juggling.tv

__1__2__3 A: ps ps ps -> M B: ps ss ps -> C C: ss ps ss -> A M: cA sC iA -> B The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "cA": The manipulator (M) carries a club to A. 2. "sC": The manipulator substitutes a pass from A to C. 3. "iA": The manipulator intercepts a pass from B to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes. Juggled in memory of Aidan Burns by Nick Aikens, Jill Carson, Christian Kästner and Greg Phillips at the Not Quite Pittsburgh Juggling Festival, 9 November 2014.

Panto, juggled by Graham, Joanne, Danny and Ed. Part of the Aidan Burns Project to juggle all 27 of his variations to the Scrambled V. Notation: __1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iA cB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the carried pass and walks on four count (rotating the positions anti-clockwise). 1. "sC": The manipulator substitutes a self from C to C. This takes place while the juggler is walking on four count. 2. "iA": The manipulator (M) intercepts a the pass from C to A. The juggler who was A is the new manipulator, and reads from the manipulator line. The old manipulator, reads A's line. 3. "cB": The manipulator carries a club to B. We found it useful for the manipulator (who was the feeder for 1 and 2) to say 3 during the carry, for continuity. All the jugglers are re-labeled and the new feeder starts counting the 3 passes. Panto gets it's name from the pass from A to B on beat 1, the club is quite close to the back of the manipulators head (He's behind you!).

Manipulator passing pattern for four people. The base pattern is 4 count between two jugglers. Below is the Aidan notation for the pattern. There is one round of four count and then the pattern begins A: ps |ss |ps |ss | Becomes juggler B B: ps |ss |cs |ss | Becomes juggler A M: SA-B |SB-B |IA-B |CM-N | Becomes manipulator N N: SB-A |SA-A |SB-A |SN-B | Becomes manipulator M "ps":= pass self "ss":= self self "cs":= chop self "SA-B":= Substitute from juggler A to juggler B "IA-B":= Intercept from juggler A to juggler B (note that at an intercept instruction the juggler that was the destination of the club and the manipulator that performed the intercept change places) "CM-N":= Carry from manipulator M to manipulator N Starting positions in the video: A patterned red shirt (right) B dress (left) M is blue shirt (middle-right) N plain red shirt (middle left) Oh, and the "niiaoow" noise is a cat-plane hybrid noise, performed on the carry (optional).

Kevin Axtell/n3 torches at MOPS 2014 in SoCal

Alex and I do a sequence where the 3 green clubs are isolated in 4 different patterns. Start off with 7-club 3-count with the passes green. Then do 8677867 with the passes as green. Then 978 versus 972 with double passes as green. Then 551 popcorn (a2a67) versus 5 count popcorn with trelfs as green. Then back to 7 club 3-count. As they are all ground state, the first 2 switches just work, and doing: 966|7867867 for the first 7867867|978972 for the second preserves the colours. For the third, to keep the colours we did three transition throws: 978972|867|a66a7a6267 For the fourth transition, to keep the colours we did: a66a7a6267a66a7|b6266|966 I'd love to see similar ideas!

Starting off with the base pattern of rotating 2 count 4 count feed, we then add the maniuplators to do 3B (Brook in blue t-shirt the B maniuplator, Steve in black t-shirt the 3 manipulator). Every 30 beats you get back to the start, and so every 30 beats the B/V manipulator (Brook at this point) switches to the other pattern and the 5 people do around of 3B/3V. We do 3B/3V/3B/3V and then try to exit the pattern. Patterned invented by Aidan - see 'How to Steal From Your Friends' at http://www.juggle.me.uk/passing/ where 3,V,B and transitions between them are described. In Aidan Notation (X, Y, Z are the jugglers): X: Ps | Ps | Ps Y: Ps | ss | Ps Z: ss | Ps | ss 3: cZZ | sZX | iXY V: cXY | sYY | iXZ B: iXY | cYY | sYX I switch by doing the second column of the pattern I've arrived in (as manipulator) and then switching to the third column of the new pattern (and everyone responds accordingly).

Vídeo sobre el mejor amigo de los malabares, pero que nunca sale en la foto, el fallo. Malabaristas: Jorge Coble y Guillermo López. Cámara: Alberto Ramos Música: "Lléname de veneno" de La Pegatina. Edición y montaje: Guillermo López

With apologies to those who were expecting Fats Waller...another chocolate-chip cookie and Irn Bru-fuelled 8 minutes of Kendama mayhem. This time from the beer-garden of "The Haven" bar and restaurant, Cellardyke, Fife, Scotland. Clad in an 18 year-old T-shirt, you are invited to breathlessly marvel as Donald pirouettes with balletic grace to some inner muse, and the music of John Coletta./n No animals were harmed in the making of this film...

The 4th instalment of compilations of the Endless Combo from the kendama forum.

3clubs juggling manipulation - work in progress

A humorous breakdown of the infamous 3 club scissor Matrix as presented at the IJA championships 2014. This dissisortation brought to you by Kevin Axtell

Shapes inspire and inform my club manipulation. This is a Green Screen styling and test video./nMusic is: Helios - The Morning Room Background Fottage is from Footage island

A distinctive show combining laser manipulation, tightly choreographed dance and Pixel-Poi® graphics. Slick movement and clever programming produce dramatic visual illusions including custom text and bespoke logo reveals. www.feedingthefish.com

Latest 7 ball work. Comments and requests always welcome ;)

BLending new Ideas with older ideas. 4 Club Artistech manipulation spinning and juggling./nMusic is: Dirtwire - Rusted Root

TYM.de - EYYM 2014 Częstochowa, Poland - 12. European Yo-Yo Meeting/nMusic by : Alexander Gutekunst Song: Liquid Love Platte Label: SchwarzWeissGrau

Artur Faleiros show us some clubs manipulations in an urban place in São Paulo famous for the large amount of graffitis called ''Beco do Aprendiz''. https://www.youtube.com/user/Chilosp/videos

Here's another crazy little video to go with the track "trouble" by Zed's Dead!

This video contains my latest ideas including some little experimentation with choreography and clubs. This time, I'm not mentioning any inspirations (although I obviously have inspirations in my style) due to the fact that I decided to exclusively include original ideas (except for the 5BBB). I hope you don't laugh at my clubs because they look small and noobish haha, it's 'cause I bought them when I first started juggling and I don't have other clubs D: Music: The music used in the video is from the glitch hop duo KOAN Sound. I'd like to thank them a ton for giving me the permission to use their music in the video, especially to their manager Tom Riley who was cool enough not to ignore my request. Tracklist: KOAN Sound - 7th Dimension KOAN Sound - Happy Hipsters Props: Norwiks. Location: Belo Horizonte, Brazil. Thanks for watching.

3 Torch swinging and Manipulation In the windy California desert. Warming up for Soultruistic 2014

Here is a little juggling video to go with the amazing track "Get it" by RJD2.

I might be doing it wrong./nThanks to まつけん and ゆりえってぃ for filming!

[from Bird] > Flat Palm Catch

Presenting the FIREBOX! An invention giving cigar box manipulation a hot new edge… perhaps :-)

I've finally worked out a relatively consistent way of doing this - it's a three ball split in that all three balls split in different directions. Feels better than it looks. Have repeated it a few times so don't worry if you blink at the wrong moment.