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Around the... kendama tricks are combinations of cups and spike. This is the one I call "Around Ireland" Small Cup ~ Base Cup ~ Spike./nBecause Ireland is a small island, it makes sense that the combination is short; so are Around Japan and Around Britain./nIn fact Around Ireland uses the same cups as Around Britain but in reverse order, because reasons.
01:01
1911
0
06-05-2015
[1]
PsycuSix.Ψ, Malaysia’s leading modern and contemporary circus performing group, is bringing "nouveau cirque" to the Kuala Lumpur public./nIn their upcoming production entitled “Rendezvous: A Modern Circus Arts Show”, audiences will be treated to a fusion of dance, theater and circus arts all put together to convey the story of unveiling the beautiful future within a monotonous society. The show will feature various acts from juggling, contortion, acrobatics, dance, aerial arts and fire arts./n“Rendezvous: A Modern Circus Arts Show” is a free show that will be staged at The Square in Publika mall on the 12th of November, 8PM onwards./nThis event is in collaboration with Persatuan Seni Sarkas Moden, an association that aims to bring forth the circus arts movement to the local community. Free workshops will be offered to the public the day after, 13th of November, 3-7PM at the same venue./nIN COLLABORATION WITH:
• Publika
• Persatuan Seni Sarkas Moden
• Viva Vertical Malaysia
• Ninebot Malaysia
• KU
00:60
1902
0
10-11-2016
[1]
This is surprisingly effective when done well, it can really look like your leg has dissapeared! Unfortunately it's very angle sensetive, it only really works when viewed from the front.
Incase you can't work it out from the video, here's how you do it.
Hold the hat by the brim, with the opening resting against the top of your thigh, move it down until it covers your foot and hides it from view. As you raise the hat again, bend your leg at the knee. Et voila! Your leg has vanished!
Lower the hat again, straightening your leg as you do so. Ooh look! Your leg has re-appeared!
Top tips: Only raise the hat as far as your knee, and keep your foot hidden behind your thigh. A few minutes practice infront of a mirror and you'll soon get the hang of it.
Bonus points: Make both legs dissapear, at the same time...
00:07
1706
0
15-03-2015
[1]
youtube.com/gersing
I am not a pro, but love the excitement of juggling...watch a better quality vid on my YOUTube channel..
05:31
3634
0
06-07-2008
[1]
This is a video of my cousins and I juggling in a talent show at a summer camp we worked at. The first bit didn't get recorded so I had to put it a little video in from a different performance of the same routine. Jugglers from left to right: Andrew Dadisman (rings) Peter Guth (Me, clubs) Christopher Dadisman (balls). Enjoy!
04:33
9089
0
12-09-2007
[1]
Session feu du samedi soir à "Mire la Belle au Balcon", la convention annuelle qui a lieu dans la Drôme chaque année fin Octobre.
Notez la balle de contact enflammée au début de la vidéo et le Quebecois qui fait tenir ses massues enflammnées en équi! incroyable!
La musique est jouée par deux joueurs de Balafon qui nous ont régalés tout le week end.
02:53
5400
0
14-12-2007
[0]
s still a succession of suggestions on object motions and body languages (same but different).
After a welcomed first opus, this international collaboration moves a good step beyond and is proud to share with you its last upgrade:
A gathering of 27 jugglers & manipulators from all over the world, graphing Time with balls, clubs, rings, diabolos, poïs, hoops and even footbags!
Enter the playground and enjoy a new round of Hi Quality videos: A 100 minutes of « Flow » clips coupled with a 40 minutes of « Tech » tutorials./nThis is a pay for download product./nPrice: 16 Euros
Length : 135 minutes
Size: 6.7 GB (includes 38 clips)
Format: .mp4 (HD)
03:58
3230
0
13-03-2015
[0]
Despina Kehaiova (15 yrs) hula hoops at 10th Cirque de Demain 1987. Silver medal
In the same year, she competed at the Monte Carlo Circus Festival as topmounter for the Kehaiova teeterboard troupe. They won a silver clown.
Sadly she died in 2004, aged 32, when her aerial silk rigging failed while performing with Ringling Bros Barnum & Bailey.
03:02
3147
0
01-10-2015
[0]
here is a little routine we put this together for the school talent show Art of Movement is made of me and 2 of my friends combining diabolo, popping, and breaking vid is from the rehearsal because the vid from the actual show didn’t turn out so well but it was more or less the same bit low quality and yeah.. i messed up a few times at the end =/ but oh well pls give me some comments and suggestions
08:05
3032
0
08-07-2010
[0]
This is a mix of live footage from Three Rivers Golf and Country club where i've been performing through the Christmas 2012 season, and footage shot in the same venue but the next day in order to get some different angles as I was restricted to the use of a tripod. /nHoping to get a full live version up soon.
lucas
- wintercrane
- live
- studio
- christmas
- dinner
- entertainment
- circus
- cigar
- boxes
- manipulation
- act
- show
- gentleman
- juggler
03:39
2972
0
14-12-2012
[0]
Esame fakyrų grupė - ,,Ugnies Šokis
04:44
2915
0
27-10-2008
[0]
I can't do this move yet so here's a description from Tim:
Bacisally this move is just a way of combining a full steve & a matrix into one move. As the staff rolls down the left arm you need it to roll so the centre is a couple of inches infront of the arm (too much and the staff will speed up, too little and the staff won't make it round). The staff then goes round the left shoulder, round the neck and rolls up the right arm. As the staff gets to the top you propeller round the right wrist then let it roll back down the right arm. This is where it gets hard (espcially if you want it to feel smooth). As the staff rolls down the right arm you need to roll it so the centre moves behind the arm then roll it round the right shoulder round the throat and back up the left arm. It's tempeting to bring the staff round the right arm before it gets to the shouder but it don't look as good and it doesn't have the same flow to it).
In short the move goes 1/4 steve - 1/2 matrix - 1/2 steve -1/2 matrix - 1/4 steve enjoy
00:34
2699
0
22-02-2011
[0]
Learn to do a steve really well then try it vertically. It is basically the same but a bit faster.
00:25
2696
0
18-02-2011
[0]
Dolby 7.1 is the latest in the series of patterns that have manipulation similar to the classic Dolby Söround http://juggling.tv/1742
In this new pattern, we add a club to the Dolby 5.1 pattern, first shown http://juggling.tv/16656 Dolby 5.1, Dolby 5.2 and Dolby 7.1 were all composed together as a set.
Seeing as Dolby 7.1 is another step up in the difficulty of manipulator patterns I've not gone with a standard pattern video, but instead added some training patterns - like a workshop.
Workshop tips:
1. Keep the tempo slow when you are throwing the heffs - you are controlling the pattern speed.
2. The manipulation needs to be a little faster than you might do it in Dolby 5.1, as the tempo is set by the dwell+height of the heffs. Slow manipulation can introduce timing problems for catching the 4p4p.
3. Heffs (4) and double passes (4p) must be the same height in order to keep good timing.
4. The pattern is synchronous.
02:06
2679
0
16-01-2018
[0]
Fishtail transfers are when you go straight from forwards fishtail to backwards (or vice versa). These are a good way of getting your fishies nice and tight. Also once you have these you can do 360 Fishtails cos you just keep turning the same way.
00:25
2641
0
10-03-2011
[0]
This is a collection of video I shot over the years as I developed a routine around the tennis ball and can./nHere's my recollection of the history of 3 tennis balls and a tennis can: On easter of 1989 I was bored and picked up a can of tennis balls thinking, "I can probably throw all of the balls out of the can and then go into a 4 pattern that includes the can." I quickly discovered some of the centrifugal properties of the can and began developing a routine at the Celebration Barn with people like Fritz Grobe and Steven Ragatz helping to critique my idea. At the same time in another part of the world, Scott Slesnick had discovered the same prop, but was doing different things with it. Neither of us knew of the other for years, but when we met at an IJA convention in Vegas one year, we pieced together the rumors we had heard of each other and decided that we had both come up with it independently and had been spreading it around the world over the years.
02:43
2526
0
10-02-2015
[0]
I like this move because people don't normally expect you to go back up the same arm you came down. As the staff is on your neck let it do an extra spin on your back and lean to your left and back so it comes round in front of you. Then lean to the right so it throat wraps back to your left shoulder and hold your arm out and swing it backwards so the staff rolls back up your arm.
00:39
2445
0
10-05-2011
[0]
I learnt these trying to get the matrix. The way you lean and shift your body is very similar to how you would for a matrix but easier. I go in from a horizontal pivot because it gets the staff nicly in plane. Once the staff is on your neck lean away from the staff and let it spin around the back of your neck. Then do the same in the other direction to get it back round the front. Useing your shoulders to push the staff round can help.
00:27
2420
0
10-05-2011
[0]
Same as a sweep but done from behind. In this one I take it round to in front to play with an elbow pinch into 360 halo.
00:35
2370
0
10-05-2011
[0]
I just figured out mills and what better way to practice then to do all three objects at the same time.
00:19
2318
0
18-09-2015
[0]
Wanted to try and make some little routines that don't tread on the same old ground as usual. To mixed results. There's still a lot of ways to do things that haven't been found yet...
03:08
2261
0
20-10-2012
[0]
Same as a SNES but front side. I cross my arms behind my back because it puts your hands in the right place and looks flasher but you don't have to.
00:43
2188
0
10-05-2011
[0]
Onehanded, Continuous Tumbles - The hat keeps tumbling, in your hand, continuously, infinitely, forever, or at least until you stop.
This trick is an extension of the Tumble - so go learn that one now.
You'll notice that after you have performed a tumble, you are holding the hat the wrong way round to perform a second tumble immediately after it. This is where the extension comes in.
During the first tumble (which is a standard tumble), the hat rotates 1.5 times. The second tumble is similar, but the hat is thrown without a change in grip, it still does 1.5 spins, which means that it is now facing the same way as when you started!
Inorder to give yourself space for the second tumble, it feels like you need to throw it a tiny bit higher or faster.
Try to make it all flow together into a continuous movement, the hat shouldn't ever pause, the hand acts more as a guide to keep it rotating in the right direction.
A nice variation on this is to tumble the hat infront of you, switching hands between tumbles.
00:08
1824
0
06-12-2015
[0]
Backcross to head catch - Throw the hat behind your back, and catch it on your head.
Like most throwing moves, this is a variation on the Throw to head - so it's probably a good idea to learn that first!
Hold the hat in your right hand using an inside grip, spread your fingers out nice and wide as you would for a normal throw to the head.
Swing your arm out to the side, so that the crown of the hat is pointing downwards. Bring your arm behind your back and release the hat so that it does a nice, high, slow spin above your left shoulder.
As the hat descends, look up into it and catch it in the same way that you would for a standard throw to the head.
Top Tip: The catching part is easier if you turn your head towards your left shoulder just before the catch. Oh, and obviously learn this throw from both hands...
From the TricksWithHats archive
00:03
1793
0
04-12-2015
[0]
A nice variation on the Coat Peg.
Hold the hat in an inside grip at waist height and throw it upwards with half a spin.
As the hat flies upwards quickly stick your throwing hand up in the air and catch it.
The key is to spread the fingers on your throwing hand as much as possible and hold your catching hand in a coat peg grip. The hat lands on your thumb like it's landing on a coatpeg.
00:03
1704
0
04-12-2015
[0]
