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3 Ball juggling and devilstick video I did to the song Suit & Tie by Justin Timberlake. I played around with a few different editing things to give it an old school feel. Routine/flow starts around 55 seconds or so. Check out my smoothness until once again I have a silly drop. Check it out, leave comments, follow me here or on youtube @ GregoryGazzano…just look up the name. Oh Remember to not where a suit and tie on a hot day! LOL

Chris gives you a closer look at the Sudia Shinng Diabolo available at JugglingStore.com

CLUB LOVE! Juggler Kevin Axtell gettin down at various events. Torch and Glow Club manipulation Also featuring Erin Stephens and Jeremiah Johnston Music: "This Is How We Do" by Katy Perry With Video footage by: Give Props Documentary Jeremiah Johnston and Brendan O'Neal/ Including footage from LUCIDITY MOPS PHASES OF THE MOON and my living room

These are a nice varient of conveyor belts. First learn to do continuous. When the staff is falling off your last elbow, raise that elbow and bring your other elbow underneath to catch it by sort of hugging yourself. Give the staff a bit of a pop as it comes off so as to give yourself a little more time to catch it. When you've got that add the antispin by moving each point of the move to the antispin points (watch the video).

Nathan stole Tempei's bike. Will he ever be forgiven?

Three Hat Cascade - Ring Style - Juggling 3 hats in a cascade, throwing them as you would rings. 1. Learn to juggle 3 balls. See the IJDb tutorials page. Sorry non-jugglers, but it'll help a lot. 2. Throw each hat with a flick of the wrist to give it some stabilising spin. Catch the hats palm-upwards, in an inside grip. Rotate the wrist inwards 180 degrees before the next throw.

Learn the steve, horizontal propellers and a horizontal angel roll. Put them together. Turning with the spin of the staff slows it down and gives you more time to position for the next part of the move.

Do a steve with an extra spin on the neck and use that extra spin to get round your throat (giving the staff a little pinch with your shoulder and chin gives it more momentum). Lean to the right to allow the staff to pivot back round to the back of your neck and finish the steve.

These are something i came up with while on a beach in Thailand so i have fond memories for this move. When passing the staff behind the back give it a little pop up to keep it spinning and to make it a bit easier to catch.

missing the sun... searching for lost movement... contact juggling on slackline - august 2014 sequences of 1-4 balls and bouncing research at the end... clearer vids will follow--- like, share, subscribe--- it will give me motivation... THX :D material: 8 cm acrylics, 40 meter slackline-tools webbing music: michael fraser - django style

Another good move to start with, this is just a reverse elbow wrap followed by a forwards elbow wrap but in wall plane (spinning in front of you as if you were facing a wall). As with all contact, don't let go of the staf untill your hand is touching the contact point (in this case the outside of your elbow). This helps give a nice smooth contact roll. As the video shows this move can be done with hands apart (adding an extra beat) or together. It also leads nicly into pivots.

The 3:rd year in a row... I give you, springtime manipulation 3... Just check it out!

Only the realms of obsession give you the ability to do this. 4 in a row? Tim you are a sick sick man.

I would like an opinion on my juggling. if u could give me feedback on the good and bad it would be amazing. Thanks. Little_aj_man

Romford and Southend Juggling clubs got together for a bit of fire juggling at southend beach over the summer. The video was filmed using a quadcopter from the air to give a different perspective.

This is a combination of parts of two other tricks, so it would probably help to learn them first. They are the Arm Roll and the Wipe Up Start with the hat on your head. With the right arm, do the first part of a wipe up, just to the point where the hat comes off your head. However, instead of carrying it out to the side, push the hat back on your head so that the bottom of the brim comes into contact with your shoulder blades. Use your upper arm to push the hat off and to the left, so that it can roll down your arm as though you were doing an Arm Roll, catching it in you hand as you do so One variation that Mike is fond of, is to grip the front part of the crown with the crook of the elbow. Mike claims this gives him more options, and more control over where the hat goes. Try it, it may work for you too!

Twiddled Big Circles - A trickier but nicer version of Big Circles Big Circles is a big, visual trick, but the grip change can be slightly ungainly. The twiddle that this trick adds gives a similar effect but has a smoother, if slightly more difficult, change. Mike and LP disagree on the best way to do this - LP's way, shown in the video clip above, is to do a finger twiddle, as described in the Forward Twiddle when the hat is at the top of the circle. Mike uses a Thumb Spin to adjust the grip. Try both and decide which feels more comfortable to you, there's little point getting both smooth as they look identical to anyone except a hat manipulation geek, and there aren't many of them in the world! From the TricksWithHats archive

This one is quite easy, assuming you can already do a forward roll from a standing position. So, learn to do a forward roll from a standing position (get a gymnast to teach you :-) then put a hat on the floor in front of you, with the opening facing skywards and give it a go!

Onehanded, Continuous Tumbles - The hat keeps tumbling, in your hand, continuously, infinitely, forever, or at least until you stop. This trick is an extension of the Tumble - so go learn that one now. You'll notice that after you have performed a tumble, you are holding the hat the wrong way round to perform a second tumble immediately after it. This is where the extension comes in. During the first tumble (which is a standard tumble), the hat rotates 1.5 times. The second tumble is similar, but the hat is thrown without a change in grip, it still does 1.5 spins, which means that it is now facing the same way as when you started! Inorder to give yourself space for the second tumble, it feels like you need to throw it a tiny bit higher or faster. Try to make it all flow together into a continuous movement, the hat shouldn't ever pause, the hand acts more as a guide to keep it rotating in the right direction. A nice variation on this is to tumble the hat infront of you, switching hands between tumbles.

Sometimes the weather is non-optimal for kendama.

At some point, your hat will end up on the floor and you'll want it back in your hand. You could just bend down and pick it up (boring!), use a normal foot to head (less boring, but relatively easy) or you could use this little move... (Far more studly way to kick a hat :-) Place the hat on the floor, to your left, crown downwards and the opening tilting slightly towards you. Point your right toe, and bring it behind your left leg. Place your right toe into the opening of the hat, and give it a quick upwards flick. With luck (and practice :-) you can make the hat jump up into your left hand. Top tip: If the hat isn't quite in the right position, you can use your right foot to move it around a bit before kicking. Bonus points: Do it without falling over about 20 times whilst filming the damn clip for your website...

After getting the hat to your foot (the knock to foot is the most common way, but there are plenty of others) you can hop and quickly remove your foot from the hat. Quickly get your throwing foot onto the ground and place the other foot inside the hat. As you can see from the video the hat stays fairly still and it's you that does all the movement. This video of the hat being spun as it is thrown between the feet should give you some ideas for variations on this trick.

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