juggling.tv
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A choreographed 1, 2 and 3 poi manipulation routine performed at Bath Upchuck Juggling Convention 2015./nThanks the Van Loop Media for the footage.
04:45
2588
0
03-03-2015
[1]
Création en cours...
Contact Jérôme Le Berre : [email protected] / wwww.alchymere.com
Video edit : www.metlili.net
Musics : Intro et fin : Erosops avec "Dictator's nostalgia"
Ainsi que :
"Barbecue" par Igorrrr & Ruby My Dear
issu de "Maigre"
publié par Ad Noiseam
www.adnoiseam.net
04:17
4805
1
26-02-2015
[5]
MagicYoYo GBY (Get Your Bearings) - Luke Renner / Features 2015 prototype yo-yo designs along with the Silencer model. Video uses audio in the public domain.
00:30
2722
0
21-02-2015
[0]
Voici une vidéo de diabolo tournée au théâtre de l'ADEC pour l'association rennaise Jongle & Rit.
Here is a video of diabolo shot at the ADEC theater to promote the association Jongle & Rit from Rennes, France.
Images et Montage Vidéo : Tanguy
Jongleur : Yohan Durand
08:09
2668
0
27-01-2015
[1]
Hold the hat by the brim with your left hand so that the crown of the hat is facing away from you. Take the stick in your right hand.
With a flick of your wrist, throw the hat up slightly so that it starts spinning anti-clockwise. As the hat descends, hit the brim with the stick slightly to the right of center, such that the stick curves slightly upwards and outwards. This will cause the hat to spin as it rises into the air. As it descends again, repeat the hitting action.
The idea of the basic spin is to keep the hat in the air by hitting it repeatedly with the stick in this manner. I find it helps if you look at the top portion of the inside of the hat.
Adjusting the spin rate and direction:
Hitting the hat nearer the center will give you a slower spin and more height, nearer the edge will give you a faster spin but less height. Obviously striking the left side of the brim will reverse the spin and cause the hat to go clockwise.
From the TricksWithHats archive
00:05
2821
0
24-01-2015
[1]
The hatstand made its debut at chocfest 7, where I was compering. After a period of prototyping and refining, I built the version that worked. I demoed this a couple of times then it broke. I replaced the elastic and set it up for the big day, used it on stage and it worked, then broke next time I used it.
Be prepared to spend significant tinkering time in between uses, and for frequent breakdowns. That said, it's never let me down when I've needed it.
All in all I've found it a great way to get chicks[1], if you don't count the long evenings spent honing the design and strewing the house with geeky construction equipment, and the fact you'll be laughed out of most nightclubs if you go in wearing a topper. But on stage it works, and it has drawn admiring glances from fellow jugglers and even won us a bag full of croissants on one occasion.
Sweavo, June 2003
[1] facts may vary
From the TricksWithHats archive
00:07
3171
1
24-01-2015
[1]
CLUB LOVE!
Juggler Kevin Axtell gettin down at various events.
Torch and Glow Club manipulation
Also featuring Erin Stephens and Jeremiah Johnston
Music: "This Is How We Do" by Katy Perry
With Video footage by:
Give Props Documentary
Jeremiah Johnston
and Brendan O'Neal/
Including footage from
LUCIDITY
MOPS
PHASES OF THE MOON
and my living room
03:16
2888
0
22-01-2015
[0]
Luke's Monster Yo-Yo Mount (easy mount) - Demonstrated by Luke Renner. Yo-Yos featured the new 2015 MagicYoYo Silencer and MagicYoYo K5. Special thanks to MagicYoYo in Shenzhen! Filmed in Northwest New Mexico December 2014 and January 2015. The Monster Mount is being released for new tricks coming to the StringSlingerNM channel (see the K9 training). Music "A Shot in the Dark" by El Patapsco. Monster footage is in from the public domain from public domain movie trailers.
01:43
4441
0
20-01-2015
[1]
WIP work in progress or a TIP trick in progress... featuring the MagicYoyo K5. Special Thanks to MagicYoYo in Shenzhen!
00:11
1615
0
17-01-2015
[0]
Performance from Jon Anton featuring the golf club balance, a sword on knife balance, plate spinning, rola bola & a compère wearing a shirt with an unfeasibly large collar.
16:50
2386
0
15-01-2015
[1]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: iB cB sB -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "iB": The manipulator (M) intercepts a the pass from A to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line.
2. "cB": The manipulator carries a club to B.
3. "sB": The manipulator substitutes a pass from A to B. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
00:31
3090
0
06-01-2015
[0]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: sC iC cC -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "sC": The manipulator substitutes a self from C to C.
2. "iC": The manipulator (M) intercepts a the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator, reads C's line.
3. "cC": The manipulator carries a club to C. This carry is performed as an over the shoulder move. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
00:30
2875
0
06-01-2015
[0]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: sC iC cC -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "sB": The manipulator substitutes a pass from A to B.
2. "iB": The manipulator (M) intercepts a the self from B to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line.
3. "cA": The manipulator carries a club to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
00:31
2595
0
06-01-2015
[0]
A short collection of clips featuring Martin "Bigpig" Mor.
01:39
2235
0
31-12-2014
[1]
Hom(m)
Un enfermement volontaire pour libérer les désirs
Loïc Faure s'enferme pour inventer un nouveau chemin vers la liberté. Enchaîné à sa cage, il grimpe, jongle, s’obstine et déborde d’énergie. Le corps se forge, les balles s’apprivoisent, le spectaculaire se mêle de virtuosité et de poésie. /nAcrobatie au sol ou sur mât chinois, cascades, tour de force, Loïc Faure pratique un théâtre physique où toujours il jongle. Épris de défis, il cultive sa passion en l'assaisonnant d'embûches. Avec Hom(m), il faudra entrer dans la cage-matrice pour s'adonner au désir irrépressible de jongler. Et comment s'y prendre quand les mains sont entravées ? En persistant, quitte à jouer de la tête, des oreilles, des pieds.
02:14
2314
0
24-12-2014
[0]
Trailer
Création 2014
Music : Jack The Ripper - Liberation/nPetite forme d’extérieur : jardin, roseraie, place,
parc… Duo dansé, jonglé, objets volants./nConception et interprétation : Isabelle Avid et Albin Hédon/nIsabelle Avid
61, rue Gérard Duvergé 47000 AGEN
[email protected]
cielecorpsage.com/
Téléphone : 06 31 95 15 55/nPour trouver la légèreté au propre comme au figuré,
Connaitre son poids est une nécessité.
Que ce soit le corps du danseur, du jongleur ou celui de l’objet,
le poids seul permet de trouver l’envol : se soulever, oser la vivacité,
s’offrir l’agilité, à contrario de l’immobilité.
Et pourtant nous ne sommes pas oiseaux, la légèreté peut
se passer ailleurs que dans le battement d’ailes.
Elle peut se nicher dans les recoins de l’être, aux confins de sa danse,
de son équilibre.
On se sent alors plein d'une Légèreté cristalline, vibrante.
Et que dire du parfum des roses ?
02:52
3156
0
22-12-2014
[3]
Yeah, I have a condition. And yeah, alliteration is cool.
Trick inspiration: Ryohei Kimura a.k.a. Jr.
Music:
EnrightBeats - Round Two
Props: Norwiks.
Location: University of Victoria, Canada (BC).
03:41
4357
1
10-12-2014
[6]
work in progress... I began to play and experiment with flowarts in theater,as choreographer and dancer in one person, and this is first cut from it.
04:47
1927
0
02-12-2014
[0]
Dave and I juggling
03:04
2454
0
30-11-2014
[1]
"Équilibre" (which means balance in french) is a juggling experience directed and performed by Nico Pires, filmed in motion by Franck Remy (www.rollercam.fr).
The original song "Équilibre" is performed by Hocus Pocus featuring Oxmo Puccino. Here is the official music clip: https://www.youtube.com/watch?v=xE8nT8-
The lyrics are talking about the struggle to find balance in life, using many metaphors through juggling, acrobatics and circus.
Copyrights of the song are owned by On and On Records and Universal Music France. Buy the song here: https://itunes.apple.com/fr/album/equilibre/id361784864?i=361784875
Nico is a self taught artist specialized in diabolo, contact juggling and influenced by a diversity of movements (hip hop and contemporary dancing, capoeira).
Recorded in Châteauroux's National Stage Equinoxe, "Équilibre" is an invitation into Nico's quest of balance through the juggling and body expression.
To discover more about Nico, check out his official website: www.diabolo4life.com
04:30
4934
1
26-11-2014
[6]
News video filmed in October 2014. Yo-yos featured by MagicYoYo the K9 and vintage Jack Russell loopers.
00:30
2098
2
22-11-2014
[0]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: iB cB sC -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "iB": The manipulator (M) intercepts a the pass from A to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line.
2. "cB": The manipulator carries a club to B.
3. "sC": The manipulator substitutes a self from C to C.
All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
00:43
2967
0
14-11-2014
[0]
