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Unscrambled LB, by Aidee Castro, Steve Healy, Rhonda and Will Murray (Long Beach, 2014). Part of the Aidan Burns Project to juggle all 27 of his Scrambled V variations. Special thanks to Steve Gerdes.
Notation:
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: iA cC sB -> M
The feeder is A and the feedees are B (on A's left) and C. The feeder counts 1 2 3. On 1 and 3, A and B exchange a pass. On 2, A and C exchange a pass. On 3, B catches the pass and walks over by A, rotating the positions.
1. "iA": The manipulator M intercepts a pass from B to A. The juggler who was A becomes the manipulator, and reads from the manipulator line. The old manipulator reads A's line.
2. "cC": The manipulator carries a club to C.
3. "sB": The manipulator substitutes a pass from A to B (catches the pass and hands in a different club). Then all the jugglers are re-labeled (but not the manipulator) and the new feeder starts counting the 3 passes.
Here, Rhonda starts manipulating at beat 3 above.
00:41
3230
0
06-04-2015
[1]
Probably the first video of the pattern now known as the Scrambled V - we hadn't told anyone else about this discovery yet.
This video was shot just 10m from the group photo taken at a convention in 2007 and 2008.
Filmed on a hot Saturday in August (2004-08-07, 13:52) in a gym in Hilden, Germany.
00:22
2119
0
06-04-2015
[1]
Ed Clark's "Minued", performed by Aidee Castro, Rhonda Murray, and Will Murray of Long Beach. The Minued is a pass-pass-self takeout pattern with a basic cycle of 9 beats. Each person takes a turn as the manipulator and then the pattern repeats in a mirror image, so one full cycle takes 54 beats. This video is just under two full cycles. It was shot at the Passing Zone Clubhouse in Huntington Beach, California on April 2, 2015.
01:40
3422
0
05-04-2015
[2]
Saibca, by Christian Helbling, Rhonda and Will Murray, and Michael Rees (Someren, 2014). Part of the Aidan Burns Project to juggle all 27 of his Scrambled V variations.
Notation:
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: sA iB cA -> M
The feeder is A and the feedees are B (on A's left) and C. The feeder counts 1 2 3. On 1 and 3, A and B exchange a pass. On 2, A and C exchange a pass. On 3, B catches the pass and walks over by A, rotating the positions.
1. "sA": The manipulator (M) substitutes a pass from B to A (catches the pass and replaces it with a different club).
2. "iB": The manipulator intercepts B's self. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator reads B's line.
3. "cA": The manipulator carries two clubs over and hands one to A. Then all the jugglers are re-labeled (but not the manipulator) and the new feeder starts counting the 3 passes.
00:42
3724
0
05-04-2015
[0]
outlink trick
00:26
1883
0
01-04-2015
[0]
My attempt at BKA Outlink kendama competition trick 5
00:38
2490
0
30-03-2015
[0]
Attempt 2 at BKA outlink kendama trick number 5
00:32
2401
0
30-03-2015
[0]
shoot the hoop @britishkendama #bka #outlink #ozora #kendama #KendamaCologne #kendamaeurope #play #playkendama
shoot
- the
- hoop
- britishkendama
- #bka
- #outlink
- #ozora
- #kendama
- #kendamacologne
- #kendamaeurope
- #play
- #playkendama
00:15
1943
0
28-03-2015
[0]
Short film from trip to outdoormix festival.
More info:
www.firelovers.cz
07:02
1624
0
27-03-2015
[1]
Knuckle Stilt to In to Jumping Stick
Grip: Tama grip throughout - no changes!
Keyword: "Determination"
Deadline: 1800BST April 11th
01:39
2083
0
26-03-2015
[0]
Bka competition
00:23
1767
0
24-03-2015
[0]
BKA Outlink 2015 Trick 05:
Shoot The Hoop > Spike > BigCup > Bird > Nod Off
Keyword: "diligence"
Deadline: April 1st, 1800GMT (1900BST)
02:24
2444
0
22-03-2015
[0]
4th trick for Outlink
00:21
1658
0
22-03-2015
[0]
part 4 of outlink
00:10
1866
0
19-03-2015
[0]
Scrambled V variation 'The Unnameable' juggled by Wolfgang, Uwe, Steffi and Thomas at PassOut 2014/15 in Someren, NL.
3 1 2
A: ps ps ss -> B
B: ps ss ps -> C
C: ss ps ps -> A
M: cA sB iA -> M
(In Aidan's original notation: 312: cA sB iA)
Music: Can't Hold It Back (How it is) by Admiral Bob
01:27
3719
0
17-03-2015
[1]
Thought I'd upload a second version in case the 1st wasn't approved. You've got to be in it to win it!
Comp "Keyword" = Extreme
:)
00:13
2309
0
17-03-2015
[0]
Paddleballers. The best and only acrobatic paddleball duet to come out of the Northern Kingdom.
Thom Wall & Chloe Walier
www.paddleballers.com
www.thomwall.com
www.circuschloe.com
01:40
2636
0
17-03-2015
[0]
This is surprisingly effective when done well, it can really look like your leg has dissapeared! Unfortunately it's very angle sensetive, it only really works when viewed from the front.
Incase you can't work it out from the video, here's how you do it.
Hold the hat by the brim, with the opening resting against the top of your thigh, move it down until it covers your foot and hides it from view. As you raise the hat again, bend your leg at the knee. Et voila! Your leg has vanished!
Lower the hat again, straightening your leg as you do so. Ooh look! Your leg has re-appeared!
Top tips: Only raise the hat as far as your knee, and keep your foot hidden behind your thigh. A few minutes practice infront of a mirror and you'll soon get the hang of it.
Bonus points: Make both legs dissapear, at the same time...
00:07
1684
0
15-03-2015
[1]
Forward Twiddle - Twiddle the hat off the head and back on. It's got comedy potential too! Allegedly.
Use a palm-up fork grip on both sides the hat, and lift it off the head. Remove the ring fingers from the brim and twist the hat between the fore and middle fingers. Stop the spin by gripping the brim between the fore fingers and thumb.
Reverse the process to return the hat to the head.
You can get an easy laugh by getting the return part wrong and pretending to hit yourself in the face.
Jon Lockwood (of Mushy Pea Juggling fame, now working as with "Company of Fools") did lots of hat workshops at juggling conventions in the mid to late 1990's and started Mike and LP out on the hat road. This was often the first trick he taught...so it's Jon and this trick that ultimately led to the creation of this site. Thanks Jon!
From the TricksWithHats archive
00:07
1954
0
15-03-2015
[0]
Hold the hat with the crown to the outside in an outside grip. Bring it across the body, and cross the arms. Flick the hat over and drop it onto the thumb of the catching hand. Uncross the arms.
The hat is now held in an outside grip in the other hand, which suggests that the tumble would be a good next move.
00:04
1541
0
15-03-2015
[0]
Steve Rawlings showed me this trick in Birmingham and said that he used to do it in every show, but now that he's older (and a little rounder :-) he can't get it every time any more. Steve uses a china plate for this trick, but it works with hats too which is why it's here! :-)
Take the hat in your right hand, using an inside grip and hold it so that the crown of the hat is facing to the left.
Throw the hat virtically with some spin, and then do the following while the hat is in the air...
Put your right hand between your legs
Take the hand around the back of the right leg
Stand on your left leg and move the right hand & foot behind the left leg
Then, catch the descending hat in your right hand, from that position. Without falling over.
Top Tips: Practice the "tangle yourself up" bit first without the catch. Keep your eye on the hat as it decends, practice loads...
Luke Burrage managed to get this on video within 30 minutes. I've been trying for weeks and can't do it. It's pretty hard.
00:06
2448
0
15-03-2015
[0]
Thumb Spins - Spin the hat around your thumb
Hold the hat in an inside grip and spin it so the top of the brim stays in contact with the thumb. After a single spin catch it again in an inside grip.
Once you've mastered singles try longer spins. This trick is very versatile and can be used to add lots of flourishes. Try adding one in anywhere that you use an inside grip, or just throw one in with your hand outstretched or up above your head.
From the TricksWithHats archive
00:04
2020
0
15-03-2015
[0]
This is a combination of parts of two other tricks, so it would probably help to learn them first. They are the Arm Roll and the Wipe Up
Start with the hat on your head. With the right arm, do the first part of a wipe up, just to the point where the hat comes off your head. However, instead of carrying it out to the side, push the hat back on your head so that the bottom of the brim comes into contact with your shoulder blades.
Use your upper arm to push the hat off and to the left, so that it can roll down your arm as though you were doing an Arm Roll, catching it in you hand as you do so
One variation that Mike is fond of, is to grip the front part of the crown with the crook of the elbow. Mike claims this gives him more options, and more control over where the hat goes. Try it, it may work for you too!
00:03
2024
0
15-03-2015
[0]
