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Ball juggling with pink and yellow balls at a cosy place in Amsterdam showing some advanced new tricks including multiplex and body throws.

"At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non provident, similique sunt in culpa qui officia deserunt mollitia animi, id est laborum et dolorum fuga. Et harum quidem rerum facilis est et expedita distinctio. Nam libero tempore, cum soluta nobis est eligendi optio cumque nihil impedit quo minus id quod maxime placeat facere possimus, omnis voluptas assumenda est, omnis dolor repellendus. Temporibus autem quibusdam et aut officiis debitis aut rerum necessitatibus saepe eveniet ut et voluptates repudiandae sint et molestiae non recusandae. Itaque earum rerum hic tenetur a sapiente delectus, ut aut reiciendis voluptatibus maiores alias consequatur aut perferendis doloribus asperiores repellat."

My newest corporate Creation. Legs legs and legs with lots of sparkle all over the place./nCheers

Film made for a contest. Rules: - 40 seconds maximum - a red "sphere" should appear Malabares en su tinta is the best blog, http://www.malabaresensutinta.com/, about circus in Spanish, at least I like it a lot. Consequently more than 1000 times a mouse has clicked the always longed for 'like' button on facebook, https://www.facebook.com/malabaresensutinta. This is my contribution to the contest organized to celebrate it. The sexy camerawoman was: Agata Bednarz :* The amazing music is Earl by BadBadNotGood Recorded with a Oneplus One at 720p, forgot to change it :( The crime scene is: An old abandoned police building chosen this year to hold the periodic art exposition Survival. Survival happens once per year in Wrocław, a weekend. An old building or environment is filled with strange art, free entrance, the chance to see an abandoned closed place, drinking beer all around the place, juggling all around the place, and there are even DJs... Survival: http://www.survival.art.pl/

Not good enough for first place (especially due to my substitution of one item), but it was fun nonetheless.

Visite de Lyon en diabolo dans les quartiers de confluence et des Etats Unis

same old place... but the tricks are fresh

Saibca, by Christian Helbling, Rhonda and Will Murray, and Michael Rees (Someren, 2014). Part of the Aidan Burns Project to juggle all 27 of his Scrambled V variations. Notation: __1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sA iB cA -> M The feeder is A and the feedees are B (on A's left) and C. The feeder counts 1 2 3. On 1 and 3, A and B exchange a pass. On 2, A and C exchange a pass. On 3, B catches the pass and walks over by A, rotating the positions. 1. "sA": The manipulator (M) substitutes a pass from B to A (catches the pass and replaces it with a different club). 2. "iB": The manipulator intercepts B's self. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator reads B's line. 3. "cA": The manipulator carries two clubs over and hands one to A. Then all the jugglers are re-labeled (but not the manipulator) and the new feeder starts counting the 3 passes.

Use a palm-up fork grip at the back of the hat and remove it, straightening the arm. As the arm straightens twist the wrist and take the ring finger off the brim. Spin the hat so that it moves between the middle and forefingers, then transfer the grip to the forefinger and thumb and continue the spin for as far as you can. Reverse the "twiddle" to place it back on the head. The main video clip for this trick doesn't show the fingers in any great detail. See the closeup version (120K mpeg) for a better view. For best results you might want to set your video player to loop the clip.

Place the back of one hand against the front of the crown and the palm of the other hand against the back of the hat. Lift the hat off and roll the hands round each other so that the hat tumbles through one complete spin as you carry the hat down to waist level. Reverse the process to return the hat to the head.

A magic knot with Kendama in the bathroom. Therefore the bathroom because i can place there the cam to have a good angle and light. So enjoy.

Aidan notation for both patterns:/n"ps":= pass self "ss":= self self "SA-B":= Substitute from juggler A to juggler B "IA-B":= Intercept from juggler A to juggler B (note that at an intercept instruction the juggler that was the destination of the club and the manipulator that performed the intercept change places) "CM-N":= Carry from manipulator M to manipulator N/nKennedy notation:/nA: ps |ss |cs |ss | Becomes juggler B B: ps |ss |ps |ss | Becomes juggler A M: SA-B |SB-B |IA-B |CM-N | Becomes manipulator N N: SB-A |SA-A |SA-B |SN-B | Becomes manipulator M/nControversial Kennedy Notation:/nA: ps |ss |ps |ss | Becomes juggler B B: ps |ss |cs |ss | Becomes juggler A M: SA-B |SB-B |IA-B |CM-N | Becomes manipulator N N: SB-A |SA-A |SB-A |SN-B | Becomes manipulator M

The hatstand made its debut at chocfest 7, where I was compering. After a period of prototyping and refining, I built the version that worked. I demoed this a couple of times then it broke. I replaced the elastic and set it up for the big day, used it on stage and it worked, then broke next time I used it. Be prepared to spend significant tinkering time in between uses, and for frequent breakdowns. That said, it's never let me down when I've needed it. All in all I've found it a great way to get chicks[1], if you don't count the long evenings spent honing the design and strewing the house with geeky construction equipment, and the fact you'll be laughed out of most nightclubs if you go in wearing a topper. But on stage it works, and it has drawn admiring glances from fellow jugglers and even won us a bag full of croissants on one occasion. Sweavo, June 2003 [1] facts may vary From the TricksWithHats archive

Trailer Création 2014 Music : Jack The Ripper - Liberation/nPetite forme d’extérieur : jardin, roseraie, place, parc… Duo dansé, jonglé, objets volants./nConception et interprétation : Isabelle Avid et Albin Hédon/nIsabelle Avid 61, rue Gérard Duvergé 47000 AGEN [email protected] cielecorpsage.com/ Téléphone : 06 31 95 15 55/nPour trouver la légèreté au propre comme au figuré, Connaitre son poids est une nécessité. Que ce soit le corps du danseur, du jongleur ou celui de l’objet, le poids seul permet de trouver l’envol : se soulever, oser la vivacité, s’offrir l’agilité, à contrario de l’immobilité. Et pourtant nous ne sommes pas oiseaux, la légèreté peut se passer ailleurs que dans le battement d’ailes. Elle peut se nicher dans les recoins de l’être, aux confins de sa danse, de son équilibre. On se sent alors plein d'une Légèreté cristalline, vibrante. Et que dire du parfum des roses ?

Panto, juggled by Graham, Joanne, Danny and Ed. Part of the Aidan Burns Project to juggle all 27 of his variations to the Scrambled V. Notation: __1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iA cB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the carried pass and walks on four count (rotating the positions anti-clockwise). 1. "sC": The manipulator substitutes a self from C to C. This takes place while the juggler is walking on four count. 2. "iA": The manipulator (M) intercepts a the pass from C to A. The juggler who was A is the new manipulator, and reads from the manipulator line. The old manipulator, reads A's line. 3. "cB": The manipulator carries a club to B. We found it useful for the manipulator (who was the feeder for 1 and 2) to say 3 during the carry, for continuity. All the jugglers are re-labeled and the new feeder starts counting the 3 passes. Panto gets it's name from the pass from A to B on beat 1, the club is quite close to the back of the manipulators head (He's behind you!).

Manipulator passing pattern for four people. The base pattern is 4 count between two jugglers. Below is the Aidan notation for the pattern. There is one round of four count and then the pattern begins A: ps |ss |ps |ss | Becomes juggler B B: ps |ss |cs |ss | Becomes juggler A M: SA-B |SB-B |IA-B |CM-N | Becomes manipulator N N: SB-A |SA-A |SB-A |SN-B | Becomes manipulator M "ps":= pass self "ss":= self self "cs":= chop self "SA-B":= Substitute from juggler A to juggler B "IA-B":= Intercept from juggler A to juggler B (note that at an intercept instruction the juggler that was the destination of the club and the manipulator that performed the intercept change places) "CM-N":= Carry from manipulator M to manipulator N Starting positions in the video: A patterned red shirt (right) B dress (left) M is blue shirt (middle-right) N plain red shirt (middle left) Oh, and the "niiaoow" noise is a cat-plane hybrid noise, performed on the carry (optional).

Artur Faleiros show us some clubs manipulations in an urban place in São Paulo famous for the large amount of graffitis called ''Beco do Aprendiz''. https://www.youtube.com/user/Chilosp/videos

"Cheese on Coast" - the first of a new series...a hi-speed edit of 90 minutes worth of shots involving NO Fireplaces! This time at the "Ship Inn" in Elie. Music by John Coletta from his new album "Sleekit Slivers"

The Dutch Juggling Covention will take place from 29 May till the 1st of June in Meerssen (near Maastricht). Registration will close at 7th of May so check out the website for more information http:/www.njf2014.nl

The Victoria Juggling Festival takes place annually in Victoria, the capital of British Columbia. Music: Nujabes - Feather Gramatik - So Much For Love Nujabes - Reflection Eternal DJ Okawari - Temperature of Tears Jugglers (not in order): Rings - Sean Brossard Toss juggling (live performance) - Stefan Sing Monocycle - Tynan Rollo Toss juggling (live) - Yuki Ueda and Chris Murdoch Top and diabolo - Rick Purtee Hat tossing - Justin Therrien and Matthew Poki McCorkle Dragon staff (live performance) - Morgan and Randy Buugeng - Kris Nyquist Magic tricks - Mike Bice Diabolo (live performance) - Jake West Club passing - Cristian Palermo, Nigel Wakita, Jack Hadley and Rick Purtee Balls + devil stick (live performance) - Blake Speers and Brendan Speers (Super Speers Brothers) Contact juggling - Sia Metta 3 ball juggling - Yuki Ueda, Sebastian Yerex and Me Levistick - Iain Culp Staff and dragon staff - Jason Stuart Clubs - Jack Hadley Thanks for watching!

My new ball Juggling movie. Place:　Aomori,Japan. Music:　Serph 「pen on stapler」 Youtube my page →http://www.youtube.com/user/JugglerNasu/videos

16. German Yo-Yo Masters 2013 - Master Class Single A International 7. Place Ricardo

"The Grate Escape" - the third and last hi-speed edit of 90 minutes worth of shots from the Fireplaces of Fife...(largely 'cause we've run out of puns...) This time at the West End Bar and Gantry Restaurant in Pittenweem. Thanks to our host Johnny Patterson. Music by Richard Young, who also featured on the last one. You can also view he previous two escapades from the Fireplaces of Fife here: Fit the First: Donald Grant - Kendama - Long Overdue http://juggling.tv/12964 Fit the Next: Donald Grant - Kendama - Bravehearth http://juggling.tv/13144

me juggling in the most beautiful places in my city (quebec city).

A new pattern created using Aidan notation. The manipulators in this pattern are dependent, as clubs are taken by one manipulator and replaced by the other. 4 count static Y base, with B at the back of the Y, D in the middle of the Y, A on the left of the Y (from the point of view of D and B) and C on the right. Aiden notation for the pattern: A ps|ss|ps|ss|ps|ss B ps|ss|ps|ss|ps|ss C ps|ss|ps|ss|ps|ss D ps|ss|ps|ss|ps|ss M1 cD|--|sA|iA|cA|-- M2 sC|iC|cD|iD|cB|iB Starting: M1 starts back to back with D facing B M2 stands in front of C facing C We start with a ps and then the manipulators begin on ss. The manipulators start on the last instruction at ss as it is written above (M1 --, M2 iB) When M1 reaches the end of the instructions, M1 becomes M2 (having reached the physical location of M2 at the start of the M2 instructions). Similarly M2 becomes M1