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Steve Rawlings showed me this trick in Birmingham and said that he used to do it in every show, but now that he's older (and a little rounder :-) he can't get it every time any more. Steve uses a china plate for this trick, but it works with hats too which is why it's here! :-) Take the hat in your right hand, using an inside grip and hold it so that the crown of the hat is facing to the left. Throw the hat virtically with some spin, and then do the following while the hat is in the air... Put your right hand between your legs Take the hand around the back of the right leg Stand on your left leg and move the right hand & foot behind the left leg Then, catch the descending hat in your right hand, from that position. Without falling over. Top Tips: Practice the "tangle yourself up" bit first without the catch. Keep your eye on the hat as it decends, practice loads... Luke Burrage managed to get this on video within 30 minutes. I've been trying for weeks and can't do it. It's pretty hard.

Throw to Foot - Throw the hat to your foot as if it was a hatstand. Hold the hat crown up above the shoulder with an inside grip. Lift the leg and keep it straight, flexing the foot as much as you can. With a flick of the wrist throw the hat straight to the foot with a single spin. This trick looks best if the throw is as straight as possible. Foot to Head is a nice return trick from here.

Hold the hat by the brim with your left hand so that the crown of the hat is facing away from you. Take the stick in your right hand. With a flick of your wrist, throw the hat up slightly so that it starts spinning anti-clockwise. As the hat descends, hit the brim with the stick slightly to the right of center, such that the stick curves slightly upwards and outwards. This will cause the hat to spin as it rises into the air. As it descends again, repeat the hitting action. The idea of the basic spin is to keep the hat in the air by hitting it repeatedly with the stick in this manner. I find it helps if you look at the top portion of the inside of the hat. Adjusting the spin rate and direction: Hitting the hat nearer the center will give you a slower spin and more height, nearer the edge will give you a faster spin but less height. Obviously striking the left side of the brim will reverse the spin and cause the hat to go clockwise. From the TricksWithHats archive

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: iB cB sB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "iB": The manipulator (M) intercepts a the pass from A to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line. 2. "cB": The manipulator carries a club to B. 3. "sB": The manipulator substitutes a pass from A to B. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iC cC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "sC": The manipulator substitutes a self from C to C. 2. "iC": The manipulator (M) intercepts a the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator, reads C's line. 3. "cC": The manipulator carries a club to C. This carry is performed as an over the shoulder move. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iC cC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "sB": The manipulator substitutes a pass from A to B. 2. "iB": The manipulator (M) intercepts a the self from B to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line. 3. "cA": The manipulator carries a club to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

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I got a new 8 ball bounce PR today. I got grazed by a stray basketball and managed to keep it going.

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: iB cB sC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "iB": The manipulator (M) intercepts a the pass from A to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line. 2. "cB": The manipulator carries a club to B. 3. "sC": The manipulator substitutes a self from C to C. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

Jeremias` card flipping - cardistry - nice done! Keep it up!!!

__1__2__3 A: ps ps ps -> M B: ps ss ps -> C C: ss ps ss -> A M: cA sC iA -> B The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "cA": The manipulator (M) carries a club to A. 2. "sC": The manipulator substitutes a pass from A to C. 3. "iA": The manipulator intercepts a pass from B to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes. Juggled in memory of Aidan Burns by Nick Aikens, Jill Carson, Christian Kästner and Greg Phillips at the Not Quite Pittsburgh Juggling Festival, 9 November 2014.

Panto, juggled by Graham, Joanne, Danny and Ed. Part of the Aidan Burns Project to juggle all 27 of his variations to the Scrambled V. Notation: __1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iA cB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the carried pass and walks on four count (rotating the positions anti-clockwise). 1. "sC": The manipulator substitutes a self from C to C. This takes place while the juggler is walking on four count. 2. "iA": The manipulator (M) intercepts a the pass from C to A. The juggler who was A is the new manipulator, and reads from the manipulator line. The old manipulator, reads A's line. 3. "cB": The manipulator carries a club to B. We found it useful for the manipulator (who was the feeder for 1 and 2) to say 3 during the carry, for continuity. All the jugglers are re-labeled and the new feeder starts counting the 3 passes. Panto gets it's name from the pass from A to B on beat 1, the club is quite close to the back of the manipulators head (He's behind you!).

Alex and I do a sequence where the 3 green clubs are isolated in 4 different patterns. Start off with 7-club 3-count with the passes green. Then do 8677867 with the passes as green. Then 978 versus 972 with double passes as green. Then 551 popcorn (a2a67) versus 5 count popcorn with trelfs as green. Then back to 7 club 3-count. As they are all ground state, the first 2 switches just work, and doing: 966|7867867 for the first 7867867|978972 for the second preserves the colours. For the third, to keep the colours we did three transition throws: 978972|867|a66a7a6267 For the fourth transition, to keep the colours we did: a66a7a6267a66a7|b6266|966 I'd love to see similar ideas!

Keep practice session from when I started with 4 balls

A little free performance I did at the JJF. I didn't have much time to make it but I tried to throw in some harder stuff than my championship routine to test it out. Gonna work on completely new tricks for next year and keep them out of videos so there's a bit more impact when seeing them, a lot of this stuff has been done to death now.

One of my young students here in Greece. He has reached his 1st kyu and wants to go as high as he can! Keep 'em peeled for this lad, folks!!

I tried to keep a ball on my head for the take off and the landing of a plane... success!

Thanks everyone that bought Water on Mars!!!! It's been a huge success, and allowed me to keep making videos like these... You can still get the video here: http://www.wespeden.com/?page_id=8 Trailer: http://www.youtube.com/watch?v=Ppgy_9yx5-w/nMusic: A$AP Rocky - Wild For The Night

On top of the world you get nothing done. Talk is cold and burns like the sun. Can't you see these skies are breaking? Coz on top of the world is where I'm from.. The back of the class is where I was. Keeping quiet, playing dumb.

Hey everyone.Been working pretty hard to keep up with juggling now I'm back to university. This video covers most of the styles of juggling I currently work on. Credit goes to Lewis for coming up with the insane 771 variations!/nAlso, the current plan is to make David leahy 7 by spring; I have even started filming it! I also hope to be making some pretty big videos in the summer with some shreddies so look forward to that!

Die Showbarkeeper Jonglage: Eine ganz besondere Art einen Cocktail zu servieren! Erleben Sie selbst, wie Ihnen Benjamin Pfeiffer, zu energiegeladener Musik durch Showbarkeepern und „Gute-Laune-Jonglage“, einen Cocktail zubereitet! Nichts bleibt ohne durch die Luft zu fliegen ruhig auf seiner Minibar liegen!

A game branded as Gyro Ring in the past, here is a fabulously addicting prop composed of five brass washers (beads) strung onto a stainless steel ring. To activate this prop you spin the brass beads and turn the larger ring to keep them going in perpetual activity. The ring can then be manipulated in various ways to perform a large range of tricks! This is a improv set slowed to 1/2x. These rings were popular in Japan and New Zealand circa 1995-1997 but remained widely unknown to much of the rest of the world. A small selection of high quality rings are available online at my website SlingTrue.org Please contact me if you have any insights or questions

Here's some technical juggling practice that I've done this last month or so. Lots of juggling with a head bounce, 8,9,10 rings, 8,9 balls, 7 clubs and some balance thrown in there. Hope you like it, I'll keep practicing!

Tricks keeping me busy for a long time... two or three times I got the 5stage shower pattern with 6 balls (j1f1b17131) but yet never finished it with a full collect. What goes up must come down!

thank you so much everyone that bought Eleven Shot! It has really helped me out a lot living in Sweden. This video is for you. If you haven't seen Eleven shot you can still get it from www.tonypezzo.com for a little while longer. keep juggling!