juggling.tv
the online depository for juggling videos
This finishes the Throw Sequence method, for synch tricks.
juggling
- siteswaps
- transition
- sequence
- excited
- state
- bruce
- tiemann
- boppo's
- whiteboard
08:26
3610
0
10-10-2010
[1]
www.feedingthefish.com
Facebook page: http://www.facebook.com/pages/Feeding-The-Fish-State-of-the-art-juggling/3125...
Twitter: https://twitter.com/#!/PixelPoi/nPixel-Poi programmed to display Logos in performances of Flux and Kaleidoscope.
Feeding the Fish invented the Pixel-Poi, patented the technology and have performed customised logo-juggling and light-dance shows for hundreds of clients worldwide including: Google, Vodafone, AXA, Microsoft, Alton Towers, Kraft Foods, Ministry of Sound, Diesel, Bahrain Formula One, Christina Aguilera and Lamborghini, revealing branding in synchronisation with choreography and soundtrack.
34 Dancers recently used Pixel-Poi during the Take-That UK stadium tour "The Circus" which was seen live by over a million fans.
This is the official promo video. www.feedingthefish.com
pixel
- poi
- pixelpoi
- pixel-poi
- feeding
- the
- fish
- feedingthefish
- kaleidoscope
- flux
- light
- show
- juggling
- club
- swinging
- visual
- dancers
- corporate
- act
- pois
- led
- logo
- performance
- branded
- laser
- unique
- spinners
- graphic
- pov
- persistence
- of
- vision
- laser
- reveal
- remarkabl
01:20
2720
0
29-04-2013
[1]
as —> synch 4 balls
(c,8) (0,0) (0,8)(c,0)(0,8)(0,0)
00:19
2564
0
28-03-2011
[1]
Synchronní fontána se čtyřmi míčky.
00:07
1953
0
22-08-2011
[1]
A timecode (alternatively, time code) is a sequence of numeric codes generated at regular intervals by a timing synchronization system.
02:39
1689
0
16-11-2015
[1]
From the Old School Jugglers DVD. Audio resynched. Stéphane Gruss' horseback routine at Cirque de Demain.
04:04
5653
0
10-04-2007
[1]
11 throws, clean finish with 10 balls in the asynch fountain. 1995.
00:05
4597
0
09-11-2009
[1]
My Winter 2013/2014 in Mainz (mostly).
Mein Winter 2013/2014 in Mainz (größtenteils).
07:13
2658
0
18-02-2014
[1]
Just a quick video using the juggle dream uglies to do 10 balls for 12 catches! Like I said in the video they are without a doubt my favourite balls to juggle and the progress I have made since changing to them is unreal!
00:22
2629
0
04-07-2014
[1]
Josh Turner, Alex Barron and Dan Wood demonstrate heroic perseverance in their 45 minute battle to capture three synchronised db97531s on camera.
02:42
2588
0
29-04-2012
[1]
From the Old School Jugglers DVD. Audio resynched. Stephane Gruss with a little hoop swinging, then Neil Stammer with 2 balls and an umbrella
01:06
6075
0
09-04-2007
[2]
From the Old School Jugglers DVD. Audio resynched. Performing with balls & billiard pockets, clubs and torches. Footage is quite fuzzy, but you can see what's going on.
06:03
7630
0
09-04-2007
[0]
From the Old School Jugglers DVD. Audio resynched. Circus routine including his signature 'bouncing rings' trick.
05:19
7119
0
10-04-2007
[0]
From the Old School Jugglers DVD. Audio resynched. Circus routine with tennis rackets.
05:17
5668
0
09-04-2007
[0]
A short synchronised tennis ball and can sequence, filmed at the Molesey Juggling workshop.
00:17
5150
0
06-12-2007
[0]
Clip from The BlackSheep Family Reunion Poetic Motion Machine Midnight Show. July 2010. Music by the Yay Sayers.
juggle
- visual
- circus
- vaudeville
- trippy
- psychedelic
- funk
- puddle
- jam
- grateful
- dead
- bridge
- boys
- arcata
- humboldt
- chautauqua
- passing
- synchronize
- mills
- mess
03:13
5007
0
07-08-2010
[0]
Here's a non-trailer trailer for an upcoming mini-series of Boppo's Whiteboard ... namely, several different methods to calculate or deduce transition sequences between excited-state siteswap tricks. If you know the get-in and get-outs, that's enough to make transitions. If you know of or can find a trick that has states in common with the tricks you wish to transition between, that is enough to make transition sequences. If you know the states themselves and can find throws to convert between them, that too is enough. Also, if you can give the total arrival schedule, if you will, of the entire sequence you wish to have transitions within, that too enables you to deduce possible transition sequences. They all work for synch, too, but the last is maybe the best method for me.
02:55
4440
0
09-10-2010
[0]
From the creators of Pixel-Poi, pioneers of bespoke light performance since 2001, Feeding the Fish present the future of live LED dance: Pixel Video Suits
A fast paced co-ordination of colour, choreography and animated graphics where pixel-mapped LED costumes display moving images across dancers' bodies in synchronisation with a tightly choreographed dance routine
“Splendidly luminescent!” Jon Bentley (The Gadget Show)
For bookings and more information, please contact: [email protected].
feedingthefish
- pixelvideosuits
- pixel
- led
- costume
- pixel
- poi
- suits
- events
- dance
- dancing
- video-mapping
- graphics
01:20
2735
0
22-04-2015
[0]
Guennadi Kil's unique juggling style at 10th Cirque de Demain in 1987. Silver medal
3, 4 & 5 balls (plus lip synching and general weirdness...)
02:59
2730
1
01-10-2015
[0]
This video was going to have a theme of tennising tricks, but then I got bored and just started screwing around. The result is a video made in a single day, and edited on that day too. I think it's actually pretty good! I tried to get a bit more synchronisation to the music too, and I think for the most part I've succeeded... Any comments would be much appreciated.
05:59
2712
0
23-04-2010
[0]
Dolby 7.1 is the latest in the series of patterns that have manipulation similar to the classic Dolby Söround http://juggling.tv/1742
In this new pattern, we add a club to the Dolby 5.1 pattern, first shown http://juggling.tv/16656 Dolby 5.1, Dolby 5.2 and Dolby 7.1 were all composed together as a set.
Seeing as Dolby 7.1 is another step up in the difficulty of manipulator patterns I've not gone with a standard pattern video, but instead added some training patterns - like a workshop.
Workshop tips:
1. Keep the tempo slow when you are throwing the heffs - you are controlling the pattern speed.
2. The manipulation needs to be a little faster than you might do it in Dolby 5.1, as the tempo is set by the dwell+height of the heffs. Slow manipulation can introduce timing problems for catching the 4p4p.
3. Heffs (4) and double passes (4p) must be the same height in order to keep good timing.
4. The pattern is synchronous.
02:06
2426
0
16-01-2018
[0]
