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Dolby 7.1 is the latest in the series of patterns that have manipulation similar to the classic Dolby Söround http://juggling.tv/1742
In this new pattern, we add a club to the Dolby 5.1 pattern, first shown http://juggling.tv/16656 Dolby 5.1, Dolby 5.2 and Dolby 7.1 were all composed together as a set.
Seeing as Dolby 7.1 is another step up in the difficulty of manipulator patterns I've not gone with a standard pattern video, but instead added some training patterns - like a workshop.
Workshop tips:
1. Keep the tempo slow when you are throwing the heffs - you are controlling the pattern speed.
2. The manipulation needs to be a little faster than you might do it in Dolby 5.1, as the tempo is set by the dwell+height of the heffs. Slow manipulation can introduce timing problems for catching the 4p4p.
3. Heffs (4) and double passes (4p) must be the same height in order to keep good timing.
4. The pattern is synchronous.
02:06
2426
0
16-01-2018
[0]
Learn to do a steve really well then try it vertically. It is basically the same but a bit faster.
00:25
2423
0
18-02-2011
[0]
![[re-upload] 4 ball siteswaps](https://juggling.tv/thumb/0_12128.jpg)
Same old 4 ball clips; but with better music ;). All clips filmed back in 2011.
03:03
2365
1
11-06-2012
[5]
This is a collection of video I shot over the years as I developed a routine around the tennis ball and can./nHere's my recollection of the history of 3 tennis balls and a tennis can: On easter of 1989 I was bored and picked up a can of tennis balls thinking, "I can probably throw all of the balls out of the can and then go into a 4 pattern that includes the can." I quickly discovered some of the centrifugal properties of the can and began developing a routine at the Celebration Barn with people like Fritz Grobe and Steven Ragatz helping to critique my idea. At the same time in another part of the world, Scott Slesnick had discovered the same prop, but was doing different things with it. Neither of us knew of the other for years, but when we met at an IJA convention in Vegas one year, we pieced together the rumors we had heard of each other and decided that we had both come up with it independently and had been spreading it around the world over the years.
02:43
2278
0
10-02-2015
[0]
I like this move because people don't normally expect you to go back up the same arm you came down. As the staff is on your neck let it do an extra spin on your back and lean to your left and back so it comes round in front of you. Then lean to the right so it throat wraps back to your left shoulder and hold your arm out and swing it backwards so the staff rolls back up your arm.
00:39
2256
0
10-05-2011
[0]
I learnt these trying to get the matrix. The way you lean and shift your body is very similar to how you would for a matrix but easier. I go in from a horizontal pivot because it gets the staff nicly in plane. Once the staff is on your neck lean away from the staff and let it spin around the back of your neck. Then do the same in the other direction to get it back round the front. Useing your shoulders to push the staff round can help.
00:27
2243
0
10-05-2011
[0]
Same as a sweep but done from behind. In this one I take it round to in front to play with an elbow pinch into 360 halo.
00:35
2214
0
10-05-2011
[0]
I just figured out mills and what better way to practice then to do all three objects at the same time.
00:19
2073
0
18-09-2015
[0]
Wanted to try and make some little routines that don't tread on the same old ground as usual. To mixed results. There's still a lot of ways to do things that haven't been found yet...
03:08
2072
0
20-10-2012
[0]
After all these years. Holy crap. it's been 8 YEARS since Kinetic Potential, and now, FINALLY I've gone and had the time and will to make juggling music video number 22. Good god life can suck sometimes keeping you away from doing awesome things on video for the internet heh. Though really, it's my own fault. The whole idea of the big music video series is that I would only do my absolute best tricks in them, and really only make new ones when I have a bunch of new personal bests to put in. Problem is, I hit my peak and plateaued with that 6 ring flat front qualify in the last vid, and so I feel like making another video is unjustified cause it's gonna have the same if not worse tricks in it. Welp, it's reflection of my current abilities since then, sooooo, guess it's better to showcase my decline/plateau than to be hidden forever XD
04:42
2064
0
07-06-2019
[2]
pass poi in chest roll ????
without grasping the rope as it passes through the chest ???.
Resistance to balance two poi contact at the same time ???. when you discover what it really is hard to practice every day, you realize that everything is also more logical if you study.
for my hard work and the difficulty of the technique says a lot.
Shaolin kung fu has given me physical strength and mentally, also taught me a lot, so you end up never learn and that's the part that I like more because when you go harder everything becomes.
05:27
1994
1
13-03-2016
[2]
Same as a SNES but front side. I cross my arms behind my back because it puts your hands in the right place and looks flasher but you don't have to.
00:43
1991
0
10-05-2011
[0]
It is a 4th new year collaboration. We like this tradition, and will make the same in the next year.
10:14
1948
0
01-01-2017
[2]
Same scene, same schmutter. New tune, new tricks.
04:05
1838
0
15-02-2016
[1]
Here is Kendama play and juggling in the same video! #1 can be found from my YouTube channel.
Music: RJD2 - GhostWriter
04:38
1802
2
22-11-2016
[2]
Around the... kendama tricks are combinations of cups and spike. This is the one I call "Around Ireland" Small Cup ~ Base Cup ~ Spike./nBecause Ireland is a small island, it makes sense that the combination is short; so are Around Japan and Around Britain./nIn fact Around Ireland uses the same cups as Around Britain but in reverse order, because reasons.
01:01
1731
0
06-05-2015
[1]
PsycuSix.Ψ, Malaysia’s leading modern and contemporary circus performing group, is bringing "nouveau cirque" to the Kuala Lumpur public./nIn their upcoming production entitled “Rendezvous: A Modern Circus Arts Show”, audiences will be treated to a fusion of dance, theater and circus arts all put together to convey the story of unveiling the beautiful future within a monotonous society. The show will feature various acts from juggling, contortion, acrobatics, dance, aerial arts and fire arts./n“Rendezvous: A Modern Circus Arts Show” is a free show that will be staged at The Square in Publika mall on the 12th of November, 8PM onwards./nThis event is in collaboration with Persatuan Seni Sarkas Moden, an association that aims to bring forth the circus arts movement to the local community. Free workshops will be offered to the public the day after, 13th of November, 3-7PM at the same venue./nIN COLLABORATION WITH:
• Publika
• Persatuan Seni Sarkas Moden
• Viva Vertical Malaysia
• Ninebot Malaysia
• KU
00:60
1727
0
10-11-2016
[1]
Steps 151-175 of the endless combo!
Music: Every Day Is Exactly the Same (Instrumental & at 125% speed) - Nine Inch Nails/n+The randomly selected winner of the prize draw
02:44
1712
0
11-04-2018
[1]
same old place... but the tricks are fresh
03:38
1634
0
14-04-2015
[2]
Onehanded, Continuous Tumbles - The hat keeps tumbling, in your hand, continuously, infinitely, forever, or at least until you stop.
This trick is an extension of the Tumble - so go learn that one now.
You'll notice that after you have performed a tumble, you are holding the hat the wrong way round to perform a second tumble immediately after it. This is where the extension comes in.
During the first tumble (which is a standard tumble), the hat rotates 1.5 times. The second tumble is similar, but the hat is thrown without a change in grip, it still does 1.5 spins, which means that it is now facing the same way as when you started!
Inorder to give yourself space for the second tumble, it feels like you need to throw it a tiny bit higher or faster.
Try to make it all flow together into a continuous movement, the hat shouldn't ever pause, the hand acts more as a guide to keep it rotating in the right direction.
A nice variation on this is to tumble the hat infront of you, switching hands between tumbles.
00:08
1603
0
06-12-2015
[0]
Backcross to head catch - Throw the hat behind your back, and catch it on your head.
Like most throwing moves, this is a variation on the Throw to head - so it's probably a good idea to learn that first!
Hold the hat in your right hand using an inside grip, spread your fingers out nice and wide as you would for a normal throw to the head.
Swing your arm out to the side, so that the crown of the hat is pointing downwards. Bring your arm behind your back and release the hat so that it does a nice, high, slow spin above your left shoulder.
As the hat descends, look up into it and catch it in the same way that you would for a standard throw to the head.
Top Tip: The catching part is easier if you turn your head towards your left shoulder just before the catch. Oh, and obviously learn this throw from both hands...
From the TricksWithHats archive
00:03
1547
0
04-12-2015
[0]
This is surprisingly effective when done well, it can really look like your leg has dissapeared! Unfortunately it's very angle sensetive, it only really works when viewed from the front.
Incase you can't work it out from the video, here's how you do it.
Hold the hat by the brim, with the opening resting against the top of your thigh, move it down until it covers your foot and hides it from view. As you raise the hat again, bend your leg at the knee. Et voila! Your leg has vanished!
Lower the hat again, straightening your leg as you do so. Ooh look! Your leg has re-appeared!
Top tips: Only raise the hat as far as your knee, and keep your foot hidden behind your thigh. A few minutes practice infront of a mirror and you'll soon get the hang of it.
Bonus points: Make both legs dissapear, at the same time...
00:07
1509
0
15-03-2015
[1]
A nice variation on the Coat Peg.
Hold the hat in an inside grip at waist height and throw it upwards with half a spin.
As the hat flies upwards quickly stick your throwing hand up in the air and catch it.
The key is to spread the fingers on your throwing hand as much as possible and hold your catching hand in a coat peg grip. The hat lands on your thumb like it's landing on a coatpeg.
00:03
1497
0
04-12-2015
[0]
