. 2. "sC": The manipulator substitutes a pass from A to C. 3. "iB": The manipulator (M) intercepts a the pass from A to B. The juggler who was B is the new manipulator, and reads from the manipulator line. All the jugglers are relabeled and the new feeder starts counting the 3 passes. It´s easier for the manipulator tells AND 1 2 3 as the cC actually happens before count 1. also take a look at the original file: http://juggling.tv/15101

Aidan Burns' Scrambled V Variation (cA sA iA) The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "cA": The manipulator carries a club to A. 2. "sA": The manipulator substitutes a pass from C to A. 3. "iA": The manipulator (M) intercepts a the pass from B to A. The juggler who was A is the new manipulator, and reads from the manipulator line. All the jugglers are relabeled and the new feeder starts counting the 3 passes. We start the pattern with an unmanipulated pass on beat 1 and on beat 2 with sA. Once the pattern is running the sA happens while M stands close to the Feeder. It is still a substitution, but Feedee C really has to pass to M.

MinuEd is a pass-pass-self base pattern, with some one beat manipulations, which makes it more difficult than standard notation patterns where every manipulation is given two beats. It is juggled in the Rhonda manipulation style http://juggling.tv/15646. First round of the pattern ever recorded (http://juggling.tv/15002) was in the iconic Rhonda styling, so it has set the default style for MinuEd Notation is in the video!

My dad thinks that my juggling has ruined the grass, but he and I both know that it died because he doesn't water it. Note: This version includes an exclusive bonus trick that I felt was worthy only for the hallowed halls of JugglingTV, NOT just because I forgot to put it in the original version. Music: Beat 1, Flynn (both by Ratatat)

A circus performance my friend and I performed in circus class last term. We have still yet to perform it to an audience this term. The basci story line is that I (the kid with blonde hair starting on stage) am doing some diabolo tricks. My friend (dark haired guy) walks on and sees me. He trys to show me up by juggling but fails (on purpose). I show him up again, and he steals my diabolo (twice) then he grabs some staffs. We fight, he "beats me", but then I get pu and finish him with the diabolo and do a final trick. ENJOY! :DDD/nP.S. The reason I ran off stage quickly was to grab a diabolo which rolled off stage. Sorry for the 2 fails (diabolo ones).

Panto, juggled by Graham, Joanne, Danny and Ed. Part of the Aidan Burns Project to juggle all 27 of his variations to the Scrambled V. Notation: __1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iA cB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the carried pass and walks on four count (rotating the positions anti-clockwise). 1. "sC": The manipulator substitutes a self from C to C. This takes place while the juggler is walking on four count. 2. "iA": The manipulator (M) intercepts a the pass from C to A. The juggler who was A is the new manipulator, and reads from the manipulator line. The old manipulator, reads A's line. 3. "cB": The manipulator carries a club to B. We found it useful for the manipulator (who was the feeder for 1 and 2) to say 3 during the carry, for continuity. All the jugglers are re-labeled and the new feeder starts counting the 3 passes. Panto gets it's name from the pass from A to B on beat 1, the club is quite close to the back of the manipulators head (He's behind you!).