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Onehanded, Continuous Tumbles - The hat keeps tumbling, in your hand, continuously, infinitely, forever, or at least until you stop.
This trick is an extension of the Tumble - so go learn that one now.
You'll notice that after you have performed a tumble, you are holding the hat the wrong way round to perform a second tumble immediately after it. This is where the extension comes in.
During the first tumble (which is a standard tumble), the hat rotates 1.5 times. The second tumble is similar, but the hat is thrown without a change in grip, it still does 1.5 spins, which means that it is now facing the same way as when you started!
Inorder to give yourself space for the second tumble, it feels like you need to throw it a tiny bit higher or faster.
Try to make it all flow together into a continuous movement, the hat shouldn't ever pause, the hand acts more as a guide to keep it rotating in the right direction.
A nice variation on this is to tumble the hat infront of you, switching hands between tumbles.
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1607
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06-12-2015
[0]
testing news juggling tricks. This, time, a ping pong ball into a balloon blowed up with a blow gun... have a look!
00:47
1908
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04-12-2015
[0]
Back Rolls - Bend forward and roll the hat across the back.
Hold the hat with the crown facing backwards in an inside grip. Bend the body forward from the waist and swing the hat across the body tucking the hand into the arm pit.Let the hat roll across the back, aiming for the opposite shoulder.
Turn the head to the right and watch the hat as it drops off the shoulder. Catch it in an inside grip with the left hand.
If the hat is difficult to catch then you are probably throwing it too hard.
Learn this trick with both hands, as it looks nice if you roll the hat back and forth across the back.
From the TricksWithHats archive
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1804
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04-12-2015
[0]
Backcross to head catch - Throw the hat behind your back, and catch it on your head.
Like most throwing moves, this is a variation on the Throw to head - so it's probably a good idea to learn that first!
Hold the hat in your right hand using an inside grip, spread your fingers out nice and wide as you would for a normal throw to the head.
Swing your arm out to the side, so that the crown of the hat is pointing downwards. Bring your arm behind your back and release the hat so that it does a nice, high, slow spin above your left shoulder.
As the hat descends, look up into it and catch it in the same way that you would for a standard throw to the head.
Top Tip: The catching part is easier if you turn your head towards your left shoulder just before the catch. Oh, and obviously learn this throw from both hands...
From the TricksWithHats archive
00:03
1553
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04-12-2015
[0]
Hold the hat by the brim in an outside grip with the crown facing forwards.
Swing your arm up infront of you, until your hand is about eye level, with the hat tilting slightly upwards. If you let go at the top of the swing, the hat's momentum should carry it through, and it will roll down your arm.
The movement that follows is similar to the one arm tumble. Look down your arm, tuck your chin in, and raise your arm slightly so that the hat rolls downhill and on to your head.
Once you can do that, try throwing the hat from your left hand, and using the right hand to guide it into a dynamic arm tumble.
00:03
1507
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04-12-2015
[0]
At some point, your hat will end up on the floor and you'll want it back in your hand. You could just bend down and pick it up (boring!), use a normal foot to head (less boring, but relatively easy) or you could use this little move... (Far more studly way to kick a hat :-)
Place the hat on the floor, to your left, crown downwards and the opening tilting slightly towards you.
Point your right toe, and bring it behind your left leg. Place your right toe into the opening of the hat, and give it a quick upwards flick. With luck (and practice :-) you can make the hat jump up into your left hand.
Top tip: If the hat isn't quite in the right position, you can use your right foot to move it around a bit before kicking.
Bonus points: Do it without falling over about 20 times whilst filming the damn clip for your website...
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1513
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04-12-2015
[0]
Based on a quick challenge for a "fishtail & concepts" video competition i choose to put all vertical fishtail balance i know (nearly all;) into a 3 min video.
performer & develpment of fishtail technique: sebastian berger
camera: christiane hapt
www.FENFIRE.at
music: Opiuo x Shapeshifter - Slug A Bug
Fenfire is supported by
www.gora.hu
www.kaos.at
www.wtghw.at
03:14
7457
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02-12-2015
[2]
When I originally edited this video in 2012 I didn't manage to fit 1080p into 400MB, so I could not upload it to juggling.tv. I have decided to upload the 720p version because this was an important video for me, should be here./nOriginal desccription:
'Shot during the summer 2012 in Wroclaw, Gorzkowice and Ostrorog (Poland). I know the tricks are a bit too sloppy some times, but I had enough of filming.
Dedicated to everybody that fights against stupid injuries to keep improving, within their possibilities./nMusic:
Amon Tobin - Stone Street
Ghostpoet - Morning
April March - Chick Habit'
05:00
1726
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21-11-2015
[1]
An illumination into the world of ball spinning.
Spinning - Matthew Tiffany and Mike Parker
Music - Perotin, Vidmunt Omnes
Filmed and edited in one day... by mistake!
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4853
3
29-08-2015
[6]
Thom Wall is a Cirque du Soleil juggler with an award-winning, full-length variety show. With a background in event planning and administration, he’s the performer who sees your event’s “big picture” and can help you achieve your vision of success./nWhen Thom walks on stage, you get high energy and smart comedy. With a habit of delighting audiences of all sizes, Thom seamlessly combines award-winning juggling, acrobatic stunts, and theatrical comedy into a variety show that will leave you smiling down to your toes. Thom’s unique background of professional circus training, mime, and modern dance makes him a unique commodity in the performing arts world. His style is so fresh that even Sharon Osbourne exclaimed: ”He’s like a scene from Dirty Dancing!” when she saw him at the Fox Theatre in Atlanta. To this day, he has no idea what she meant by that.
02:34
3381
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16-06-2015
[1]
In this video I tried to incorporate the idea of falling into shot for each of the scenes. Makes a very interesting intro to each set./nHope you like it!/nMusic: "You Shall Rise" by Mononome.
04:09
2066
1
13-05-2015
[1]
The start of next month marks 6 years of juggling. This vid shows some of the stuff I have been working on recently, split into three parts: Toss, finger stalls, and rollover/stack tricks.
08:04
2478
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28-04-2015
[3]
When I train with mirrors, sometimes I check myself for how does it look like, searching for mistakes (errors) etc...
So I decided to use this idea of looking into mirror as an improvisation exercise and I played more with the idea of consciously comunicating with "my other self" in the mirror as it was a living being. What are you searching for when you look in the mirror?
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27-04-2015
[1]
This is a combination of parts of two other tricks, so it would probably help to learn them first. They are the Arm Roll and the Wipe Up
Start with the hat on your head. With the right arm, do the first part of a wipe up, just to the point where the hat comes off your head. However, instead of carrying it out to the side, push the hat back on your head so that the bottom of the brim comes into contact with your shoulder blades.
Use your upper arm to push the hat off and to the left, so that it can roll down your arm as though you were doing an Arm Roll, catching it in you hand as you do so
One variation that Mike is fond of, is to grip the front part of the crown with the crook of the elbow. Mike claims this gives him more options, and more control over where the hat goes. Try it, it may work for you too!
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1784
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15-03-2015
[0]
This is a collection of video I shot over the years as I developed a routine around the tennis ball and can./nHere's my recollection of the history of 3 tennis balls and a tennis can: On easter of 1989 I was bored and picked up a can of tennis balls thinking, "I can probably throw all of the balls out of the can and then go into a 4 pattern that includes the can." I quickly discovered some of the centrifugal properties of the can and began developing a routine at the Celebration Barn with people like Fritz Grobe and Steven Ragatz helping to critique my idea. At the same time in another part of the world, Scott Slesnick had discovered the same prop, but was doing different things with it. Neither of us knew of the other for years, but when we met at an IJA convention in Vegas one year, we pieced together the rumors we had heard of each other and decided that we had both come up with it independently and had been spreading it around the world over the years.
02:43
2283
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10-02-2015
[0]
It's my birthday, so I filmed you a video. Here's what I've been up to this past year!/n1. Dice stack
2. 4 clubs with a balance
3. 5 clubs into 4 with a balance
4. Plate balance 180
5. 5 ring color change
6. 5 clubs, half reverse spin
7. 4 balls with a head bounce (with transition!)
8. 3 club backcross with a balance
9. 8 ball [88]
10. 5 balls with a head bounce
11. 4 balls overhead with a balance
12. Point to point with a tension slide to splits
13. Point to point spin
14. Ball balance transfer
15. Glass on knife with a jumprope
16. Glass on knife with a jumprope, crossed arms
17. 7 ball kickups and kickdown 180s
18. 531 balance transfer
19. Stand on head
20. Teaset trick
21. Teapot trick
22. 3 ball throw (writing credit: Jacob Sharpe?)
23. Paddleball forward roll
24. Paddleball backwards roll
25. Sit on neck paddleball
26. Neck to neck paddleball
27. Walk-up-the-face balance with 3 club juggle
28. Balloon finale
05:34
3977
1
09-02-2015
[3]
Hold the hat by the brim with your left hand so that the crown of the hat is facing away from you. Take the stick in your right hand.
With a flick of your wrist, throw the hat up slightly so that it starts spinning anti-clockwise. As the hat descends, hit the brim with the stick slightly to the right of center, such that the stick curves slightly upwards and outwards. This will cause the hat to spin as it rises into the air. As it descends again, repeat the hitting action.
The idea of the basic spin is to keep the hat in the air by hitting it repeatedly with the stick in this manner. I find it helps if you look at the top portion of the inside of the hat.
Adjusting the spin rate and direction:
Hitting the hat nearer the center will give you a slower spin and more height, nearer the edge will give you a faster spin but less height. Obviously striking the left side of the brim will reverse the spin and cause the hat to go clockwise.
From the TricksWithHats archive
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2563
0
24-01-2015
[1]
I've been putting a lot of focus into my 8 ball pattern and it's taking off! Hopefully I can get a world record run on camera soon.
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22-01-2015
[0]
All 20 set tricks from Outlink 2014 compiled into 1 video.
05:02
2964
2
31-12-2014
[1]
"Équilibre" (which means balance in french) is a juggling experience directed and performed by Nico Pires, filmed in motion by Franck Remy (www.rollercam.fr).
The original song "Équilibre" is performed by Hocus Pocus featuring Oxmo Puccino. Here is the official music clip: https://www.youtube.com/watch?v=xE8nT8-
The lyrics are talking about the struggle to find balance in life, using many metaphors through juggling, acrobatics and circus.
Copyrights of the song are owned by On and On Records and Universal Music France. Buy the song here: https://itunes.apple.com/fr/album/equilibre/id361784864?i=361784875
Nico is a self taught artist specialized in diabolo, contact juggling and influenced by a diversity of movements (hip hop and contemporary dancing, capoeira).
Recorded in Châteauroux's National Stage Equinoxe, "Équilibre" is an invitation into Nico's quest of balance through the juggling and body expression.
To discover more about Nico, check out his official website: www.diabolo4life.com
04:30
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1
26-11-2014
[6]
4 balls training variations, not all variations included into this clip
00:27
1858
0
11-11-2014
[0]
In case you are wondering why everything's so Japanese about the video, the reason is because we wanted to convey the message that we are very influenced by their juggling in a different way. The main idea of the video is not to copy tricks from Japanese people, but to show variations and tricks that we made based on their tricks. The second part of the video is coming soon and won't have Japan as a theme. Thanks so much for watching!
(P.S. half of the description is supposed to be in Japanese, but since there isn't enough space here I couldn't include it. To read it, check out the YouTube link).
Inspirations:
Adverse – Jr. (Ryohei Kimura), Kota Hayashi (3hirota), Kouta Ōhashi, Yoshiya and HITOketsuraku.
Rick - asf360, Shiomi (shiomi2112), Koichi Miyamoto (m5813k) and Lucas Adverse.
Music: I had to merge two tracks into one because we had too much footage :P
Rip Slyme – Galaxy
Rip Slyme – Joint
Location: Praça da Liberdade - Belo Horizonte, Brazil.
06:28
3675
2
01-08-2014
[7]
Getting closer to getting b777 into wimpy but its so damn difficult! Hopefully I will be able to qualify it soon though!
00:16
1818
0
01-06-2014
[0]
Land(e)scapes -
my escapes to outside lanscapes as well as into the inner ones
02:52
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0
28-05-2014
[8]
66666B97531955575757575 the 75 kind of turned into wimpy but of well
00:16
1628
0
28-05-2014
[0]
