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iC cA sA: Aidan Burns' Scrambled V Variation (iC cA sA)

Ed_Clark

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: iB cB sB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "iC": The manipulator (M) intercepts a self from C to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator, reads C's line. 2. "ca": The manipulator carries a club to A. 3. "sA": The manipulator substitutes a pass from B to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

00:32

2583

0

10-04-2016

[3]

sB iB cA: Aidan Burns' Scrambled V Variation (sB iB cA)

Ed_Clark

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iC cC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "sB": The manipulator substitutes a pass from A to B. 2. "iB": The manipulator (M) intercepts a the self from B to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line. 3. "cA": The manipulator carries a club to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

00:31

2582

0

06-01-2015

[0]

Pirouettes go crazy

westwolf

Aidan Burns' Scrambled V Variation (cA sA iA) The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "cA": The manipulator carries a club to A. 2. "sA": The manipulator substitutes a pass from C to A. 3. "iA": The manipulator (M) intercepts a the pass from B to A. The juggler who was A is the new manipulator, and reads from the manipulator line. All the jugglers are relabeled and the new feeder starts counting the 3 passes. We start the pattern with an unmanipulated pass on beat 1 and on beat 2 with sA. Once the pattern is running the sA happens while M stands close to the Feeder. It is still a substitution, but Feedee C really has to pass to M.

01:08

2575

0

17-04-2016

[1]

Teku Contact - 19.5 - 4B Chestrolls, 10 passes?

Teku

Still needs work, but getting there. Goal was 10 passes hand to hand, this sort of qualifies (I suppose). Taken 5 months to get this far with it.

01:01

2410

1

23-09-2011

[2]

Get inspired

jugglerdavies

A lot of passes up the back and some numbers juggling

01:28

2305

0

01-09-2016

[0]

contact poi

talivan

pass poi in chest roll ???? without grasping the rope as it passes through the chest ???. Resistance to balance two poi contact at the same time ???. when you discover what it really is hard to practice every day, you realize that everything is also more logical if you study. for my hard work and the difficulty of the technique says a lot. Shaolin kung fu has given me physical strength and mentally, also taught me a lot, so you end up never learn and that's the part that I like more because when you go harder everything becomes.
contact - poi - 3 - poi - juggling - ball - on - the - head

05:27

2205

1

13-03-2016

[2]

Mees Jager #4

MeesJager

If you like up the back passes this is the video for you! Also includes a little mandatory sprung madness and even some kendama tricks (always widening that horizon). Some of these clips were shot during my time in Cambodia so don't forget to take a look at that view as well! Enjoy :)

04:11

2170

0

12-04-2016

[4]

Fishtail Passes

Sandy

You need to be able to do forwards and reverse fishtails in both hands (or at least forwards with one and revers with the other) The rest is pretty self explanitory.

00:47

2143

0

09-05-2011

[0]

Juggling + DDR

TomD

Tom Derrick passes Max 300 expert while juggling 3 balls. Filmed on a phone.

01:46

2139

0

11-03-2011

[1]

4-4-8 Passing

eshibuya

4-4-8 pattern 4 passes in a 5 count 4 passes in a 3 count 8 passes in a 1 count

00:19

1945

0

11-12-2016

[3]

Näyttämö

Samuli

NÄYTTÄMÖ 'Performing arts center, Joensuu, Finland' Pilkontie 7, 80120 Joensuu/nNÄYTTÄMÖ is a performing arts and concert venue situated at the Pilkontie 7, Joensuu, Finland. NÄYTTÄMÖ is the flagship arts and cultural venue in Joensuu, creating a year-round programme that encompasses the best in contemporary performance, arts participation, cultural education and outreach work for both its community and the sector as a whole./nSirkus Supiainen founded NÄYTTÄMÖ 2018 with support of Finnish Culture Foundation. The NÄYTTÄMÖ is the home stage for Sirkus Supiainen's perormances. We are committed to leading the way in the creation, production, presentation and artist/audience development of and for contemporary circus theatre. /nNÄYTTÄMÖ exists to ignite creativity within, diverse communities and works tirelessly to overcome traditional barriers - including age, socioeconomic background and geography – to achieve full engagement with the arts for everyone./nTechnical Specifications STAGE Block box Layout Stage
1 - 2 - 3

01:08

1911

0

29-12-2018

[2]

 
 
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