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__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: sC iC cC -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "sC": The manipulator substitutes a self from C to C.
2. "iC": The manipulator (M) intercepts a the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator, reads C's line.
3. "cC": The manipulator carries a club to C. This carry is performed as an over the shoulder move. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
00:30
2935
0
06-01-2015
[0]
Hold the hat by the brim with your left hand so that the crown of the hat is facing away from you. Take the stick in your right hand.
With a flick of your wrist, throw the hat up slightly so that it starts spinning anti-clockwise. As the hat descends, hit the brim with the stick slightly to the right of center, such that the stick curves slightly upwards and outwards. This will cause the hat to spin as it rises into the air. As it descends again, repeat the hitting action.
The idea of the basic spin is to keep the hat in the air by hitting it repeatedly with the stick in this manner. I find it helps if you look at the top portion of the inside of the hat.
Adjusting the spin rate and direction:
Hitting the hat nearer the center will give you a slower spin and more height, nearer the edge will give you a faster spin but less height. Obviously striking the left side of the brim will reverse the spin and cause the hat to go clockwise.
From the TricksWithHats archive
00:05
2909
0
24-01-2015
[1]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: iB cB sB -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "cB": The manipulator carries a club to B.
2. "sA": The manipulator substitutes a pass from C to A.
3. "iB": The manipulator (M) intercepts a self from C to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator, reads C's line. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
00:30
2882
0
10-04-2016
[2]
A game branded as Gyro Ring in the past, here is a fabulously addicting prop composed of five brass washers (beads) strung onto a stainless steel ring.
To activate this prop you spin the brass beads and turn the larger ring to keep them going in perpetual activity. The ring can then be manipulated in various ways to perform a large range of tricks! This is a improv set slowed to 1/2x.
These rings were popular in Japan and New Zealand circa 1995-1997 but remained widely unknown to much of the rest of the world. A small selection of high quality rings are available online at my website SlingTrue.org
Please contact me if you have any insights or questions
03:00
2870
0
04-06-2012
[2]
Tricks keeping me busy for a long time... two or three times I got the 5stage shower pattern with 6 balls (j1f1b17131) but yet never finished it with a full collect. What goes up must come down!
01:02
2829
0
24-01-2012
[2]
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C".
The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern.
On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "iC": The manipulator (M) intercepts the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line.
2. "cA": The manipulator substitutes a _pass_ from A to B.
3. "sC": The manipulator substitutes a _self_ from C (to C).
The passes _from_ the feeder are not manipulated, the feeder does only normal pass throws to B, C, B
00:52
2805
0
09-05-2015
[0]
This is a comp of the first 25 days of my #100 day Challenge to make a juggling video and post it every day.
If you want to keep up with the rest of my videos, follow me on instagram @catchingmachine
Song - Cedaa - PATAGONIA
05:10
2796
0
13-03-2017
[2]
Aidan Burns' Scrambled V Variation (iB cB sA)
General information:
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass.
Walking:
After pass three, B walks on a 4-count to the left side of A. All the jugglers are relabeled
(A -> B', B -> C', C -> A')
and the new feeder A' starts counting the 3 passes, starting with B'.
The manipulation:
1. "iB": The manipulator (M) intercepts a pass from A to B.
The juggler who was B is new M, and reads from the manipulator line. The juggler who was M now is B.
2. "cB": M carries a club to B.
3. "sA": M substitutes a the pass from B to A.
How to do this pattern:
We start manipulating the pattern by substituting the pass from B to A on beat three.
You can skip the tree bit if you like.
00:46
2697
0
09-05-2016
[0]
Dolby 7.1 is the latest in the series of patterns that have manipulation similar to the classic Dolby Söround http://juggling.tv/1742
In this new pattern, we add a club to the Dolby 5.1 pattern, first shown http://juggling.tv/16656 Dolby 5.1, Dolby 5.2 and Dolby 7.1 were all composed together as a set.
Seeing as Dolby 7.1 is another step up in the difficulty of manipulator patterns I've not gone with a standard pattern video, but instead added some training patterns - like a workshop.
Workshop tips:
1. Keep the tempo slow when you are throwing the heffs - you are controlling the pattern speed.
2. The manipulation needs to be a little faster than you might do it in Dolby 5.1, as the tempo is set by the dwell+height of the heffs. Slow manipulation can introduce timing problems for catching the 4p4p.
3. Heffs (4) and double passes (4p) must be the same height in order to keep good timing.
4. The pattern is synchronous.
02:06
2692
0
16-01-2018
[0]
Fishtail transfers are when you go straight from forwards fishtail to backwards (or vice versa). These are a good way of getting your fishies nice and tight. Also once you have these you can do 360 Fishtails cos you just keep turning the same way.
00:25
2653
0
10-03-2011
[0]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: sC iC cC -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "sB": The manipulator substitutes a pass from A to B.
2. "iB": The manipulator (M) intercepts a the self from B to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line.
3. "cA": The manipulator carries a club to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
00:31
2649
0
06-01-2015
[0]
Aidan Burns' Scrambled V Variation (cA sA iA)
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "cA": The manipulator carries a club to A.
2. "sA": The manipulator substitutes a pass from C to A.
3. "iA": The manipulator (M) intercepts a the pass from B to A.
The juggler who was A is the new manipulator, and reads from the manipulator line. All the jugglers are relabeled and the new feeder starts counting the 3 passes.
We start the pattern with an unmanipulated pass on beat 1 and on beat 2 with sA.
Once the pattern is running the sA happens while M stands close to the Feeder. It is still a substitution, but Feedee C really has to pass to M.
01:08
2648
0
17-04-2016
[1]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: iB cB sB -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "iC": The manipulator (M) intercepts a self from C to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator, reads C's line.
2. "ca": The manipulator carries a club to A.
3. "sA": The manipulator substitutes a pass from B to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
00:32
2640
0
10-04-2016
[3]
Voice - Patrik Kee
01:24
2635
0
03-04-2014
[1]
01:51
2593
4
05-04-2011
[3]
Hey everyone.Been working pretty hard to keep up with juggling now I'm back to university. This video covers most of the styles of juggling I currently work on. Credit goes to Lewis for coming up with the insane 771 variations!/nAlso, the current plan is to make David leahy 7 by spring; I have even started filming it! I also hope to be making some pretty big videos in the summer with some shreddies so look forward to that!
03:56
2591
0
26-11-2012
[1]
Working on BBB
a little bit of 5b and knife juggling.
00:35
2571
0
13-12-2010
[0]
On top of the world you get nothing done.
Talk is cold and burns like the sun.
Can't you see these skies are breaking?
Coz on top of the world is where I'm from..
The back of the class is where I was.
Keeping quiet, playing dumb.
00:40
2555
0
06-12-2012
[4]
These are something i came up with while on a beach in Thailand so i have fond memories for this move. When passing the staff behind the back give it a little pop up to keep it spinning and to make it a bit easier to catch.
00:34
2510
0
09-05-2011
[0]
Steve Rawlings showed me this trick in Birmingham and said that he used to do it in every show, but now that he's older (and a little rounder :-) he can't get it every time any more. Steve uses a china plate for this trick, but it works with hats too which is why it's here! :-)
Take the hat in your right hand, using an inside grip and hold it so that the crown of the hat is facing to the left.
Throw the hat virtically with some spin, and then do the following while the hat is in the air...
Put your right hand between your legs
Take the hand around the back of the right leg
Stand on your left leg and move the right hand & foot behind the left leg
Then, catch the descending hat in your right hand, from that position. Without falling over.
Top Tips: Practice the "tangle yourself up" bit first without the catch. Keep your eye on the hat as it decends, practice loads...
Luke Burrage managed to get this on video within 30 minutes. I've been trying for weeks and can't do it. It's pretty hard.
00:06
2476
0
15-03-2015
[0]
This move evolved from the inside bit of 5 beat fishtails. Basically you are fishtailing on the inside bit of your thumb between your thumb and arm. This is fairly tricky to keep going so what I do (as you will see in the video) is add extra beats to keep the momentum going, this does technically declassify the move as a fishtail but I think it's quite a fun move and it feels nice to do.
01:13
2458
0
09-05-2011
[0]
After all these years. Holy crap. it's been 8 YEARS since Kinetic Potential, and now, FINALLY I've gone and had the time and will to make juggling music video number 22. Good god life can suck sometimes keeping you away from doing awesome things on video for the internet heh. Though really, it's my own fault. The whole idea of the big music video series is that I would only do my absolute best tricks in them, and really only make new ones when I have a bunch of new personal bests to put in. Problem is, I hit my peak and plateaued with that 6 ring flat front qualify in the last vid, and so I feel like making another video is unjustified cause it's gonna have the same if not worse tricks in it. Welp, it's reflection of my current abilities since then, sooooo, guess it's better to showcase my decline/plateau than to be hidden forever XD
04:42
2374
0
07-06-2019
[2]
One of my young students here in Greece. He has reached his 1st kyu and wants to go as high as he can! Keep 'em peeled for this lad, folks!!
01:44
2355
1
10-09-2013
[1]
