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From the Gandini Vaults. Mike Day's solo 2 from CAUGHT - STILL /HANGING. Choreographed by Gill Clarke. 1994 at the Place Theatre. This was the Gandini's second show. Live Music by Steve Williams.

Panto, juggled by Graham, Joanne, Danny and Ed. Part of the Aidan Burns Project to juggle all 27 of his variations to the Scrambled V. Notation: __1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iA cB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the carried pass and walks on four count (rotating the positions anti-clockwise). 1. "sC": The manipulator substitutes a self from C to C. This takes place while the juggler is walking on four count. 2. "iA": The manipulator (M) intercepts a the pass from C to A. The juggler who was A is the new manipulator, and reads from the manipulator line. The old manipulator, reads A's line. 3. "cB": The manipulator carries a club to B. We found it useful for the manipulator (who was the feeder for 1 and 2) to say 3 during the carry, for continuity. All the jugglers are re-labeled and the new feeder starts counting the 3 passes. Panto gets it's name from the pass from A to B on beat 1, the club is quite close to the back of the manipulators head (He's behind you!).

Saibca, by Christian Helbling, Rhonda and Will Murray, and Michael Rees (Someren, 2014). Part of the Aidan Burns Project to juggle all 27 of his Scrambled V variations. Notation: __1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sA iB cA -> M The feeder is A and the feedees are B (on A's left) and C. The feeder counts 1 2 3. On 1 and 3, A and B exchange a pass. On 2, A and C exchange a pass. On 3, B catches the pass and walks over by A, rotating the positions. 1. "sA": The manipulator (M) substitutes a pass from B to A (catches the pass and replaces it with a different club). 2. "iB": The manipulator intercepts B's self. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator reads B's line. 3. "cA": The manipulator carries two clubs over and hands one to A. Then all the jugglers are re-labeled (but not the manipulator) and the new feeder starts counting the 3 passes.

This was done on October 17, 2010/nMusic: Ya Mama - Fatboy Slim

I filmed this during a practise session yesterday. All the clips together are a little story, whenever I film a pracitse session from now on I will continue the story from where I stopped in the last video. Somtimes I skipped parts of the story (e.g. when I am at a differerent place in the next clip suddenly. This would be too boring to watch, so it's a story where some parts are missing. You will know what I mean if you watch the video ;))

European Youth in Flames ist eine Jugendbegegnung, die im Juli stattfindet. TeilnehmerInnen kommen von ganzer Europa. Jugendlichen haben die Möglichkeit zu jonglieren, sich auszutauschen, usw. ______________________________________________________ European Youth in Flames is a meeting between young people coming from Europa, which takes place in July. Youngs have the possibility to juggle and to share new Tricks.

A new pattern created using Aidan notation. The manipulators in this pattern are dependent, as clubs are taken by one manipulator and replaced by the other. 4 count static Y base, with B at the back of the Y, D in the middle of the Y, A on the left of the Y (from the point of view of D and B) and C on the right. Aiden notation for the pattern: A ps|ss|ps|ss|ps|ss B ps|ss|ps|ss|ps|ss C ps|ss|ps|ss|ps|ss D ps|ss|ps|ss|ps|ss M1 cD|--|sA|iA|cA|-- M2 sC|iC|cD|iD|cB|iB Starting: M1 starts back to back with D facing B M2 stands in front of C facing C We start with a ps and then the manipulators begin on ss. The manipulators start on the last instruction at ss as it is written above (M1 --, M2 iB) When M1 reaches the end of the instructions, M1 becomes M2 (having reached the physical location of M2 at the start of the M2 instructions). Similarly M2 becomes M1

This move can be done in both directions and in horizontal and vertical planes. Place the staff on fairly slowly to start with.

The Shuffle - Another three hat juggling trick - this time it's the half shower This is a variation of a jugglers' trick called the Half Shower. Start with one hat on the head, and one in each hand, held in an outside grip. Throw one hat across the body, flat, with no spin. As soon as you've let go of this hat, take off the one on your head with your now-empty hand. The other hand slaps/places its hat onto the head, just in the nick of time to then catch the first (thrown) hat. You should now be back where you started. The timing is a little odd for this one, but just remember "Throw.... take....place....catch", and you'll get it. From the TricksWithHats archive

Préventes : https://www.asso-apj.fr/preventes2017 Crowdfunding : https://www.asso-apj.fr/crow2017 Infos : https://www.asso-apj.fr/convention2017 Facebook : https://www.facebook.com/events/56086... -------------------------------------------- UNE CONVENTION À PARIS ! ENFIN ! -------------------------------------------- Toute l'équipe de l'Association Parisienne de Jonglerie est heureuse de vous annoncer que du 19 au 21 mai 2017 aura lieu la Convention Parisienne de Jonglerie dans les locaux de la MJC les Hauts de Belleville à PARIS ! (Métro Télégraphe) **2 Gymnases** **Couchages sur place** **Jeux de la jongle** **Spectacles** **Initiations** **Concerts** **Parc et verdure à proximité (camping interdit sur place)** Vous pouvez déjà réserver vos places (HEBERGEMENT EN QUANTITE LIMITEE) : https://www.asso-apj.fr/preventes2017 Plus d'infos sur le SITE : https://www.asso-apj.fr/convention2017

This move is lots easier to do if you turn with the staff to slow down the spin. That said you will still probably hit yourself in the face learning it. When you are raising your arms back up to roll the staff down th inside of your arm, try to be as controlled as possible because that is the most likly place you will hurt yourself. Mind you if you already do staff another couple of knocks won't make any difference.

[2006] guava. anna and selby. summer 2006. (much better quality! i've never loaded things on these before, but this one is much better quality, so if it could like replace the other one or something..)

Manipulator passing pattern for four people. The base pattern is 4 count between two jugglers. Below is the Aidan notation for the pattern. There is one round of four count and then the pattern begins A: ps |ss |ps |ss | Becomes juggler B B: ps |ss |cs |ss | Becomes juggler A M: SA-B |SB-B |IA-B |CM-N | Becomes manipulator N N: SB-A |SA-A |SB-A |SN-B | Becomes manipulator M "ps":= pass self "ss":= self self "cs":= chop self "SA-B":= Substitute from juggler A to juggler B "IA-B":= Intercept from juggler A to juggler B (note that at an intercept instruction the juggler that was the destination of the club and the manipulator that performed the intercept change places) "CM-N":= Carry from manipulator M to manipulator N Starting positions in the video: A patterned red shirt (right) B dress (left) M is blue shirt (middle-right) N plain red shirt (middle left) Oh, and the "niiaoow" noise is a cat-plane hybrid noise, performed on the carry (optional).

Aidan notation for both patterns:/n"ps":= pass self "ss":= self self "SA-B":= Substitute from juggler A to juggler B "IA-B":= Intercept from juggler A to juggler B (note that at an intercept instruction the juggler that was the destination of the club and the manipulator that performed the intercept change places) "CM-N":= Carry from manipulator M to manipulator N/nKennedy notation:/nA: ps |ss |cs |ss | Becomes juggler B B: ps |ss |ps |ss | Becomes juggler A M: SA-B |SB-B |IA-B |CM-N | Becomes manipulator N N: SB-A |SA-A |SA-B |SN-B | Becomes manipulator M/nControversial Kennedy Notation:/nA: ps |ss |ps |ss | Becomes juggler B B: ps |ss |cs |ss | Becomes juggler A M: SA-B |SB-B |IA-B |CM-N | Becomes manipulator N N: SB-A |SA-A |SB-A |SN-B | Becomes manipulator M

A magic knot with Kendama in the bathroom. Therefore the bathroom because i can place there the cam to have a good angle and light. So enjoy.

Same as a SNES but front side. I cross my arms behind my back because it puts your hands in the right place and looks flasher but you don't have to.

Just a little of juggling in some places i was last summer. Based on an idea of Luke Burrage. Music: Traveler Song- The Dada Weatherman

Es gibt eine Figur namens Muro die auf Felsplateaus auftaucht, einen Beutel bei sich trägt und dann ein Häufchen Bälle auspackt. Ein Spiel beginnt. Rhythmus ist das Ritual. Er nährt Muros. Und in Muros Welt gibt es keinen Platz für Bälle, die nicht nach seinen Regeln spielen... ~ There is a character named Muro appearing on rocky plateaus, carrying a small bag with balls in it. A game begins. Rhythm becomes a ritual. It nuorishes Muro. And in Muro's world there is no place for balls who break the rules of his game... Design & Performance: Matthias Buhrow Kontakt: [email protected]

contact juggling video in my place, in Macau

A little brief of some of the places i´ve juggled in this summer. Based on an idea of Luke Burrage

This is the natural progression from Conveyor Belts. They are basically a convoyor belt with a halo roll. Do a conveyor belt but instead of letting the staff roll over your second elbow, place the staff onto your shoulder staight from your hand and turn with the staff to do a halo roll and then catch it with the back of your hand to allow it to roll out. This move can be done continuously.

Place the back of one hand against the front of the crown and the palm of the other hand against the back of the hat. Lift the hat off and roll the hands round each other so that the hat tumbles through one complete spin as you carry the hat down to waist level. Reverse the process to return the hat to the head.

Hold the hat in an inside grip. Put the other arm out at an angle and twist the hand round so it faces backwards. Place the hat on the upper arm and let it roll down to a catch in another inside grip. Repeat as often as you like by alternating sides.

Not good enough for first place (especially due to my substitution of one item), but it was fun nonetheless.

Upward twiddle - Twiddle the hat directly above the head Use a palm-up fork grip on both sides the hat, and lift it off the head and straight up. Remove the ring fingers from the brim and twist the hat between the fore and middle fingers. Stop the spin by gripping the brim between the fore fingers and thumb. You can either place it straight back on the head, or reverse the twiddle on the way back down. From the TricksWithHats Archive