juggling.tv

the name stands for itself!

This is the video I used to audition for L'Ecole de Cirque de Quebec. I made it in one day. There's a lot of new material but some of it was pulled from old clips. I was accepted into circus school based on this video.

My act at the RIT Spring Juggle-in 2010.

A montage of Juggling and Acrobatics. My favorite of my videos so far...

Chloe Walier/nwww.chloewalier.com

Just a short video of a handbalancing practice.

I put together some old practice stuff of my handstands. Enjoy the video. Music is by the amazing Susanne Sundfor: O Master (it's not the whole song, check her webpage for the full song).

Urban circus acrobatic and juggling skills filmed in Liverpool over summer break 2014. Rooftop exploration and freerunning, 7 ball juggling, handstands and head-balance, gym acro and tricking training. Jugg life.

Date à noter pour un événement jonglé pas comme les autres... à suivre !

A short promo of my act

Aidan Burns' Scrambled V Variation (cA sA iA) The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "cA": The manipulator carries a club to A. 2. "sA": The manipulator substitutes a pass from C to A. 3. "iA": The manipulator (M) intercepts a the pass from B to A. The juggler who was A is the new manipulator, and reads from the manipulator line. All the jugglers are relabeled and the new feeder starts counting the 3 passes. We start the pattern with an unmanipulated pass on beat 1 and on beat 2 with sA. Once the pattern is running the sA happens while M stands close to the Feeder. It is still a substitution, but Feedee C really has to pass to M.

A quick demo

scrambled toast with 1 person who stands still by vincent jasper bex johan

Swedish pants, Danish shirts, and bow tires make in Ohio are twisted and thrown around by the jugglers who inhabit them. Jay Gilligan and Wes Peden perform the duet Shoebox show with stacks of rings folding over shoulders onto unsuspecting wrists, a jumping golden frame, instant prop stands in living action, condemned graffiti covered buildings, and 5 club revers spins. /nFilm length: 45 minutes Price: 10$ Size 1.6 GB Format: (dot)MOV http://www.wespeden.com

I did another day of filming and decided to change the video around. This is version 2.

A new pattern created using Aidan notation. The manipulators in this pattern are dependent, as clubs are taken by one manipulator and replaced by the other. 4 count static Y base, with B at the back of the Y, D in the middle of the Y, A on the left of the Y (from the point of view of D and B) and C on the right. Aiden notation for the pattern: A ps|ss|ps|ss|ps|ss B ps|ss|ps|ss|ps|ss C ps|ss|ps|ss|ps|ss D ps|ss|ps|ss|ps|ss M1 cD|--|sA|iA|cA|-- M2 sC|iC|cD|iD|cB|iB Starting: M1 starts back to back with D facing B M2 stands in front of C facing C We start with a ps and then the manipulators begin on ss. The manipulators start on the last instruction at ss as it is written above (M1 --, M2 iB) When M1 reaches the end of the instructions, M1 becomes M2 (having reached the physical location of M2 at the start of the M2 instructions). Similarly M2 becomes M1