1-25 of 59
_ SORT BY: date _ title _ views _ rating
11 balls passing world record

PLjuggler

Paweł Witczak & Marcin Hałas 26 August 2011 515 passes caught

01:23

3182

3

28-08-2011

[5]

11 club Passout 2017

naikens

One 12 club passer plus one 10 club passer = half of 22 clubs IE one 11 club pattern!

01:52

916

1

13-10-2017

[1]

12 balls passing world record

PLjuggler

Paweł Witczak & Marcin Hałas 28 August 2011 220 passes caught

01:03

2344

1

29-08-2011

[3]

3 ball and video

lukeburrage

Luke Burrage performing his 3 ball and video projection routine at the Berlin Juggling Convention 2005. He cut his head open just minutes before stepping out on stage, performed this routine with blood dripping into his eye, and passed out later that night.

02:29

12499

6

30-04-2007

[25]

4 count blind passes tutorial IJA2012

BrianThompson

This is my submission for the 2012 IJA tutorial contest. Learn how to turn your back on your partner and throw blind passes in four count.

03:08

3124

1

31-03-2012

[9]

4-4-8 Passing

eshibuya

4-4-8 pattern 4 passes in a 5 count 4 passes in a 3 count 8 passes in a 1 count

00:19

704

0

11-12-2016

[3]

7 club passing sequence with coloured clubs

brook_roberts

Alex and I do a sequence where the 3 green clubs are isolated in 4 different patterns. Start off with 7-club 3-count with the passes green. Then do 8677867 with the passes as green. Then 978 versus 972 with double passes as green. Then 551 popcorn (a2a67) versus 5 count popcorn with trelfs as green. Then back to 7 club 3-count. As they are all ground state, the first 2 switches just work, and doing: 966|7867867 for the first 7867867|978972 for the second preserves the colours. For the third, to keep the colours we did three transition throws: 978972|867|a66a7a6267 For the fourth transition, to keep the colours we did: a66a7a6267a66a7|b6266|966 I'd love to see similar ideas!

01:01

3144

0

10-10-2014

[2]

9 club 2-count run 20+ passes

jdwires

Nick Laffey (Left) adn Joel Wires (Right) juggling at Faith Baptist Bible College in Ankeny. Filmed 9-27-06
9 - club - passing

00:14

4566

1

18-10-2007

[1]

9 clubs 18 passes

00:19

5076

1

26-04-2007

[1]

Ambled 3V - Unicorn Charge!

wmurray

The Ambled 3V, a.k.a., Unicorn Charge! Performed by Keith Campbell, Ingrid Johnson, Will Murray, Britt Tyler, and Staffan Ulfberg in July 2017./nThe Scrambled 3V is a combination of Aidan Burns's Scrambled 3 and Scrambled V patterns to make a five-person, two-manipulator pattern. In the Ambled version, we add an extra club (12 in total) and make all the passes doubles so it takes place on a 10-club doubles feed. /nIn the Ambled 3, the manipulator (M) substitutes a pass from the right feedee (C) to the feeder (A). But *before* delivering that club to A, M must steal another club from A. (This is the same set of steals as in the Scrambled 3, but in the Scrambled 3 you don't have the time travel problem.) So M must actually juggle for one beat! /nWhen we filmed this, Ingrid and Britt were wearing matching unicorn t-shirts, so when they charged together they made unicorn horns. This is how the pattern shall forever henceforth be performed.

01:06

841

0

01-08-2017

[1]

Andy's Headache: Aidan Burns' Scrambled V Variation (iC cA sC)

Ed_Clark

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sB iC cC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "iC": The manipulator (M) intercepts a the self from C to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator reads C's line. 2. "cA": The manipulator carries a club to A. 3. "sC": The manipulator substitutes a self from C to C. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

00:36

1591

0

30-05-2015

[0]

Body Throw & 3 Ball Juggling Progress

lucasadverse

This was supposed to be my "one year of juggling" video but since university didn't allow me to practice and record on time, some months have passed. Inspirations and ideas by: José Lima, 3Hirota, Andrew Olson, Kouta Oohashi, Ciaran Perry and Gautier Trischler. Music: RJD2 - 1976 The Roots - Do You Want More?!!!??! Props: Brazilian Hybrid Russian Balls from JrMalabaris (78mm and 135g). Location: Victoria (BC), Canada. P.S. In case you are wondering why I particularly chose those 4 languages in the end, the reason is that those are the languages I speak/study.

04:18

3677

0

05-01-2014

[7]

Cascia: Aidan Burns' Scrambled V Variation (cA sC iA)

w.greg.phillips

__1__2__3 A: ps ps ps -> M B: ps ss ps -> C C: ss ps ss -> A M: cA sC iA -> B The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "cA": The manipulator (M) carries a club to A. 2. "sC": The manipulator substitutes a pass from A to C. 3. "iA": The manipulator intercepts a pass from B to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes. Juggled in memory of Aidan Burns by Nick Aikens, Jill Carson, Christian Kästner and Greg Phillips at the Not Quite Pittsburgh Juggling Festival, 9 November 2014.

00:45

2394

0

12-11-2014

[1]

cB sA iC: Aidan Burns' Scrambled V Variation (cB sA iC)

Ed_Clark

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: iB cB sB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "cB": The manipulator carries a club to B. 2. "sA": The manipulator substitutes a pass from C to A. 3. "iB": The manipulator (M) intercepts a self from C to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator, reads C's line. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

00:30

1293

0

10-04-2016

[2]

chopped zig zag: Aidan Burns' Scrambled V Variation (cC sC iB)

westwolf

The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "cC": The manipulator carries a club to C. 2. "sC": The manipulator substitutes a pass from A to C. 3. "iB": The manipulator (M) intercepts a the pass from A to B. The juggler who was B is the new manipulator, and reads from the manipulator line. All the jugglers are relabeled and the new feeder starts counting the 3 passes. It´s easier for the manipulator tells AND 1 2 3 as the cC actually happens before count 1. also take a look at the original file: http://juggling.tv/15101

00:36

1273

1

31-05-2015

[1]

Comme un lundi

GillesDodemont

Entrainement du lundi. Recherches sur des séquences en syncro.

03:01

1253

0

20-10-2015

[4]

Compagnie Le Corps Sage - Le Poids de la Légèreté - Trailer

metlili

Trailer Création 2014 Music : Jack The Ripper - Liberation/nPetite forme d’extérieur : jardin, roseraie, place, parc… Duo dansé, jonglé, objets volants./nConception et interprétation : Isabelle Avid et Albin Hédon/nIsabelle Avid 61, rue Gérard Duvergé 47000 AGEN cie.lecorpsage@free.fr cielecorpsage.com/ Téléphone : 06 31 95 15 55/nPour trouver la légèreté au propre comme au figuré, Connaitre son poids est une nécessité. Que ce soit le corps du danseur, du jongleur ou celui de l’objet, le poids seul permet de trouver l’envol : se soulever, oser la vivacité, s’offrir l’agilité, à contrario de l’immobilité. Et pourtant nous ne sommes pas oiseaux, la légèreté peut se passer ailleurs que dans le battement d’ailes. Elle peut se nicher dans les recoins de l’être, aux confins de sa danse, de son équilibre. On se sent alors plein d'une Légèreté cristalline, vibrante. Et que dire du parfum des roses ?

02:52

1878

0

22-12-2014

[3]

contact poi

talivan

pass poi in chest roll ???? without grasping the rope as it passes through the chest ???. Resistance to balance two poi contact at the same time ???. when you discover what it really is hard to practice every day, you realize that everything is also more logical if you study. for my hard work and the difficulty of the technique says a lot. Shaolin kung fu has given me physical strength and mentally, also taught me a lot, so you end up never learn and that's the part that I like more because when you go harder everything becomes.
contact - poi - 3 - poi - juggling - ball - on - the - head

05:27

983

1

13-03-2016

[2]

Dolby 7.1 Tutorial

Ed_Clark

Dolby 7.1 is the latest in the series of patterns that have manipulation similar to the classic Dolby Söround http://juggling.tv/1742 In this new pattern, we add a club to the Dolby 5.1 pattern, first shown http://juggling.tv/16656 Dolby 5.1, Dolby 5.2 and Dolby 7.1 were all composed together as a set. Seeing as Dolby 7.1 is another step up in the difficulty of manipulator patterns I've not gone with a standard pattern video, but instead added some training patterns - like a workshop. Workshop tips: 1. Keep the tempo slow when you are throwing the heffs - you are controlling the pattern speed. 2. The manipulation needs to be a little faster than you might do it in Dolby 5.1, as the tempo is set by the dwell+height of the heffs. Slow manipulation can introduce timing problems for catching the 4p4p. 3. Heffs (4) and double passes (4p) must be the same height in order to keep good timing. 4. The pattern is synchronous.

02:06

1084

0

16-01-2018

[0]

doreen&dani: rainy morning in madrid

danifausto

Doreen was visiting Madrid for a couple of days, and we spent a rainy morning juggling patterns in my warehouse. Is amazing how time flies when you play this kind of funny things, and how fast you can juggle new patterns with the right partner. She is one of the best passers in the world, for sure! In addition, is amazing how we keep enjoying Préchac Transformation after all these years. We already played a lot of this patterns but there is still a universe out there... Full of new tricks to discover and customize.

04:20

2214

1

14-04-2016

[7]

EJC 2013 Toulouse

Rafus

Vídeos de los componentes del "campamento de gitanos" (a.k.a. Plaza España) durante la 36ª European Juggling Convention en Toulouse. Mil gracias a todos los que se dejaron grabar para el vídeo y a todos con los que compartí esa semana tan especial. http://www.malabaresensutinta.com https://www.facebook.com/pages/Malabares-en-su-Tinta/208224685862072 -------------------------------------------------- Musica: - Tryo: L'Hymne de nos campagnes. - Azucarillo kings: me lo dices o me lo cuentas (Where is my mind?) - Iggy Pop: The Passenger --------------------------------------------- Video of some of the people living at the "gipsy camp" (a.k.a. Plaza España) at the 36th European Juggling Convention in Toulouse. Thanks to all the people who let me tape them and to all the people i shared that wonderful week.

09:59

3136

0

17-08-2013

[6]

Essai et impro

Diabz

Un essai plus ou moins improvisé à la convention de Poitiers, à partir de ma recherche de l'an passé au diabolo. Et merci à Donald pour avoir filmé !/nHere is a try with a lot of improvisation in the convention of Poitiers, based on my past year's research with diabolos. And thanks Donald for filming !/nMusic by Godspeed You Black Emperor

06:07

3978

5

11-09-2010

[7]

Fire Poi Meet'n'Greet Godskitchen Code Birmingham UK 2001

Rich0range

Hi all, Here is Jono & Me [Orange] doing meet'n'grret for the queue outside Birmingham's Code nightclub for Godskitchen Jono is first & then Me, hope you like it. 0range. p.s. Jono passed away so shout-out to his family x

06:55

541

0

25-07-2017

[1]

Fishtail Passes

Sandy

You need to be able to do forwards and reverse fishtails in both hands (or at least forwards with one and revers with the other) The rest is pretty self explanitory.

00:47

1243

0

09-05-2011

[0]

Gentle Romble: Aidan Burns' Scrambled V Variation (iB cB sC)

Ed_Clark

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: iB cB sC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "iB": The manipulator (M) intercepts a the pass from A to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line. 2. "cB": The manipulator carries a club to B. 3. "sC": The manipulator substitutes a self from C to C. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

00:43

1530

0

14-11-2014

[0]

 
 
  • Català
  • Čeština
  • Deutsch
  • Dansk
  • Español
  • Français
  • Magyar
  • Polski
  • port
  • Suomi
  • Türkçe
  • 汉语/漢語
  • עִבְרִית
  • 日本語