juggling.tv

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: iB cB sC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "iB": The manipulator (M) intercepts a the pass from A to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line. 2. "cB": The manipulator carries a club to B. 3. "sC": The manipulator substitutes a self from C to C. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

__1__2__3 A: ps ps ps -> M B: ps ss ps -> C C: ss ps ss -> A M: cA sC iA -> B The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "cA": The manipulator (M) carries a club to A. 2. "sC": The manipulator substitutes a pass from A to C. 3. "iA": The manipulator intercepts a pass from B to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes. Juggled in memory of Aidan Burns by Nick Aikens, Jill Carson, Christian Kästner and Greg Phillips at the Not Quite Pittsburgh Juggling Festival, 9 November 2014.

Panto, juggled by Graham, Joanne, Danny and Ed. Part of the Aidan Burns Project to juggle all 27 of his variations to the Scrambled V. Notation: __1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iA cB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the carried pass and walks on four count (rotating the positions anti-clockwise). 1. "sC": The manipulator substitutes a self from C to C. This takes place while the juggler is walking on four count. 2. "iA": The manipulator (M) intercepts a the pass from C to A. The juggler who was A is the new manipulator, and reads from the manipulator line. The old manipulator, reads A's line. 3. "cB": The manipulator carries a club to B. We found it useful for the manipulator (who was the feeder for 1 and 2) to say 3 during the carry, for continuity. All the jugglers are re-labeled and the new feeder starts counting the 3 passes. Panto gets it's name from the pass from A to B on beat 1, the club is quite close to the back of the manipulators head (He's behind you!).

Manipulator passing pattern for four people. The base pattern is 4 count between two jugglers. Below is the Aidan notation for the pattern. There is one round of four count and then the pattern begins A: ps |ss |ps |ss | Becomes juggler B B: ps |ss |cs |ss | Becomes juggler A M: SA-B |SB-B |IA-B |CM-N | Becomes manipulator N N: SB-A |SA-A |SB-A |SN-B | Becomes manipulator M "ps":= pass self "ss":= self self "cs":= chop self "SA-B":= Substitute from juggler A to juggler B "IA-B":= Intercept from juggler A to juggler B (note that at an intercept instruction the juggler that was the destination of the club and the manipulator that performed the intercept change places) "CM-N":= Carry from manipulator M to manipulator N Starting positions in the video: A patterned red shirt (right) B dress (left) M is blue shirt (middle-right) N plain red shirt (middle left) Oh, and the "niiaoow" noise is a cat-plane hybrid noise, performed on the carry (optional).

3 balls working , box , carry , orka mess variations...

Making vegetable soup for my girl ;)

Es gibt eine Figur namens Muro die auf Felsplateaus auftaucht, einen Beutel bei sich trägt und dann ein Häufchen Bälle auspackt. Ein Spiel beginnt. Rhythmus ist das Ritual. Er nährt Muros. Und in Muros Welt gibt es keinen Platz für Bälle, die nicht nach seinen Regeln spielen... ~ There is a character named Muro appearing on rocky plateaus, carrying a small bag with balls in it. A game begins. Rhythm becomes a ritual. It nuorishes Muro. And in Muro's world there is no place for balls who break the rules of his game... Design & Performance: Matthias Buhrow Kontakt: [email protected]

2Travel:/nA lonely traveller: Where is he coming from? Where is he going? What is he waiting for?/n2Travel is based on the lonelyness of a traveller and how he deals with this. To make the waiting more comfortable a juggler picks up his clubs. But isn’t it nice to have someone there to watch you? The juggler uses everything he is carrying to create a fellow traveler, a friend. The quest has started and leeds to a poetic play with clubs, suitcase and pieces of clothes.

A short vid of some short routines i made in november,

Wow, where do I even start with this video? I started the David Leahy series in January 2007 with the first video and carried on to make the next 4 all within the year 2007. The original plan for the 6th video was May 2008 but I struggling to improve and ended up scrapping the video. I got back into juggling seriously in 2010 and spent awhile trying to reach my previously obtained standard. Anyway, Here I am in 2012, 4.5 years after the last video, and I've finally completed it! I really hope you enjoy it, I tried really hard trying to make this video reflect my juggling and even after watching it hundreds of times, I enjoy the final product. Thanks to everyone for the continuous support and inspiration in juggling; you mean the world to me! I do intend on making David Leahy #7 but I have some big plans with TSC so it could take awhile. I do have like 16 weeks summer holiday though so I'm sure you can expect both around then!

a short video, just kinda playing with my camera whilst on tour on days off. this was in leibsigg in germany, before going on tv for wetter das, with batman live.

A short video of me training backstage at the batman live arena tour, a few things that i get up to when not getting beaten up by batman.

This came about through me and Tim messing about with antispin contact ideas and trying to work out how to antispin a fishtail. We came up with the antispin fishtail fountain and realised it could be done without antispin (obviously). Surprisingly the antispin version is easier as it doesn't try to fly off your hand as much. Starting in reverse do 1 beat behind you then go straight into a 180 fishtail carry downwards and in a straight line. Because it's antispin you need to move pretty fast in straight lines. When you get to the other side move your hand straight up and then straight across. This needs to be done in 1 beat. Try going through this holding the staff to your hand before fishtailing it to get used to feeling the path of spin.

This is basically a 360 fishtail done in one smooth motion. Try to keep your arm straight and follow the staff round in a big circle.

This came about through me and Tim messing about with antispin contact ideas and trying to work out how to antispin a fishtail. We came up with the antispin fishtail fountain and realised it could be done without antispin (obviously). Surprisingly the antispin version is easier as it doesn't try to fly off your hand as much. Starting in reverse do 1 beat behind you then go straight into a 180 fishtail carry upwards. As you come out of the 180 do 1 beat of forwards fishtail behind you and pull it out into a low 180 carry back the way you came. Repeat.

Stalling fishtails is a nice way to go into other moves and can be the saving grace when you cock them up. If the staff starts sliding off your hand go into a stall and strike some cheesy pose (everybody loves cheese) and then just carry on. Throws are quite nice from stalls but you can also go into a halo roll or many varients thereof

Fishtail, then as you come back in front twist your hand inwards and carry the staff across holding it between your thumb and your wrist.

Filmed a practice session to see what it looked like... then decided to make a little video of it... and got carried away with the editing... Inspiration Sam (manip), Seb and Walid (mplx). Filmed at Circomedia.

Void interviews Björn Gammals, "The Grand Old Man of Finnish juggling", about his 50-year career as a juggler. Recorded at the 33rd EJC in Joensuu, Finland.

Artistic diabolo clip from Brunitus!

Marina and Brunitus presents: "Inercia Térmica" (power circus theater street show) We are two circus performers that, as a gear mechanism, transmit power to each other. We generate power with the juggling, acrobatics, dance, trapeze and diabolos. We seek "human" warmth in the public, raise it up to its maximum exponent and then release it to the environment... That is "thermal inertia"

Brunitus presents: "Giróstatus" (one-man show circus theater for street and auditorium) A succession of circus' moments full of energy, which speaks of the relativity of time and magic of things when they spin ... The main artists are the diabolos, an element that takes up an ancient history, during the show come to life to accompany Brunitus on a magical journey ...!

Contact Juggling por Xotico en el Festival de les arts al carrer en Gandia, Cathédrale de Notre Dame en Paris y Barcelona.

Malabares: Rebote, contact, clavas y bolas