juggling.tv

La routine poï d'Alphys et Simon sur un bon fond trip hop (Massive Attack), lors du Spectacle de l'AJIL 2013, Première Partie ! Du fat pâté, qui a très bon goût, même enflammé. Circus Quest IV, 26, 27 et 28 novembre 2013. Rotonde de l'INSA de Lyon. page Facebook de l'AJIL : https://www.facebook.com/pages/AJIL/268624353325694 forum de l'AJIL : http://forum.ajil-asso.fr/

Un numéro de massues lumineuses, qui vous fera voyager dans l'espace aux côtés de Dark Vador, ou de Yoda selon votre côté de la Force. Mesdames et messieurs, Mathieu et Sylvain pour la Première Partie du Spectacle de l'AJIL 2013./nCircus Quest IV, 26, 27 et 28 novembre 2013. Rotonde de l'INSA de Lyon./npage Facebook de l'AJIL : https://www.facebook.com/pages/AJIL/268624353325694 forum de l'AJIL : http://forum.ajil-asso.fr/

part of the show zeit/time we played last year/ndrums - fin fuchs sticks - lukas reichenbach/nfilm - DUKAproductions.org

SALZIG Sporthocker HockHart Camp 2014, ein Wochenende im Jugendhaus Chip in Berlin Kreuzberg – von Hockerern für Hockerer! http://www.sporthocker.com HockHart Crew: Acephalic, Addo, Alfred Hitchhock, Anne, Celina, Crazy_M, Daniel, Dennis, Djamil, Hannes, Hockaweser, Hocktator, Hock_Si, Johanna, Josh, Kerim, Kira, Lea, Lenny, Leo, Lion, Lucke’n’Roll, Luka, Magda, Marc P., Marcos, Merlin, ML, Nico, Paul, Philippo, Pixel, René Tabouret, Sevi, SL, Suse, Sventastic, Torsten, Vivien, Zoë Musik: Great White Buffalo - Likely Story Great White Buffalo - Sleepwalk Great White Buffalo - Thanks for Nothing http://gwb.la Kamera: Hannes Roth Michael Landschütz Stephan Landschütz Schnitt: Stephan Landschütz Danke: Jugendhaus Chip in Kooperation mit Paul Gerhardt Werk / Diakonische Dienste gGmbH Red Bull Stabilo satch by ergobag Smartwurst Wursttoaster designjosef siebdruckwerkstatt SALZIG Design Das HockHart Camp 2014 war großartig! Danke an die Orga, die Küche, die Partner, die Foto- und Kameraleute, die Hockerer

Unscrambled LB, by Aidee Castro, Steve Healy, Rhonda and Will Murray (Long Beach, 2014). Part of the Aidan Burns Project to juggle all 27 of his Scrambled V variations. Special thanks to Steve Gerdes. Notation: __1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: iA cC sB -> M The feeder is A and the feedees are B (on A's left) and C. The feeder counts 1 2 3. On 1 and 3, A and B exchange a pass. On 2, A and C exchange a pass. On 3, B catches the pass and walks over by A, rotating the positions. 1. "iA": The manipulator M intercepts a pass from B to A. The juggler who was A becomes the manipulator, and reads from the manipulator line. The old manipulator reads A's line. 2. "cC": The manipulator carries a club to C. 3. "sB": The manipulator substitutes a pass from A to B (catches the pass and hands in a different club). Then all the jugglers are re-labeled (but not the manipulator) and the new feeder starts counting the 3 passes. Here, Rhonda starts manipulating at beat 3 above.

Saibca, by Christian Helbling, Rhonda and Will Murray, and Michael Rees (Someren, 2014). Part of the Aidan Burns Project to juggle all 27 of his Scrambled V variations. Notation: __1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sA iB cA -> M The feeder is A and the feedees are B (on A's left) and C. The feeder counts 1 2 3. On 1 and 3, A and B exchange a pass. On 2, A and C exchange a pass. On 3, B catches the pass and walks over by A, rotating the positions. 1. "sA": The manipulator (M) substitutes a pass from B to A (catches the pass and replaces it with a different club). 2. "iB": The manipulator intercepts B's self. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator reads B's line. 3. "cA": The manipulator carries two clubs over and hands one to A. Then all the jugglers are re-labeled (but not the manipulator) and the new feeder starts counting the 3 passes.

Rockville, Maryland. Pluses: Korean tofu house, apartment sculptures you can bounce juggle on, Second Story Books. Minus: It's nowhere in particular. Inspirations: Bouncing in Paris (DVD), Emile Carey Music: Astrud Gilberto "So Nice (Summer Samba)": The Best of Astrud Gilberto

part 4 of outlink

L'Ascenseur, création de 3 membres de l'AJIL, originalement créée pour la Rentrée de la Rotonde, puis remasterisée pour la Première Partie du Spectacle de l'AJIL 2014 ! 4 décembre 2014 à la Rotonde de l'INSA de Lyon

Forward Twiddle - Twiddle the hat off the head and back on. It's got comedy potential too! Allegedly. Use a palm-up fork grip on both sides the hat, and lift it off the head. Remove the ring fingers from the brim and twist the hat between the fore and middle fingers. Stop the spin by gripping the brim between the fore fingers and thumb. Reverse the process to return the hat to the head. You can get an easy laugh by getting the return part wrong and pretending to hit yourself in the face. Jon Lockwood (of Mushy Pea Juggling fame, now working as with "Company of Fools") did lots of hat workshops at juggling conventions in the mid to late 1990's and started Mike and LP out on the hat road. This was often the first trick he taught...so it's Jon and this trick that ultimately led to the creation of this site. Thanks Jon! From the TricksWithHats archive

This is a combination of parts of two other tricks, so it would probably help to learn them first. They are the Arm Roll and the Wipe Up Start with the hat on your head. With the right arm, do the first part of a wipe up, just to the point where the hat comes off your head. However, instead of carrying it out to the side, push the hat back on your head so that the bottom of the brim comes into contact with your shoulder blades. Use your upper arm to push the hat off and to the left, so that it can roll down your arm as though you were doing an Arm Roll, catching it in you hand as you do so One variation that Mike is fond of, is to grip the front part of the crown with the crook of the elbow. Mike claims this gives him more options, and more control over where the hat goes. Try it, it may work for you too!

Création de Noé en diabolo, jouée à la fin de la Première Partie du Spectacle de l'AJIL le 4 décembre 2014 !

Création d'un pote de l'association des jongleurs de l'INSA de Lyon de Septembre 2014, jouée devant le public de la Rotonde lors du Spectacle de l'AJIL en Première Partie. Aux balles, Mossa ! Représentation du 4 décembre 2014 page Facebook de l'AJIL : https://www.facebook.com/pages/AJIL/268624353325694 forum de l'AJIL : http://forum.ajil-asso.fr/

Création d'Ulysse en special guest au Spectacle de l'AJIL en Première Partie ! 4 décembre 2014 à la Rotonde de l'INSA de Lyon

Jolly`s torch juggling part / Jolly und Ronja and Circus Tortuga

This is a collection of video I shot over the years as I developed a routine around the tennis ball and can./nHere's my recollection of the history of 3 tennis balls and a tennis can: On easter of 1989 I was bored and picked up a can of tennis balls thinking, "I can probably throw all of the balls out of the can and then go into a 4 pattern that includes the can." I quickly discovered some of the centrifugal properties of the can and began developing a routine at the Celebration Barn with people like Fritz Grobe and Steven Ragatz helping to critique my idea. At the same time in another part of the world, Scott Slesnick had discovered the same prop, but was doing different things with it. Neither of us knew of the other for years, but when we met at an IJA convention in Vegas one year, we pieced together the rumors we had heard of each other and decided that we had both come up with it independently and had been spreading it around the world over the years.

British kendama association endess combo #112/nAeroplane - somersault to opposite lunar/nWant to take part for free? Visit www.kendama.co.uk and check out the forum!

Songs: How To Party (Ft. Batts) & So Run, of SamyO/nProbando los cubiletes que compré hace dos días (literalmente). Un malabar muy poco conocido y muy interesante. Si ya controlas un poco en malabares con giro (como mazas o sombrero) resulta relativamente fácil realizar los movimientos básicos y se presta mucho a la experimentación. También puedes realizar algunos movimientos de pelotas con ellos, e incluso he visto usarlos como cajas chinas.

Scrambled V variation '3' juggled by Christian, Michael, Mark-Jan and Juli at PassOut 2014-2015 in Someren, NL. 1 2 3 A: ps ps ps B: ps ss ps C: ss ps ss cC sA iB Music: RiGNA FOLK - Criminal Part 1

Part of the Aidan Burns Project to juggle all 27 of his variations to the Scrambled V./nJuggled by Becky, Christoph, Iain, and Michael./nApologies for the poor video quality.

Tricklist for the Advanced Division of the Irish Kendama Open (IKO) 2015. IKO 2015 will be part of the Dublin Circus Festival and will be help on March 21st. More info on the event: http://kendama-ireland.org/irish-kendama-open-2015/

5 club partner juggling

Fun on a Sunday

Mark Robertson perfroming in a particularly cool advert for Rivella water made in a France, 1991.

Panto, juggled by Graham, Joanne, Danny and Ed. Part of the Aidan Burns Project to juggle all 27 of his variations to the Scrambled V. Notation: __1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iA cB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the carried pass and walks on four count (rotating the positions anti-clockwise). 1. "sC": The manipulator substitutes a self from C to C. This takes place while the juggler is walking on four count. 2. "iA": The manipulator (M) intercepts a the pass from C to A. The juggler who was A is the new manipulator, and reads from the manipulator line. The old manipulator, reads A's line. 3. "cB": The manipulator carries a club to B. We found it useful for the manipulator (who was the feeder for 1 and 2) to say 3 during the carry, for continuity. All the jugglers are re-labeled and the new feeder starts counting the 3 passes. Panto gets it's name from the pass from A to B on beat 1, the club is quite close to the back of the manipulators head (He's behind you!).