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If you enjoyed this video, vote for us! http://juggle.org/youtubecontest/ytvote.php/n-The Jeremys/nSpecial thanks to Charlotte Weinstein for filming, and Tony Pezzo for his crucial role in our film.

how to become a juggler for one day! for better quality: http://www.youtube.com/watch?v=dQKeZ1AkzVI

The seventh of 19 clips free of visual juggling 1.0 « Visual Juggling Project » is a succession of suggestions on object motions & body languages, hilighting the graphic side of the discipline. This is the result of the gathering & collaboration of a dozen of international jugglers & manipulators, around various props such as balls, clubs, rings, pois, devilstick & frisbee. It has been made from the shared reexions, explorations & experiences of those major stakeholders on the dynamic relationships between « tech » & « flow ». Thus, this 80 Minutes Hi Denition video (a total of 19 chapters) is the one to get to become aware of the potentialities concerning that recent playground. Buy it and Download. This is a pay for download product. Price: 15 Euros Length : 80 minutes Size: 4.4 GB (includes 19 clips) Format: .mp4 (HD)

Unscrambled LB, by Aidee Castro, Steve Healy, Rhonda and Will Murray (Long Beach, 2014). Part of the Aidan Burns Project to juggle all 27 of his Scrambled V variations. Special thanks to Steve Gerdes. Notation: __1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: iA cC sB -> M The feeder is A and the feedees are B (on A's left) and C. The feeder counts 1 2 3. On 1 and 3, A and B exchange a pass. On 2, A and C exchange a pass. On 3, B catches the pass and walks over by A, rotating the positions. 1. "iA": The manipulator M intercepts a pass from B to A. The juggler who was A becomes the manipulator, and reads from the manipulator line. The old manipulator reads A's line. 2. "cC": The manipulator carries a club to C. 3. "sB": The manipulator substitutes a pass from A to B (catches the pass and hands in a different club). Then all the jugglers are re-labeled (but not the manipulator) and the new feeder starts counting the 3 passes. Here, Rhonda starts manipulating at beat 3 above.

Vote Here! (My name is Dustin Chan) http://juggle.org/youtubecontest/ytvote.php I created this tutorial because it's an interesting trick, and I've never seen a tutorial for it before. I encourage all of you to create tutorials for tricks that currently don't have any to give back to the community and increase the resources for jugglers around the world. If you found this tutorial to be helpful, please vote for me in the IJA Video Tutorial Contest. Voting is from April1-4, and the site to vote will be linked to from the IJA website: www.juggle.org

A new pattern created using Aidan notation. The manipulators in this pattern are dependent, as clubs are taken by one manipulator and replaced by the other. 4 count static Y base, with B at the back of the Y, D in the middle of the Y, A on the left of the Y (from the point of view of D and B) and C on the right. Aiden notation for the pattern: A ps|ss|ps|ss|ps|ss B ps|ss|ps|ss|ps|ss C ps|ss|ps|ss|ps|ss D ps|ss|ps|ss|ps|ss M1 cD|--|sA|iA|cA|-- M2 sC|iC|cD|iD|cB|iB Starting: M1 starts back to back with D facing B M2 stands in front of C facing C We start with a ps and then the manipulators begin on ss. The manipulators start on the last instruction at ss as it is written above (M1 --, M2 iB) When M1 reaches the end of the instructions, M1 becomes M2 (having reached the physical location of M2 at the start of the M2 instructions). Similarly M2 becomes M1

Vote Here! (My name is Dustin Chan) http://juggle.org/youtubecontest/ytvote.php Note that the buttons can only be viewed on youtube.com, the link to the video is here: http://www.youtube.com/watch?v=IP6vO26Faqw Thanks to Willy Hauser for being my assistant.

Become a superhero! Oh, the beauty of one beat weaves! Also check out JasonDivad.com

An old video I made with some friends https://www.youtube.com/user/Chilosp/videos

Aidan notation for both patterns:/n"ps":= pass self "ss":= self self "SA-B":= Substitute from juggler A to juggler B "IA-B":= Intercept from juggler A to juggler B (note that at an intercept instruction the juggler that was the destination of the club and the manipulator that performed the intercept change places) "CM-N":= Carry from manipulator M to manipulator N/nKennedy notation:/nA: ps |ss |cs |ss | Becomes juggler B B: ps |ss |ps |ss | Becomes juggler A M: SA-B |SB-B |IA-B |CM-N | Becomes manipulator N N: SB-A |SA-A |SA-B |SN-B | Becomes manipulator M/nControversial Kennedy Notation:/nA: ps |ss |ps |ss | Becomes juggler B B: ps |ss |cs |ss | Becomes juggler A M: SA-B |SB-B |IA-B |CM-N | Becomes manipulator N N: SB-A |SA-A |SB-A |SN-B | Becomes manipulator M

Manipulator passing pattern for four people. The base pattern is 4 count between two jugglers. Below is the Aidan notation for the pattern. There is one round of four count and then the pattern begins A: ps |ss |ps |ss | Becomes juggler B B: ps |ss |cs |ss | Becomes juggler A M: SA-B |SB-B |IA-B |CM-N | Becomes manipulator N N: SB-A |SA-A |SB-A |SN-B | Becomes manipulator M "ps":= pass self "ss":= self self "cs":= chop self "SA-B":= Substitute from juggler A to juggler B "IA-B":= Intercept from juggler A to juggler B (note that at an intercept instruction the juggler that was the destination of the club and the manipulator that performed the intercept change places) "CM-N":= Carry from manipulator M to manipulator N Starting positions in the video: A patterned red shirt (right) B dress (left) M is blue shirt (middle-right) N plain red shirt (middle left) Oh, and the "niiaoow" noise is a cat-plane hybrid noise, performed on the carry (optional).

pass poi in chest roll ???? without grasping the rope as it passes through the chest ???. Resistance to balance two poi contact at the same time ???. when you discover what it really is hard to practice every day, you realize that everything is also more logical if you study. for my hard work and the difficulty of the technique says a lot. Shaolin kung fu has given me physical strength and mentally, also taught me a lot, so you end up never learn and that's the part that I like more because when you go harder everything becomes.

[2007] so anna and i (selby) made this video over break. i was talking to jon and decided to dedicate a trick to him. then when we were editing, we realized that there were many people we wanted to dedicate things to, so we did. so here it is, not only a super awesome video but a tribute to people who have helped us become the 'jugglers we are today'

This is my very first showreel after graduation this year. I am very happy about it so far...I have tried my best in editing. It has been a long journey for me to reach this point in my life, I started footjuggling about 3 years ago and it has become my biggest passion. Enjoy

Es gibt eine Figur namens Muro die auf Felsplateaus auftaucht, einen Beutel bei sich trägt und dann ein Häufchen Bälle auspackt. Ein Spiel beginnt. Rhythmus ist das Ritual. Er nährt Muros. Und in Muros Welt gibt es keinen Platz für Bälle, die nicht nach seinen Regeln spielen... ~ There is a character named Muro appearing on rocky plateaus, carrying a small bag with balls in it. A game begins. Rhythm becomes a ritual. It nuorishes Muro. And in Muro's world there is no place for balls who break the rules of his game... Design & Performance: Matthias Buhrow Kontakt: [email protected]

Artur Faleiros show us some clubs manipulations in an urban place in São Paulo famous for the large amount of graffitis called ''Beco do Aprendiz''. https://www.youtube.com/user/Chilosp/videos

I just landed today back in America, during my one month trip back to Malaysia it was amazing to get to see my family and also be a part of the amazing production PsycuSix.Ψ got to put together./nOn my last day, during my birthday. I got to film a project with Jeremy Lewis of Finding Future to touch on the topic of how juggling has become a part of my life.

Flames for Fun has become Solar Wizard. Now playing with Tukie in Bangkok.

Hold the plate flat in your left hand, bring your right hand up and over the plate, cross your arms and put the heel of your right hand against the underside of the plate's rim. Bring your right hand up and turn it over so that plate ends up flat in the palm of your right hand. If you turn this round it becomes the Forward Turnover From the TricksWithHats archive