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This move is lots easier to do if you turn with the staff to slow down the spin. That said you will still probably hit yourself in the face learning it. When you are raising your arms back up to roll the staff down th inside of your arm, try to be as controlled as possible because that is the most likly place you will hurt yourself. Mind you if you already do staff another couple of knocks won't make any difference.

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iC cC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "sB": The manipulator substitutes a pass from A to B. 2. "iB": The manipulator (M) intercepts a the self from B to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line. 3. "cA": The manipulator carries a club to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

Parque tematico Japon

Aidan Burns' Scrambled V Variation (cA sA iA) The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "cA": The manipulator carries a club to A. 2. "sA": The manipulator substitutes a pass from C to A. 3. "iA": The manipulator (M) intercepts a the pass from B to A. The juggler who was A is the new manipulator, and reads from the manipulator line. All the jugglers are relabeled and the new feeder starts counting the 3 passes. We start the pattern with an unmanipulated pass on beat 1 and on beat 2 with sA. Once the pattern is running the sA happens while M stands close to the Feeder. It is still a substitution, but Feedee C really has to pass to M.

These are something i came up with while on a beach in Thailand so i have fond memories for this move. When passing the staff behind the back give it a little pop up to keep it spinning and to make it a bit easier to catch.

I learnt these trying to get the matrix. The way you lean and shift your body is very similar to how you would for a matrix but easier. I go in from a horizontal pivot because it gets the staff nicly in plane. Once the staff is on your neck lean away from the staff and let it spin around the back of your neck. Then do the same in the other direction to get it back round the front. Useing your shoulders to push the staff round can help.

some extracts of Bugo's performance 2015 /nThe act is called "Do more of what you make happy" was created in 2013 after a research about body throws, movements and siteswaps with 2,3 and 5 balls. The main concept is: Sometimes you have to come back and restart from a different perspective, maybe easier./nI showed this performance in many stages in Europe like Open Stage, Gran Gala and circus cabaret./ninfo : [email protected]

It's easier to spin a ball on your finger than a hat, so click here to learn to spin a ball first. Once you've got that solid it should be easy to transfer the skill over to your hat. It's easier with a bowler as the hat will dent slightly and sit on the finger better.

Throw a pancake throw, and catch it with your other hand above head. The catch is easier if you stick your thumb forward like a coat peg. From the TricksWithHats archive

Backcross to head catch - Throw the hat behind your back, and catch it on your head. Like most throwing moves, this is a variation on the Throw to head - so it's probably a good idea to learn that first! Hold the hat in your right hand using an inside grip, spread your fingers out nice and wide as you would for a normal throw to the head. Swing your arm out to the side, so that the crown of the hat is pointing downwards. Bring your arm behind your back and release the hat so that it does a nice, high, slow spin above your left shoulder. As the hat descends, look up into it and catch it in the same way that you would for a standard throw to the head. Top Tip: The catching part is easier if you turn your head towards your left shoulder just before the catch. Oh, and obviously learn this throw from both hands... From the TricksWithHats archive