juggling.tv

Panto, juggled by Graham, Joanne, Danny and Ed. Part of the Aidan Burns Project to juggle all 27 of his variations to the Scrambled V. Notation: __1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iA cB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the carried pass and walks on four count (rotating the positions anti-clockwise). 1. "sC": The manipulator substitutes a self from C to C. This takes place while the juggler is walking on four count. 2. "iA": The manipulator (M) intercepts a the pass from C to A. The juggler who was A is the new manipulator, and reads from the manipulator line. The old manipulator, reads A's line. 3. "cB": The manipulator carries a club to B. We found it useful for the manipulator (who was the feeder for 1 and 2) to say 3 during the carry, for continuity. All the jugglers are re-labeled and the new feeder starts counting the 3 passes. Panto gets it's name from the pass from A to B on beat 1, the club is quite close to the back of the manipulators head (He's behind you!).

fin de progression

Voici les résultats de mes récentes recherches, notamment avec un diabolo dans chaque plan./nHere is the result of my recent research, especially with one diabolo in each dimension.

Primary yo-yos used in the demonstration by Luke Renner were created by: Russell, Playmaxx, Tom Kuhn, Monarch and includes a generic red & yellow plastic yo-yo (cameos by Hummingbird & Duncan). Studio footage filmed by Andrew Gomez in Northwest New Mexico 12/30/09 and footage filmed by Steve Renner 1/3/10. Yo-yo topic covered in this instructional video is the different types of primary yo-yo shapes. The three covered are traditional, slimline/midline/Russell and butterfly yo-yos. Includes the a possible origin of the butterfly yo-yo. This is the second of a two part series. Note: The Russell shape is included with the slimline/midline group; however this shape is considered unique enough to have its own category. Music is a public domain jazz loop by Florian.

TYM.de - GYYA BurninBerlinOpen 2012 - Berlin Open at the Juggling Convention Berlin (BJC) - Berliner Jonglierconvention in Wuhlheide am FEZ

Magic aka Five Rings Yo-Yo Trick - Luke Renner. Trick demonstrated by Luke Renner using the Duncan Neo and the MagicYoYo N8. String trick learning tip: practice with a dead on spinning yo-yo until the move is mastered. Then try performing the trick with a sleeping yo-yo. Thanks again to Magic YoYo in Shenzen! Music by Stuart and the Juice Tigers. Filmed during October 2012 in Northwest New Mexico.

Saibca, by Christian Helbling, Rhonda and Will Murray, and Michael Rees (Someren, 2014). Part of the Aidan Burns Project to juggle all 27 of his Scrambled V variations. Notation: __1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sA iB cA -> M The feeder is A and the feedees are B (on A's left) and C. The feeder counts 1 2 3. On 1 and 3, A and B exchange a pass. On 2, A and C exchange a pass. On 3, B catches the pass and walks over by A, rotating the positions. 1. "sA": The manipulator (M) substitutes a pass from B to A (catches the pass and replaces it with a different club). 2. "iB": The manipulator intercepts B's self. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator reads B's line. 3. "cA": The manipulator carries two clubs over and hands one to A. Then all the jugglers are re-labeled (but not the manipulator) and the new feeder starts counting the 3 passes.

some random thougths on juggling/n... what do u think?

All surround music, all suround light sculpture, movement and light juggling at night in a nature. Senses are widened and opened for a performance-voyage inspired on getting in touch with forgotten dreams and on percieving put away desires. Show time 25 minutes. adapable to various outdoor locations.

corrected notation Interception line changes are immediate - the juggler and manipulator swap line before the next beat. So, even if it is a 1 beat intercept with a line instruction after it, the juggler and manipulator change lines first, then read the line change instruction afterwards. They follow both instructions, but the order is important. So if a manipulator line showed at the end of the line: iB => M the juggler who was B up until the last instruction becomes M because of the intercept (iB) and then they stay M because of the (=> M).

MUSIC Saroos VIDEO Polo

Do not try this at home (or your neighbors house...). Footage from a practice session of a new routine using both fire & water. The yo-yo Fire & Water by Luke Renner is an original choreographed work. Filmed in Northwest New Mexico July 1, 2011. Wooden yo-yos used in the trick are a BC Classic and a BC Spitfire. Cameo audio appearance by Izzi Renner. Don't play with fire.

performances 13.-15.04. Zwischenbühne Horw, Switzerland 21.-23.09. Theaterpavillon Luzern, Switzerland performer: Silke Schirok, Judit Abegg percussion: Vincent Glanzmann camera: Andreas Hipper editing: Silke Schirok funded by: Kunst- und Kulturkommission Horw, Schweiz FUKA fonds Luzern, Schweiz with thanks to: fft Düsseldorf Unperfekthaus, Essen wunschgestöber.de

TYM.de - GYYA Burnin Berlin Open 2011at the Juggling Convention Berlin (BJC) - Berliner Jonglierconvention in Wuhlheide am FEZ

Another Bungay 2006 video.

bolas de feu et percussions par les Lézards en Vadrouille... vous pouvez nous retrouver sur notre site www.lezardsenvadrouille.com

Sirkus Lumière extracts part 2 Turku city theatre 2006 Directed by: samuli Männistö Set design by: Samuli Männistö and Laura Poranen Light design by: Timo Ollila Costume design by: Marjo Haapasalo Performers were 2nd grade circus students from Turku univercity of applied sciences

Passing act, using poles.

Hi, I mixed juggling with "Rajio-Taiso(Radio Exercise)" movement. Rajio-Taiso is a routine of exercise most Japanese are familiar with. Have fun! TOSHI

Practica de malabar de contacto (Contact) Malabar/Video/Edición: ipX -- Francisco Xavier Nieto. Música: Nelson Jenstad - Robin Hood Lanes [11] Alterama (cc) Licencia CC: Atribución-NoComercial-SinDerivadas 2.5 México (CC BY-NC-ND 2.5) - https://creativecommons.org/licenses/by-nc-nd/2.5/mx/ Ver en: http://youtu.be/2PnG8CpOzWQ Twitter: @ipaxxx - @malabaryarte

2005. A Vanillatown entry to WJVF2 "A juggling commercial".

2005. A Vanillatown entry to WJVF2 "A Juggling Commercial".

Sirkus Lumière extracts part 1 Turku city theatre 2006 Directed by: samuli Männistö Set design by: Samuli Männistö and Laura Poranen Light design by: Timo Ollila Costume design by: Marjo Haapasalo Performers were 2nd grade circus students from Turku univercity of applied sciences

So I got obsessed with my kendama lately XD So what? You all get a good HD video out of it! So stop complaining! Leave me alone! Why are you still reading?! WATCH THE VIDEO AND GO AWAY ... You know what, you don't want to stop reading? Fine. THEN READ THIS! *BAM! UPPERCUT!*

Unscrambled LB, by Aidee Castro, Steve Healy, Rhonda and Will Murray (Long Beach, 2014). Part of the Aidan Burns Project to juggle all 27 of his Scrambled V variations. Special thanks to Steve Gerdes. Notation: __1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: iA cC sB -> M The feeder is A and the feedees are B (on A's left) and C. The feeder counts 1 2 3. On 1 and 3, A and B exchange a pass. On 2, A and C exchange a pass. On 3, B catches the pass and walks over by A, rotating the positions. 1. "iA": The manipulator M intercepts a pass from B to A. The juggler who was A becomes the manipulator, and reads from the manipulator line. The old manipulator reads A's line. 2. "cC": The manipulator carries a club to C. 3. "sB": The manipulator substitutes a pass from A to B (catches the pass and hands in a different club). Then all the jugglers are re-labeled (but not the manipulator) and the new feeder starts counting the 3 passes. Here, Rhonda starts manipulating at beat 3 above.