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A 3 camera point of view of some passing around a sporting policeman
00:48
1668
0
03-05-2015
[1]
Matinée improvisée.
cirque
- jonglerie
- improvisation
- circus
- balles
- manipulation
- tricks
- séquences
- bodytricks
- thèmes
03:34
2150
1
28-04-2015
[3]
When I train with mirrors, sometimes I check myself for how does it look like, searching for mistakes (errors) etc...
So I decided to use this idea of looking into mirror as an improvisation exercise and I played more with the idea of consciously comunicating with "my other self" in the mirror as it was a living being. What are you searching for when you look in the mirror?
04:29
2098
3
27-04-2015
[1]
2012 World- and 3x European Yo-Yo Champions inmot!on from Switzerland at the audtions of "Britain's Got Talent 2015".
inmot!on, die Yo-Yo Welt- und dreifachen Europameister aus der Schweiz beim Casting von "Britain's Got Talent". Jan Schmutz & Ivo Studer stehen seit 15 Jahren gemeinsam auf der Bühne und bieten hochstehendes Entertainment zwischen 3 und 33 Minuten für Privat- oder Geschäftsevents.
inmot!on - Yo-Yo | UV-Blacklight | Fire Shows
http://www.facebook.com/InMotionshows
http://twitter.com/inmotionshows
©ITV
06:12
3945
0
24-04-2015
[5]
![Poi - [Alphys et Simon] - Spectacle de l'AJIL 2013](http://juggling.tv/thumb/0_15044.jpg)
La routine poï d'Alphys et Simon sur un bon fond trip hop (Massive Attack), lors du Spectacle de l'AJIL 2013, Première Partie !
Du fat pâté, qui a très bon goût, même enflammé.
Circus Quest IV, 26, 27 et 28 novembre 2013.
Rotonde de l'INSA de Lyon.
page Facebook de l'AJIL : https://www.facebook.com/pages/AJIL/268624353325694
forum de l'AJIL : http://forum.ajil-asso.fr/
03:40
2143
0
24-04-2015
[0]
"Tiempo Cero" es un video arte grabado en la Estancia San Manuel en Coronel Pringles, Provincia de Buenos Aires, Argentina. /nMalabarista: Gonzalo Purvis
Cámara: Nacho Echeberría - Leandro Barneche
Edición: A La Gorra Producciones
Música: Hungry Ghosts - Back For More I Go
Facebook: https://www.facebook.com/gonzalo.purvis
02:54
1735
0
22-04-2015
[4]
From the creators of Pixel-Poi, pioneers of bespoke light performance since 2001, Feeding the Fish present the future of live LED dance: Pixel Video Suits
A fast paced co-ordination of colour, choreography and animated graphics where pixel-mapped LED costumes display moving images across dancers' bodies in synchronisation with a tightly choreographed dance routine
“Splendidly luminescent!” Jon Bentley (The Gadget Show)
For bookings and more information, please contact: [email protected].
feedingthefish
- pixelvideosuits
- pixel
- led
- costume
- pixel
- poi
- suits
- events
- dance
- dancing
- video-mapping
- graphics
01:20
2957
0
22-04-2015
[0]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: sB iC cC -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "sB": The manipulator substitutes a pass from A to B.
2. "iC": The manipulator (M) intercepts a the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator reads C's line.
3. "cC": The manipulator carries a club to C. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
scrambled
- scramble
- aidan
- manipulator
- club
- passing
- steal
- stealing
- aidanburnsproject
- toast
00:48
3166
0
12-04-2015
[0]
this might look like a trailer but it isn´t
i got the video of a show we played last november recently and started editing some stuff yesterday night./nthx to tinka, sarah, fin and andrea for a wunderful time and thx to Ayla Franken for filming it./ni´ll release more stuff soon so maybe this is actually a trailer after all
01:15
2170
0
07-04-2015
[3]
The lunatics have take over.../nRoyal Kendama asked me to make a video, this is that video.
The Royal Kendama is a cheap yet high quality kendama which is durable and well balanced. Lunars and Stilts sit perfectly and with a slowly blunting spike so your birds will always stay flying. Buy a Royal today!/nBuy a Royal Kendama from:
kendama.co.uk
oddballs.co.uk
only £11.99!/nRoyal Abuse
featuring:
Dimensions (a.k.a Rob Henman)
Paul S
mreasyguy (a.k.a Adam C)
The Void
Will T
04:57
3052
0
06-04-2015
[1]
Unscrambled LB, by Aidee Castro, Steve Healy, Rhonda and Will Murray (Long Beach, 2014). Part of the Aidan Burns Project to juggle all 27 of his Scrambled V variations. Special thanks to Steve Gerdes.
Notation:
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: iA cC sB -> M
The feeder is A and the feedees are B (on A's left) and C. The feeder counts 1 2 3. On 1 and 3, A and B exchange a pass. On 2, A and C exchange a pass. On 3, B catches the pass and walks over by A, rotating the positions.
1. "iA": The manipulator M intercepts a pass from B to A. The juggler who was A becomes the manipulator, and reads from the manipulator line. The old manipulator reads A's line.
2. "cC": The manipulator carries a club to C.
3. "sB": The manipulator substitutes a pass from A to B (catches the pass and hands in a different club). Then all the jugglers are re-labeled (but not the manipulator) and the new feeder starts counting the 3 passes.
Here, Rhonda starts manipulating at beat 3 above.
00:41
3266
0
06-04-2015
[1]
Ed Clark's "Minued", performed by Aidee Castro, Rhonda Murray, and Will Murray of Long Beach. The Minued is a pass-pass-self takeout pattern with a basic cycle of 9 beats. Each person takes a turn as the manipulator and then the pattern repeats in a mirror image, so one full cycle takes 54 beats. This video is just under two full cycles. It was shot at the Passing Zone Clubhouse in Huntington Beach, California on April 2, 2015.
01:40
3450
0
05-04-2015
[2]
Saibca, by Christian Helbling, Rhonda and Will Murray, and Michael Rees (Someren, 2014). Part of the Aidan Burns Project to juggle all 27 of his Scrambled V variations.
Notation:
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: sA iB cA -> M
The feeder is A and the feedees are B (on A's left) and C. The feeder counts 1 2 3. On 1 and 3, A and B exchange a pass. On 2, A and C exchange a pass. On 3, B catches the pass and walks over by A, rotating the positions.
1. "sA": The manipulator (M) substitutes a pass from B to A (catches the pass and replaces it with a different club).
2. "iB": The manipulator intercepts B's self. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator reads B's line.
3. "cA": The manipulator carries two clubs over and hands one to A. Then all the jugglers are re-labeled (but not the manipulator) and the new feeder starts counting the 3 passes.
00:42
3753
0
05-04-2015
[0]
this is a promotional clip demonstrating the skills that I have.
02:35
1938
1
31-03-2015
[1]
This is surprisingly effective when done well, it can really look like your leg has dissapeared! Unfortunately it's very angle sensetive, it only really works when viewed from the front.
Incase you can't work it out from the video, here's how you do it.
Hold the hat by the brim, with the opening resting against the top of your thigh, move it down until it covers your foot and hides it from view. As you raise the hat again, bend your leg at the knee. Et voila! Your leg has vanished!
Lower the hat again, straightening your leg as you do so. Ooh look! Your leg has re-appeared!
Top tips: Only raise the hat as far as your knee, and keep your foot hidden behind your thigh. A few minutes practice infront of a mirror and you'll soon get the hang of it.
Bonus points: Make both legs dissapear, at the same time...
00:07
1708
0
15-03-2015
[1]
Forward Twiddle - Twiddle the hat off the head and back on. It's got comedy potential too! Allegedly.
Use a palm-up fork grip on both sides the hat, and lift it off the head. Remove the ring fingers from the brim and twist the hat between the fore and middle fingers. Stop the spin by gripping the brim between the fore fingers and thumb.
Reverse the process to return the hat to the head.
You can get an easy laugh by getting the return part wrong and pretending to hit yourself in the face.
Jon Lockwood (of Mushy Pea Juggling fame, now working as with "Company of Fools") did lots of hat workshops at juggling conventions in the mid to late 1990's and started Mike and LP out on the hat road. This was often the first trick he taught...so it's Jon and this trick that ultimately led to the creation of this site. Thanks Jon!
From the TricksWithHats archive
00:07
1987
0
15-03-2015
[0]
Use a palm-up fork grip at the back of the hat and remove it, straightening the arm. As the arm straightens twist the wrist and take the ring finger off the brim. Spin the hat so that it moves between the middle and forefingers, then transfer the grip to the forefinger and thumb and continue the spin for as far as you can.
Reverse the "twiddle" to place it back on the head.
The main video clip for this trick doesn't show the fingers in any great detail. See the closeup version (120K mpeg) for a better view. For best results you might want to set your video player to loop the clip.
00:03
1689
0
15-03-2015
[0]
Twiddled Big Circles - A trickier but nicer version of Big Circles
Big Circles is a big, visual trick, but the grip change can be slightly ungainly. The twiddle that this trick adds gives a similar effect but has a smoother, if slightly more difficult, change.
Mike and LP disagree on the best way to do this - LP's way, shown in the video clip above, is to do a finger twiddle, as described in the Forward Twiddle when the hat is at the top of the circle. Mike uses a Thumb Spin to adjust the grip.
Try both and decide which feels more comfortable to you, there's little point getting both smooth as they look identical to anyone except a hat manipulation geek, and there aren't many of them in the world!
From the TricksWithHats archive
00:05
1844
0
15-03-2015
[0]
While walking forward grip the front of the brim (using any grip you like) with the right hand and the back of the hat with the left. Stop when your right foot is forward and lift up onto the toes. Hold the hat still above the head and pivot round so the left foot and hand are now in front of you. You can continue walking or turn back and forth on the spot.
00:07
1836
0
15-03-2015
[0]
This is Johan Wellton's most advanced and lavish stage production ever. With special effects, natural phenomenon and the art of engineering he shoots out for a new and unexplored adventure. All inventiveness and experimental curiosity becomes the framework for a story about our dreams, hope and despair. How far are we willing to go to become loved? To understand ourselves? To find context and a meaning in life?/nSee one of the world’s best jugglers in what may be one of the most complex shows about something as simple as life itself./n“It is totally sensational, mind blowing"
- Expressen/n“Spellbinding chaos”
- Hallandsposten/n“Do not miss it, whatever you do.”
- Västerbottens-kuriren/nTour dates and more at:
http://www.johanwellton.com/en/for-arrangorer/glitch//nGLITCH was produced 2010-2014 and premiered September 2014./n© copyright Johan Wellton - all rights reserved.
johan
- wellton
- glitch
- theatre
- circus
- philosophy
- acting
- lightbulbs
- pendulum
- playground
- dice
- clubs
- fire
- explosions
- innovation
- wave
- pendulum
- juggling
02:19
4082
0
09-03-2015
[4]
alternating_thumb_rolls.mpg
00:07
1582
0
09-03-2015
[0]
Start with plate flat on your right hand. Swing it in a full anti-clockwise circle, twisting your wrist over at the top so the plate finishes back in its original position with your shoulder and wrist twisted to support it. Reverse the move to unkink your arm.
It's also possible to stop the plate at the top of the circle and bring it back down the way it came.
From the TricksWithHats archive
00:03
1605
0
09-03-2015
[0]
Start with a normal right handed upward curl and as soon as the palm is facing forward at the top reach the left hand over and put it onto plate to the right of the right hand. Curl both hands round the front of the plate, which comes down in front of the belly, and then continue to bring the hands round to the back, pushing the plate back up to the left. Take the right hand off and do a left handed downward curl.
From the TricksWithHats archive
00:06
1647
0
09-03-2015
[0]
