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- 180 machine about (Four and five persons) - te cambio las papas por chesco/nthis are new patterns discovered by Christian Tinoco inspired for his last meeting with Aidan burns at EJC 2013, coming back to México he and his friends from Bad Balls (Cd Juarez. Chihuahua) and his team (Unicirclo) at Torreón Together they could developed this amazing patterns that you can see in the video. enjoy it!!!

Scrambled V variation '3' juggled by Christian, Michael, Mark-Jan and Juli at PassOut 2014-2015 in Someren, NL. 1 2 3 A: ps ps ps B: ps ss ps C: ss ps ss cC sA iB Music: RiGNA FOLK - Criminal Part 1

"Postmen" cB sC iC juggled by Patricia, Simon, Lars and Tobias (Hannover)

Scrambled V variation 'The Unnameable' juggled by Mïark, Michael, Pascal and Staffan at PassOut 2014/15 in Someren, NL. __1__2__3 A: ps ps ps -> B B: ps ss ps -> C C: ss ps ss -> A M: sB iA cB -> M (In Aidan's original notation: 312: cB sA iC) Music: Caravan Palace: "Jolie Coquine" Video: Pascal Häring

The juggling pattern Scrambled Ivy in memory of Aidan Burns. Shot in Berkeley California on November 8th, 2014. Jugglers: Arun Persaud, Joe Di Salvo, Dragon, Bob Madden. Produced by Bob Mendelsohn - Damp Rabbit On YouTube https://www.youtube.com/watch?v=RHP1JSHFzbI Cameras used : Canon Vixia HF200 & iPhone 5s

Part of the Aidan Burns Project to juggle all 27 of his variations to the Scrambled V./nJuggled by Becky, Christoph, Iain, and Michael./nApologies for the poor video quality.

"Postman" cB sC iC juggled by Patricia, Simon, Tobias and Bettina (Hannover)

Music: Mozart, Sonata for Two Pianos in D major, K.448 Video sources: 11 http://juggling.tv/15850. 12 http://juggling.tv/14498. 13 http://juggling.tv/14482. 14 right here. 15 http://juggling.tv/14515. 16 http://juggling.tv/15101. 17 http://juggling.tv/15834. 18 http://juggling.tv/12351. 19 http://juggling.tv/15472. 21 http://juggling.tv/14542. 22 http://juggling.tv/15007. 23 http://juggling.tv/14500. 24 http://juggling.tv/12351. 25 http://juggling.tv/14612. 26 http://juggling.tv/14489. 27 http://juggling.tv/15835. 28 right here. 29 http://juggling.tv/15161. 31 http://juggling.tv/14708. 32 http://juggling.tv/14480. 33 http://juggling.tv/14615. 34 http://juggling.tv/14611. 35 http://juggling.tv/14949. 36 http://juggling.tv/15003. 37 http://juggling.tv/15021. 38 http://juggling.tv/14610. 39 https://www.youtube.com/watch?v=SatcKI9caMQ.

Scrambled 3 with an extra club. Note that when C would do L:4x, R:2, R:4p in other ambled patterns to switch sides, here the necessity to do two right hands in a row is solved diferently L:3, R:5px, R:2. The pass is substituted, but it is a 5px which is why the manipulator has it for so long that they have to do a self and intercept before they deliver the 5px

The Ambled 3V, a.k.a., Unicorn Charge! Performed by Keith Campbell, Ingrid Johnson, Will Murray, Britt Tyler, and Staffan Ulfberg in July 2017./nThe Scrambled 3V is a combination of Aidan Burns's Scrambled 3 and Scrambled V patterns to make a five-person, two-manipulator pattern. In the Ambled version, we add an extra club (12 in total) and make all the passes doubles so it takes place on a 10-club doubles feed. /nIn the Ambled 3, the manipulator (M) substitutes a pass from the right feedee (C) to the feeder (A). But *before* delivering that club to A, M must steal another club from A. (This is the same set of steals as in the Scrambled 3, but in the Scrambled 3 you don't have the time travel problem.) So M must actually juggle for one beat! /nWhen we filmed this, Ingrid and Britt were wearing matching unicorn t-shirts, so when they charged together they made unicorn horns. This is how the pattern shall forever henceforth be performed.

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sB iC cC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "iC": The manipulator (M) intercepts a the self from C to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator reads C's line. 2. "cA": The manipulator carries a club to A. 3. "sC": The manipulator substitutes a self from C to C. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

A Scrambled V variation. iA cC sA. Juggled at the MCJAF (monash club of juggling and firetwirling) camp by Nick, Lisa, Iain and Adrian

cA sB iA - one of the many variations of the Scrambled V

__1__2__3 A: ps ps ps -> M B: ps ss ps -> C C: ss ps ss -> A M: cA sC iA -> B The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "cA": The manipulator (M) carries a club to A. 2. "sC": The manipulator substitutes a pass from A to C. 3. "iA": The manipulator intercepts a pass from B to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes. Juggled in memory of Aidan Burns by Nick Aikens, Jill Carson, Christian Kästner and Greg Phillips at the Not Quite Pittsburgh Juggling Festival, 9 November 2014.

1 2 3 A: ps ps ps B: ps ss ps C: ss ps ss Ed notation: cC sB iB Juggled in memory of Aidan Burns by CatchUp (Menno Hoeksema, Mark-Jan van der Meulen, Johan Smits & Tom van den Berg) Enschede, the 12th of November

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: iB cB sB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "cB": The manipulator carries a club to B. 2. "sA": The manipulator substitutes a pass from C to A. 3. "iB": The manipulator (M) intercepts a self from C to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator, reads C's line. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

a combination of the chopped zig zag and B.

The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "cC": The manipulator carries a club to C. 2. "sC": The manipulator substitutes a pass from A to C. 3. "iB": The manipulator (M) intercepts a the pass from A to B. The juggler who was B is the new manipulator, and reads from the manipulator line. All the jugglers are relabeled and the new feeder starts counting the 3 passes. It´s easier for the manipulator tells AND 1 2 3 as the cC actually happens before count 1. also take a look at the original file: http://juggling.tv/15101

Dolby 7.1 is the latest in the series of patterns that have manipulation similar to the classic Dolby Söround http://juggling.tv/1742 In this new pattern, we add a club to the Dolby 5.1 pattern, first shown http://juggling.tv/16656 Dolby 5.1, Dolby 5.2 and Dolby 7.1 were all composed together as a set. Seeing as Dolby 7.1 is another step up in the difficulty of manipulator patterns I've not gone with a standard pattern video, but instead added some training patterns - like a workshop. Workshop tips: 1. Keep the tempo slow when you are throwing the heffs - you are controlling the pattern speed. 2. The manipulation needs to be a little faster than you might do it in Dolby 5.1, as the tempo is set by the dwell+height of the heffs. Slow manipulation can introduce timing problems for catching the 4p4p. 3. Heffs (4) and double passes (4p) must be the same height in order to keep good timing. 4. The pattern is synchronous.

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: iB cB sC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "iB": The manipulator (M) intercepts a the pass from A to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line. 2. "cB": The manipulator carries a club to B. 3. "sC": The manipulator substitutes a self from C to C. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: iB cB sB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "iB": The manipulator (M) intercepts a the pass from A to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line. 2. "cB": The manipulator carries a club to B. 3. "sB": The manipulator substitutes a pass from A to B. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: iB cB sB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "iC": The manipulator (M) intercepts a self from C to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator, reads C's line. 2. "ca": The manipulator carries a club to A. 3. "sA": The manipulator substitutes a pass from B to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

Manipulator passing pattern for four people. The base pattern is 4 count between two jugglers. Below is the Aidan notation for the pattern. There is one round of four count and then the pattern begins A: ps |ss |ps |ss | Becomes juggler B B: ps |ss |cs |ss | Becomes juggler A M: SA-B |SB-B |IA-B |CM-N | Becomes manipulator N N: SB-A |SA-A |SB-A |SN-B | Becomes manipulator M "ps":= pass self "ss":= self self "cs":= chop self "SA-B":= Substitute from juggler A to juggler B "IA-B":= Intercept from juggler A to juggler B (note that at an intercept instruction the juggler that was the destination of the club and the manipulator that performed the intercept change places) "CM-N":= Carry from manipulator M to manipulator N Starting positions in the video: A patterned red shirt (right) B dress (left) M is blue shirt (middle-right) N plain red shirt (middle left) Oh, and the "niiaoow" noise is a cat-plane hybrid noise, performed on the carry (optional).

Panto, juggled by Graham, Joanne, Danny and Ed. Part of the Aidan Burns Project to juggle all 27 of his variations to the Scrambled V. Notation: __1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iA cB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the carried pass and walks on four count (rotating the positions anti-clockwise). 1. "sC": The manipulator substitutes a self from C to C. This takes place while the juggler is walking on four count. 2. "iA": The manipulator (M) intercepts a the pass from C to A. The juggler who was A is the new manipulator, and reads from the manipulator line. The old manipulator, reads A's line. 3. "cB": The manipulator carries a club to B. We found it useful for the manipulator (who was the feeder for 1 and 2) to say 3 during the carry, for continuity. All the jugglers are re-labeled and the new feeder starts counting the 3 passes. Panto gets it's name from the pass from A to B on beat 1, the club is quite close to the back of the manipulators head (He's behind you!).

Aidan Burns' Scrambled V Variation (cA sA iA) The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "cA": The manipulator carries a club to A. 2. "sA": The manipulator substitutes a pass from C to A. 3. "iA": The manipulator (M) intercepts a the pass from B to A. The juggler who was A is the new manipulator, and reads from the manipulator line. All the jugglers are relabeled and the new feeder starts counting the 3 passes. We start the pattern with an unmanipulated pass on beat 1 and on beat 2 with sA. Once the pattern is running the sA happens while M stands close to the Feeder. It is still a substitution, but Feedee C really has to pass to M.