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__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sB iC cC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "sB": The manipulator substitutes a pass from A to B. 2. "iC": The manipulator (M) intercepts a the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator reads C's line. 3. "cC": The manipulator carries a club to C. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sB iC cC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "iC": The manipulator (M) intercepts a the self from C to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator reads C's line. 2. "cA": The manipulator carries a club to A. 3. "sC": The manipulator substitutes a self from C to C. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: iB cB sB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "iB": The manipulator (M) intercepts a the pass from A to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line. 2. "cB": The manipulator carries a club to B. 3. "sB": The manipulator substitutes a pass from A to B. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: iB cB sC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "iB": The manipulator (M) intercepts a the pass from A to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line. 2. "cB": The manipulator carries a club to B. 3. "sC": The manipulator substitutes a self from C to C. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "cC": The manipulator carries a club to C. 2. "sC": The manipulator substitutes a pass from A to C. 3. "iB": The manipulator (M) intercepts a the pass from A to B. The juggler who was B is the new manipulator, and reads from the manipulator line. All the jugglers are relabeled and the new feeder starts counting the 3 passes. It´s easier for the manipulator tells AND 1 2 3 as the cC actually happens before count 1. We find it much easier to start the pattern on count 2 and miss the cC in the first round. Wolfgang (blue t-shirts) moves different on iB. Just choose your favorite style.

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iC cC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "sC": The manipulator substitutes a self from C to C. 2. "iC": The manipulator (M) intercepts a the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator, reads C's line. 3. "cC": The manipulator carries a club to C. This carry is performed as an over the shoulder move. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "iC": The manipulator (M) intercepts the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line. 2. "cA": The manipulator substitutes a _pass_ from A to B. 3. "sC": The manipulator substitutes a _self_ from C (to C). The passes _from_ the feeder are not manipulated, the feeder does only normal pass throws to B, C, B

Aidan Burns' Scrambled V Variation (iB cB sA) General information: The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. Walking: After pass three, B walks on a 4-count to the left side of A. All the jugglers are relabeled (A -> B', B -> C', C -> A') and the new feeder A' starts counting the 3 passes, starting with B'. The manipulation: 1. "iB": The manipulator (M) intercepts a pass from A to B. The juggler who was B is new M, and reads from the manipulator line. The juggler who was M now is B. 2. "cB": M carries a club to B. 3. "sA": M substitutes a the pass from B to A. How to do this pattern: We start manipulating the pattern by substituting the pass from B to A on beat three. You can skip the tree bit if you like.

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iC cC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "sB": The manipulator substitutes a pass from A to B. 2. "iB": The manipulator (M) intercepts a the self from B to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line. 3. "cA": The manipulator carries a club to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

These can be done forwards and backwards. They arn't true elbow fishtails because there is only one beat of a fishtail at a time with other beats put in to get positioning. If anyone manages complete continuous elbow fishtails please let me know and i'll stick a vid up cos they are DAMN hard. The tricky bit of this move is getting your elbow across 180 fast enough to catch the fishtail but not so fast the staff flys off your elbow. (See also Reverse Elbow Fishtails)

These can be done forwards and backwards. They arn't true elbow fishtails because there is only one beat of a fishtail at a time with other beats put in to get positioning. If anyone manages complete continuous elbow fishtails please let me know and i'll stick a vid up cos they are DAMN hard. The tricky bit of this move is getting your elbow across 180 fast enough to catch the fishtail but not so fast the staff flys off your elbow. (See also Elbow Fishtails)

This move evolved from the inside bit of 5 beat fishtails. Basically you are fishtailing on the inside bit of your thumb between your thumb and arm. This is fairly tricky to keep going so what I do (as you will see in the video) is add extra beats to keep the momentum going, this does technically declassify the move as a fishtail but I think it's quite a fun move and it feels nice to do.

Here is my entry for IJA's Video tutorial contest 2016./nThe "Sync No-Beat Cascade" is a foundational pattern for poi jugglers, as it is stable and varies well into other patterns./nEnjoy!

3 3-Count Roundabouts All period 6, one-sided. Notation in the video. Jill, Eva, and I taught a workshop on these three 3-count roundabout variations that we deciphered from Aidan's book and reconstructed from notes from Nicki's workshop. Filmed at Passout on Vashon Island, WA. All takeouts on right-handed beats. For two-sided variations see the period 9 patterns PGDI (http://juggling.tv/16674) and Vashon Roundabout (http://juggling.tv/16675)