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The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "cC": The manipulator carries a club to C.
2. "sC": The manipulator substitutes a pass from A to C.
3. "iB": The manipulator (M) intercepts a the pass from A to B.
The juggler who was B is the new manipulator, and reads from the manipulator line. All the jugglers are relabeled and the new feeder starts counting the 3 passes.
It´s easier for the manipulator tells AND 1 2 3 as the cC actually happens before count 1.
We find it much easier to start the pattern on count 2 and miss the cC in the first round.
Wolfgang (blue t-shirts) moves different on iB. Just choose your favorite style.
01:26
3023
0
09-05-2015
[0]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: sC iC cC -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "sC": The manipulator substitutes a self from C to C.
2. "iC": The manipulator (M) intercepts a the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator, reads C's line.
3. "cC": The manipulator carries a club to C. This carry is performed as an over the shoulder move. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
00:30
2956
0
06-01-2015
[0]
First Juggling vid.
I hope you enjoyed it./nMusic by 5xl Beats
04:04
2940
1
30-03-2012
[1]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: iB cB sB -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "cB": The manipulator carries a club to B.
2. "sA": The manipulator substitutes a pass from C to A.
3. "iB": The manipulator (M) intercepts a self from C to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator, reads C's line. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
00:30
2913
0
10-04-2016
[2]
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C".
The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern.
On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "iC": The manipulator (M) intercepts the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line.
2. "cA": The manipulator substitutes a _pass_ from A to B.
3. "sC": The manipulator substitutes a _self_ from C (to C).
The passes _from_ the feeder are not manipulated, the feeder does only normal pass throws to B, C, B
00:52
2842
0
09-05-2015
[0]
This is a trick more commonly done with clubs, diabolos, or devil sticks but I think it translates nicely with cigar boxes. These are just a few of the many possible variations that I'm working on.
01:05
2744
1
09-05-2012
[3]
Aidan Burns' Scrambled V Variation (iB cB sA)
General information:
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass.
Walking:
After pass three, B walks on a 4-count to the left side of A. All the jugglers are relabeled
(A -> B', B -> C', C -> A')
and the new feeder A' starts counting the 3 passes, starting with B'.
The manipulation:
1. "iB": The manipulator (M) intercepts a pass from A to B.
The juggler who was B is new M, and reads from the manipulator line. The juggler who was M now is B.
2. "cB": M carries a club to B.
3. "sA": M substitutes a the pass from B to A.
How to do this pattern:
We start manipulating the pattern by substituting the pass from B to A on beat three.
You can skip the tree bit if you like.
00:46
2730
0
09-05-2016
[0]
Aidan Burns' Scrambled V Variation (cA sA iA)
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "cA": The manipulator carries a club to A.
2. "sA": The manipulator substitutes a pass from C to A.
3. "iA": The manipulator (M) intercepts a the pass from B to A.
The juggler who was A is the new manipulator, and reads from the manipulator line. All the jugglers are relabeled and the new feeder starts counting the 3 passes.
We start the pattern with an unmanipulated pass on beat 1 and on beat 2 with sA.
Once the pattern is running the sA happens while M stands close to the Feeder. It is still a substitution, but Feedee C really has to pass to M.
01:08
2674
0
17-04-2016
[1]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: sC iC cC -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "sB": The manipulator substitutes a pass from A to B.
2. "iB": The manipulator (M) intercepts a the self from B to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line.
3. "cA": The manipulator carries a club to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
00:31
2672
0
06-01-2015
[0]
A choreographed 1, 2 and 3 poi manipulation routine performed at Bath Upchuck Juggling Convention 2015./nThanks the Van Loop Media for the footage.
04:45
2668
0
03-03-2015
[1]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: iB cB sB -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "iC": The manipulator (M) intercepts a self from C to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator, reads C's line.
2. "ca": The manipulator carries a club to A.
3. "sA": The manipulator substitutes a pass from B to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
00:32
2655
0
10-04-2016
[3]
These can be done forwards and backwards. They arn't true elbow fishtails because there is only one beat of a fishtail at a time with other beats put in to get positioning. If anyone manages complete continuous elbow fishtails please let me know and i'll stick a vid up cos they are DAMN hard. The tricky bit of this move is getting your elbow across 180 fast enough to catch the fishtail but not so fast the staff flys off your elbow. (See also Reverse Elbow Fishtails)
00:34
2624
0
09-05-2011
[0]
MinuEd is a pass-pass-self base pattern, with some one beat manipulations, which makes it more difficult than standard notation patterns where every manipulation is given two beats. It is juggled in the Rhonda manipulation style http://juggling.tv/15646. First round of the pattern ever recorded (http://juggling.tv/15002) was in the iconic Rhonda styling, so it has set the default style for MinuEd
Notation is in the video!
00:58
2569
0
11-01-2016
[1]
My dad thinks that my juggling has ruined the grass, but he and I both know that it died because he doesn't water it.
Note: This version includes an exclusive bonus trick that I felt was worthy only for the hallowed halls of JugglingTV, NOT just because I forgot to put it in the original version.
Music: Beat 1, Flynn (both by Ratatat)
02:00
2565
1
12-07-2013
[1]
These can be done forwards and backwards. They arn't true elbow fishtails because there is only one beat of a fishtail at a time with other beats put in to get positioning. If anyone manages complete continuous elbow fishtails please let me know and i'll stick a vid up cos they are DAMN hard. The tricky bit of this move is getting your elbow across 180 fast enough to catch the fishtail but not so fast the staff flys off your elbow. (See also Elbow Fishtails)
01:02
2518
0
09-05-2011
[0]
This move evolved from the inside bit of 5 beat fishtails. Basically you are fishtailing on the inside bit of your thumb between your thumb and arm. This is fairly tricky to keep going so what I do (as you will see in the video) is add extra beats to keep the momentum going, this does technically declassify the move as a fishtail but I think it's quite a fun move and it feels nice to do.
01:13
2484
0
09-05-2011
[0]
Here is my entry for IJA's Video tutorial contest 2016./nThe "Sync No-Beat Cascade" is a foundational pattern for poi jugglers, as it is stable and varies well into other patterns./nEnjoy!
03:06
2417
0
30-11-2016
[0]
2 male Chinese acrobats performing with tridents. I do not know which troupe they are from.
This skill is sometimes called Fei-cha. It is a traditional Chinese acrobatic form. The tridents have loose elements at the head, which creates the characteristic jangling noise.
From a video titled Chinese Acrobatic Feats.
05:10
2318
0
04-09-2015
[0]
3 3-Count Roundabouts
All period 6, one-sided. Notation in the video.
Jill, Eva, and I taught a workshop on these three 3-count roundabout variations that we deciphered from Aidan's book and reconstructed from notes from Nicki's workshop. Filmed at Passout on Vashon Island, WA.
All takeouts on right-handed beats. For two-sided variations see the period 9 patterns PGDI (http://juggling.tv/16674) and Vashon Roundabout (http://juggling.tv/16675)
01:36
2299
0
15-10-2017
[0]
Wicked 3 torch Burn at the Pacific Fire Gathering 2012 on the Oregon coast.
Music : Paranoia by MainStream Beats
Juggler : Kevin Axtell
02:18
2247
0
23-10-2012
[1]
Ice Cream Man Marko's Treats Spends a Day in Venice Beach
Videographer: Tim Maxeiner
Music: The Electric SUndaes
#markostreats
- #venicebeach
- #longbeach
- #juggling
- #knives
- #balls
- #unicycle
- #waves
- #sunset
- #theelectricsundaes
01:40
2205
0
13-02-2014
[1]
Beginners Division (2 heats + final) in the EKO 2017.
13:15
2085
0
04-08-2017
[0]
33 Patterns. All with at least one zap. All period seven. All with five clubs. All with two people. All for 6 rounds (where one round is 14 beats of the pattern globally).
For our more playful video also filmed at TADAH see: https://youtu.be/-rO6grGcPis
The list is written in four handed global siteswap notation:
1. 6662555
2. 6672752
3. 6672625
4. 7572662
5. 6752555
6. 7562555
7. 7572752
8. 7772255
9. 6782525
10. 7582562
11. 7862255
12. 8572625
13. 8672255
14. 6682562
15. 6852662
16. 6862652
17. 8552555
18. 8582525
19. 8852255
20. 8882225
21. 6692552
22. 6962527
23. 9962225
24. 9952262
25. 6929522
26. 9629252
27. 9269225
28. 7592552
29. 9527822
30. 9552662
31. 7a72252
32. a862225
33. 8279225
Special thanks:
James for creating his siteswap spreadsheet from which we got our list.
TADAH for having us to stay for long enough to learn and film so many patterns.
Music:
From the album 'Money, Blood and Light [LCL14]' by Plurabelle; licensed under a Attribution-NonCommercial-ShareAlike 3.0 International License.
12:34
2071
1
10-10-2017
[1]
Ice Cream Man From Long Beach California. Uses juggling to attract customers. Marko has developed a niche for juggling alongside rappers and DJ's in LA and Long Beach. You can follow him @markostreats
https://vimeo.com/72992030
www.markostreats.com
#jiggin
- #juggler
- #trap
- #trapmusic
- #icecreamman
- #markostreats
- #hiphop
- #extindogang
- #icecream
- #dube
- #stageball
- #3ball
- #markosuniverse
- #hiphopmogul
- #longbeach
- #losangeles
- #hollywood
00:60
1960
0
11-02-2014
[2]
