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Russian club passing troupe on ice. From Finnish TV series "Russian Circus" ca.1990. Episode - Dnepopetrovsk/nIf anyone can identify them, please put in the comments so I can update the info.
02:53
3363
0
19-07-2015
[1]
Russian passing troupe, with acrobatic balances. From Finnish TV series called "Russian Circus" approx 1990.
Most notable for the unusual version of the old "runaround with a hat" trick.
We think it may be an earlier generation of the Teslenkos.
Update: identified by Tesldima as "Semen Orlov, Yurij Bichkov, Anatolij Teslenko, Elina Teslenko"
03:27
3404
3
16-07-2015
[1]
Contact Sword Level Beginner
Willis der Gaukler
Dan Willis/nMusic by Abney Park
http://www.abneypark.com/
03:31
1820
0
01-07-2015
[0]
http://www.sporthocker.com/
A new Sporthocker world record made by 27 persons in one single take: The one shot wonder @ BER with the amazing HockHart crew!
The cew in order of appearance: SL, Sventastic, Kira, Josh, Franzi, Sevi, Alfred Hitchhock, Extremia Nico, Hockeraxel, Anne, Lion, Lucke Hockwalker, Noel, Ulli, Ace, Jenny, Leo, ML, Torsten, Philippo, Merlin, Mr. Hat, Marc P., Hannes, Pixel, Zoë, Nico
Filmed by Michael & Stephan Landschütz
Music by Juanitos - Everybody Loves The Partys
See you next year! HockHart 5th-8th may 2016!
https://www.facebook.com/SALZIGsporthocker
03:09
4293
0
29-06-2015
[4]
a combination of the chopped zig zag and B.
00:42
2326
0
03-06-2015
[0]
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "cC": The manipulator carries a club to C.
2. "sC": The manipulator substitutes a pass from A to C.
3. "iB": The manipulator (M) intercepts a the pass from A to B.
The juggler who was B is the new manipulator, and reads from the manipulator line. All the jugglers are relabeled and the new feeder starts counting the 3 passes.
It´s easier for the manipulator tells AND 1 2 3 as the cC actually happens before count 1.
also take a look at the original file: http://juggling.tv/15101
00:36
2964
1
31-05-2015
[1]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: sB iC cC -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "iC": The manipulator (M) intercepts a the self from C to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator reads C's line.
2. "cA": The manipulator carries a club to A.
3. "sC": The manipulator substitutes a self from C to C. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
scrambled
- scramble
- aidan
- manipulator
- club
- passing
- steal
- stealing
- aidanburnsproject
- toast
00:36
3134
0
30-05-2015
[0]
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C".
The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern.
On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "iC": The manipulator (M) intercepts the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line.
2. "cA": The manipulator substitutes a _pass_ from A to B.
3. "sC": The manipulator substitutes a _self_ from C (to C).
The passes _from_ the feeder are not manipulated, the feeder does only normal pass throws to B, C, B
00:52
2745
0
09-05-2015
[0]
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "cC": The manipulator carries a club to C.
2. "sC": The manipulator substitutes a pass from A to C.
3. "iB": The manipulator (M) intercepts a the pass from A to B.
The juggler who was B is the new manipulator, and reads from the manipulator line. All the jugglers are relabeled and the new feeder starts counting the 3 passes.
It´s easier for the manipulator tells AND 1 2 3 as the cC actually happens before count 1.
We find it much easier to start the pattern on count 2 and miss the cC in the first round.
Wolfgang (blue t-shirts) moves different on iB. Just choose your favorite style.
01:26
2946
0
09-05-2015
[0]
A 3 camera point of view of some passing around a sporting policeman
00:48
1650
0
03-05-2015
[1]
Just met this guy and we decided to improvise our first number together, at the extreme south west borough of São Paulo City, called "Capão" Redondo
01:06
1788
0
01-05-2015
[0]
Like chopabout, but different enough that it will make you always do the wrong thing when you are trying to learn it!
Notation:
A: ss cs ss ps ss ps -> B
B: ss ps ss cs ss ps -> A
M:Ca Sb Sa Sa Sb Ib -> M
00:53
1961
0
22-04-2015
[0]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: sB iC cC -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "sB": The manipulator substitutes a pass from A to B.
2. "iC": The manipulator (M) intercepts a the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator reads C's line.
3. "cC": The manipulator carries a club to C. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
scrambled
- scramble
- aidan
- manipulator
- club
- passing
- steal
- stealing
- aidanburnsproject
- toast
00:48
3134
0
12-04-2015
[0]
this might look like a trailer but it isn´t
i got the video of a show we played last november recently and started editing some stuff yesterday night./nthx to tinka, sarah, fin and andrea for a wunderful time and thx to Ayla Franken for filming it./ni´ll release more stuff soon so maybe this is actually a trailer after all
01:15
2145
0
07-04-2015
[3]
Unscrambled LB, by Aidee Castro, Steve Healy, Rhonda and Will Murray (Long Beach, 2014). Part of the Aidan Burns Project to juggle all 27 of his Scrambled V variations. Special thanks to Steve Gerdes.
Notation:
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: iA cC sB -> M
The feeder is A and the feedees are B (on A's left) and C. The feeder counts 1 2 3. On 1 and 3, A and B exchange a pass. On 2, A and C exchange a pass. On 3, B catches the pass and walks over by A, rotating the positions.
1. "iA": The manipulator M intercepts a pass from B to A. The juggler who was A becomes the manipulator, and reads from the manipulator line. The old manipulator reads A's line.
2. "cC": The manipulator carries a club to C.
3. "sB": The manipulator substitutes a pass from A to B (catches the pass and hands in a different club). Then all the jugglers are re-labeled (but not the manipulator) and the new feeder starts counting the 3 passes.
Here, Rhonda starts manipulating at beat 3 above.
00:41
3229
0
06-04-2015
[1]
Ed Clark's "Minued", performed by Aidee Castro, Rhonda Murray, and Will Murray of Long Beach. The Minued is a pass-pass-self takeout pattern with a basic cycle of 9 beats. Each person takes a turn as the manipulator and then the pattern repeats in a mirror image, so one full cycle takes 54 beats. This video is just under two full cycles. It was shot at the Passing Zone Clubhouse in Huntington Beach, California on April 2, 2015.
01:40
3421
0
05-04-2015
[2]
Saibca, by Christian Helbling, Rhonda and Will Murray, and Michael Rees (Someren, 2014). Part of the Aidan Burns Project to juggle all 27 of his Scrambled V variations.
Notation:
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: sA iB cA -> M
The feeder is A and the feedees are B (on A's left) and C. The feeder counts 1 2 3. On 1 and 3, A and B exchange a pass. On 2, A and C exchange a pass. On 3, B catches the pass and walks over by A, rotating the positions.
1. "sA": The manipulator (M) substitutes a pass from B to A (catches the pass and replaces it with a different club).
2. "iB": The manipulator intercepts B's self. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator reads B's line.
3. "cA": The manipulator carries two clubs over and hands one to A. Then all the jugglers are re-labeled (but not the manipulator) and the new feeder starts counting the 3 passes.
00:42
3723
0
05-04-2015
[0]
Lost hat filming at river. Searching for hat & thought of trick w/ 2 different endings. Single trick with two different endings. Which ending? Special Thanks to MagicYoYo in Shenzhen. Filmed in Northwest New Mexico December 2014 - January 2015.
00:49
2224
0
31-03-2015
[0]
Scrambled V variation 'The Unnameable' juggled by Wolfgang, Uwe, Steffi and Thomas at PassOut 2014/15 in Someren, NL.
3 1 2
A: ps ps ss -> B
B: ps ss ps -> C
C: ss ps ps -> A
M: cA sB iA -> M
(In Aidan's original notation: 312: cA sB iA)
Music: Can't Hold It Back (How it is) by Admiral Bob
01:27
3717
0
17-03-2015
[1]
This is surprisingly effective when done well, it can really look like your leg has dissapeared! Unfortunately it's very angle sensetive, it only really works when viewed from the front.
Incase you can't work it out from the video, here's how you do it.
Hold the hat by the brim, with the opening resting against the top of your thigh, move it down until it covers your foot and hides it from view. As you raise the hat again, bend your leg at the knee. Et voila! Your leg has vanished!
Lower the hat again, straightening your leg as you do so. Ooh look! Your leg has re-appeared!
Top tips: Only raise the hat as far as your knee, and keep your foot hidden behind your thigh. A few minutes practice infront of a mirror and you'll soon get the hang of it.
Bonus points: Make both legs dissapear, at the same time...
00:07
1683
0
15-03-2015
[1]
Steve Rawlings showed me this trick in Birmingham and said that he used to do it in every show, but now that he's older (and a little rounder :-) he can't get it every time any more. Steve uses a china plate for this trick, but it works with hats too which is why it's here! :-)
Take the hat in your right hand, using an inside grip and hold it so that the crown of the hat is facing to the left.
Throw the hat virtically with some spin, and then do the following while the hat is in the air...
Put your right hand between your legs
Take the hand around the back of the right leg
Stand on your left leg and move the right hand & foot behind the left leg
Then, catch the descending hat in your right hand, from that position. Without falling over.
Top Tips: Practice the "tangle yourself up" bit first without the catch. Keep your eye on the hat as it decends, practice loads...
Luke Burrage managed to get this on video within 30 minutes. I've been trying for weeks and can't do it. It's pretty hard.
00:06
2447
0
15-03-2015
[0]
Throw to Foot - Throw the hat to your foot as if it was a hatstand.
Hold the hat crown up above the shoulder with an inside grip.
Lift the leg and keep it straight, flexing the foot as much as you can. With a flick of the wrist throw the hat straight to the foot with a single spin.
This trick looks best if the throw is as straight as possible.
Foot to Head is a nice return trick from here.
00:03
1745
0
15-03-2015
[0]
Thumb Spins - Spin the hat around your thumb
Hold the hat in an inside grip and spin it so the top of the brim stays in contact with the thumb. After a single spin catch it again in an inside grip.
Once you've mastered singles try longer spins. This trick is very versatile and can be used to add lots of flourishes. Try adding one in anywhere that you use an inside grip, or just throw one in with your hand outstretched or up above your head.
From the TricksWithHats archive
00:04
2018
0
15-03-2015
[0]
