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A choreographed 1, 2 and 3 poi manipulation routine performed at Bath Upchuck Juggling Convention 2015./nThanks the Van Loop Media for the footage.
04:45
2637
0
03-03-2015
[1]
Attempting trick 3 of the BKA Outlink Competition.
00:16
2668
0
28-02-2015
[0]
Musique: Time in a bottle Jim Croce
jongleur: Mosu
Filmé et monté par Mosu
page facebook: https://www.facebook.com/pages/Mosu-Technical-Juggling-Video/333462850172030
02:25
1736
0
25-02-2015
[1]
GLOW CLUBS
The jugglin clubs are programmed by computer so they change colors with changes in the music or choreography.
Performance, video edditing and motion graphic by Ati in 2011
Music: Apparat & Ellen Alien - Way Out
03:38
2460
0
23-02-2015
[2]
twistin' Timo turns the trick with one Diabolo - very nice one by the way - looks pretty cool, i like it.
00:14
1836
0
19-02-2015
[0]
Another one with single Diabolo
00:22
1857
0
19-02-2015
[0]
Aidan notation for both patterns:/n"ps":= pass self
"ss":= self self
"SA-B":= Substitute from juggler A to juggler B
"IA-B":= Intercept from juggler A to juggler B (note that at an intercept instruction the juggler that was the destination of the club and the manipulator that performed the intercept change places)
"CM-N":= Carry from manipulator M to manipulator N/nKennedy notation:/nA: ps |ss |cs |ss | Becomes juggler B
B: ps |ss |ps |ss | Becomes juggler A
M: SA-B |SB-B |IA-B |CM-N | Becomes manipulator N
N: SB-A |SA-A |SA-B |SN-B | Becomes manipulator M/nControversial Kennedy Notation:/nA: ps |ss |ps |ss | Becomes juggler B
B: ps |ss |cs |ss | Becomes juggler A
M: SA-B |SB-B |IA-B |CM-N | Becomes manipulator N
N: SB-A |SA-A |SB-A |SN-B | Becomes manipulator M
01:38
2372
0
16-02-2015
[0]
Attempting Outlink 2015 Trick 2.
00:25
2391
0
15-02-2015
[0]
Step 1 of Outlink 2015
00:10
1688
0
12-02-2015
[0]
This is a collection of video I shot over the years as I developed a routine around the tennis ball and can./nHere's my recollection of the history of 3 tennis balls and a tennis can: On easter of 1989 I was bored and picked up a can of tennis balls thinking, "I can probably throw all of the balls out of the can and then go into a 4 pattern that includes the can." I quickly discovered some of the centrifugal properties of the can and began developing a routine at the Celebration Barn with people like Fritz Grobe and Steven Ragatz helping to critique my idea. At the same time in another part of the world, Scott Slesnick had discovered the same prop, but was doing different things with it. Neither of us knew of the other for years, but when we met at an IJA convention in Vegas one year, we pieced together the rumors we had heard of each other and decided that we had both come up with it independently and had been spreading it around the world over the years.
02:43
2532
0
10-02-2015
[0]
With Kevin Axtell, Erin Stephens, and Jeremiah Johnston.
Mountian Motion performs a dropless routine to close the Show at the Bay Area Circus Arts Festival. California/nA blend of old School and new school team Juggling performance.
08:22
4395
1
09-02-2015
[7]
It's my birthday, so I filmed you a video. Here's what I've been up to this past year!/n1. Dice stack
2. 4 clubs with a balance
3. 5 clubs into 4 with a balance
4. Plate balance 180
5. 5 ring color change
6. 5 clubs, half reverse spin
7. 4 balls with a head bounce (with transition!)
8. 3 club backcross with a balance
9. 8 ball [88]
10. 5 balls with a head bounce
11. 4 balls overhead with a balance
12. Point to point with a tension slide to splits
13. Point to point spin
14. Ball balance transfer
15. Glass on knife with a jumprope
16. Glass on knife with a jumprope, crossed arms
17. 7 ball kickups and kickdown 180s
18. 531 balance transfer
19. Stand on head
20. Teaset trick
21. Teapot trick
22. 3 ball throw (writing credit: Jacob Sharpe?)
23. Paddleball forward roll
24. Paddleball backwards roll
25. Sit on neck paddleball
26. Neck to neck paddleball
27. Walk-up-the-face balance with 3 club juggle
28. Balloon finale
05:34
4218
1
09-02-2015
[3]
Hold the hat by the brim with your left hand so that the crown of the hat is facing away from you. Take the stick in your right hand.
With a flick of your wrist, throw the hat up slightly so that it starts spinning anti-clockwise. As the hat descends, hit the brim with the stick slightly to the right of center, such that the stick curves slightly upwards and outwards. This will cause the hat to spin as it rises into the air. As it descends again, repeat the hitting action.
The idea of the basic spin is to keep the hat in the air by hitting it repeatedly with the stick in this manner. I find it helps if you look at the top portion of the inside of the hat.
Adjusting the spin rate and direction:
Hitting the hat nearer the center will give you a slower spin and more height, nearer the edge will give you a faster spin but less height. Obviously striking the left side of the brim will reverse the spin and cause the hat to go clockwise.
From the TricksWithHats archive
00:05
2896
0
24-01-2015
[1]
The hatstand made its debut at chocfest 7, where I was compering. After a period of prototyping and refining, I built the version that worked. I demoed this a couple of times then it broke. I replaced the elastic and set it up for the big day, used it on stage and it worked, then broke next time I used it.
Be prepared to spend significant tinkering time in between uses, and for frequent breakdowns. That said, it's never let me down when I've needed it.
All in all I've found it a great way to get chicks[1], if you don't count the long evenings spent honing the design and strewing the house with geeky construction equipment, and the fact you'll be laughed out of most nightclubs if you go in wearing a topper. But on stage it works, and it has drawn admiring glances from fellow jugglers and even won us a bag full of croissants on one occasion.
Sweavo, June 2003
[1] facts may vary
From the TricksWithHats archive
00:07
3209
1
24-01-2015
[1]
I've been putting a lot of focus into my 8 ball pattern and it's taking off! Hopefully I can get a world record run on camera soon.
00:60
2883
0
22-01-2015
[0]
CLUB LOVE!
Juggler Kevin Axtell gettin down at various events.
Torch and Glow Club manipulation
Also featuring Erin Stephens and Jeremiah Johnston
Music: "This Is How We Do" by Katy Perry
With Video footage by:
Give Props Documentary
Jeremiah Johnston
and Brendan O'Neal/
Including footage from
LUCIDITY
MOPS
PHASES OF THE MOON
and my living room
03:16
2938
0
22-01-2015
[0]
Live performance of my Barbarella inspired glow hoop routine
05:17
2333
0
19-01-2015
[0]
I met some jugglers in Puerto Vallarta (Mexico) and we decided to make a short video.
Editing and filming by Nano Ruvalcaba.
01:50
1996
0
16-01-2015
[1]
So I haven't uploaded anything on here in about 6 years it would seem, so I thought I'd put up my new ring juggling video!
It was filmed in August in this really nice location I found at Kiln Park, Wales while on tour with a show.
I'v never really worked on rings as much as i have clubs and balls, but found myself really getting in to it over the summer and this was the result.
There were more tricks I really enjoyed but this was all I filmed here, so enjoy!
03:40
3609
2
07-01-2015
[6]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: iB cB sB -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "iB": The manipulator (M) intercepts a the pass from A to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line.
2. "cB": The manipulator carries a club to B.
3. "sB": The manipulator substitutes a pass from A to B. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
00:31
3130
0
06-01-2015
[0]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: sC iC cC -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "sC": The manipulator substitutes a self from C to C.
2. "iC": The manipulator (M) intercepts a the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator, reads C's line.
3. "cC": The manipulator carries a club to C. This carry is performed as an over the shoulder move. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
00:30
2929
0
06-01-2015
[0]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: sC iC cC -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "sB": The manipulator substitutes a pass from A to B.
2. "iB": The manipulator (M) intercepts a the self from B to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line.
3. "cA": The manipulator carries a club to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
00:31
2641
0
06-01-2015
[0]
A short collection of clips featuring Martin "Bigpig" Mor.
01:39
2266
0
31-12-2014
[1]
