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The version of 423 Mills Mess where the 4 is thrown from the uncrossed position.

The variation of 522 Mills Mess where the 5 is thrown as an under-the-arm throw.

The variation of 522 Mills Mess where the 5 is thrown as an over-the-arm throw. In my opinion the least trivial 522MM variation.

The variation of 522 Mills Mess where the 5 is thrown from the uncrossed position. Notice how it's just a reverse cascade thrown high enough that you can cross and uncross your arms after each throw.

First is a clip of Mills Mess with fake shower inserts. But it turns out that if you do flipped fake shower (where instead of throwing under the arm and catching uncrossed, you throw uncrossed and catch under the arm), then you can insert this fake shower in a different place. I borrowed a term from skateboarding and called this other insertion a frontside fake shower.

MinuEd is a pass-pass-self base pattern, with some one beat manipulations, which makes it more difficult than standard notation patterns where every manipulation is given two beats. It is juggled in the Rhonda manipulation style http://juggling.tv/15646. First round of the pattern ever recorded (http://juggling.tv/15002) was in the iconic Rhonda styling, so it has set the default style for MinuEd Notation is in the video!

I was bored so i decided to edit some stuff i filmed shortly after the ejc in munich. Thanks to everybody who inspired me and showed me some tricks. I hope you enyou it. The song is where is my mind covered by zombina and the skeletons

When you start to see all that bullshit and games which people play and call them nice names, you can start feeling sick a little bit but see that understanding is not the way. Misunderstanding is empty. Where is the way??

Panto, juggled by Graham, Joanne, Danny and Ed. Part of the Aidan Burns Project to juggle all 27 of his variations to the Scrambled V. Notation: __1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iA cB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the carried pass and walks on four count (rotating the positions anti-clockwise). 1. "sC": The manipulator substitutes a self from C to C. This takes place while the juggler is walking on four count. 2. "iA": The manipulator (M) intercepts a the pass from C to A. The juggler who was A is the new manipulator, and reads from the manipulator line. The old manipulator, reads A's line. 3. "cB": The manipulator carries a club to B. We found it useful for the manipulator (who was the feeder for 1 and 2) to say 3 during the carry, for continuity. All the jugglers are re-labeled and the new feeder starts counting the 3 passes. Panto gets it's name from the pass from A to B on beat 1, the club is quite close to the back of the manipulators head (He's behind you!).

freestyle session somewhere not in paris. i used three balls from a juggling handler, hoodie from fruit of the loom, and trousers from uptown brussel, the shoes are also from a knowed handler, just to be clear about my underground roots. the music is from some dj´s, i really don´t know who created the tune, but it´s often listened in dnb parties, where you almost never find me. THE FLUTE TUNE is the name.

I have met with Istvan during circus workshop in Pilsen and when I was traveling to Romania I stop by to visit him. We shot this non-commercial video in old butchery in Budapest where by coincidence was rehearsing music band Mindless Game that you can hear in video.

Aidan Burns' Scrambled V Variation (cA sA iA) The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "cA": The manipulator carries a club to A. 2. "sA": The manipulator substitutes a pass from C to A. 3. "iA": The manipulator (M) intercepts a the pass from B to A. The juggler who was A is the new manipulator, and reads from the manipulator line. All the jugglers are relabeled and the new feeder starts counting the 3 passes. We start the pattern with an unmanipulated pass on beat 1 and on beat 2 with sA. Once the pattern is running the sA happens while M stands close to the Feeder. It is still a substitution, but Feedee C really has to pass to M.

Finally after some time, me and my friend Bert Maas made a new juggling video. Thanks to Bert for all the filming and editing, I think he did an awesome job!/nThis is filmed at TU/e (University of Technology) in Eindhoven the Netherlands, where I study now. Unfortunately I almost have no time left for juggling. In the video are some tricks I'm working on. Not extreme hard or anything, but nice to watch I think. Hopefully I can develop some really crazy tricks with this, feedback is welcome!

The classic Roundabout pattern revisited in the Rhonda Style to create "Rhondabout". Rhonda Style came about from the pattern MinuEd http://juggling.tv/15002, but it is possible to Rhonda any pattern using these simple rules: 1. No Zipping! 2. No Flipping, apart from on a carry where you must flip both clubs. MinuEd is here: http://juggling.tv/15650 Try and Rhonda a manipulator pattern today!

It was the World Cup so they moved the show to the beach! Sand everywhere!!!

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iC cC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "sC": The manipulator substitutes a self from C to C. 2. "iC": The manipulator (M) intercepts a the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator, reads C's line. 3. "cC": The manipulator carries a club to C. This carry is performed as an over the shoulder move. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

Rockville, Maryland. Pluses: Korean tofu house, apartment sculptures you can bounce juggle on, Second Story Books. Minus: It's nowhere in particular. Inspirations: Bouncing in Paris (DVD), Emile Carey Music: Astrud Gilberto "So Nice (Summer Samba)": The Best of Astrud Gilberto

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iC cC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "sB": The manipulator substitutes a pass from A to B. 2. "iB": The manipulator (M) intercepts a the self from B to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line. 3. "cA": The manipulator carries a club to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

Some of the patterns from a trip that took place in October./nIt was decided that each of the patterns that is new should also go up as a pattern video and that is where you will find the notation. Here we have only the names. When the pattern videos go up I shall update this description to include the links.

Eo… where are you? Look! What are you doing there? Come on… I know you are too tired… one more pirouette and we’ve finished… only one more… Come on! this one is for malabares en su tinta* (Pirouette) Smile to the camera! ----------------------- This video has been recorded for “fast food” contest from malabaresensutinta.com and is based on one-minute continuous sequence without video edition after recording.

Promo video for Terra Firma Circus Co

Just a trick for friends to see. Worked 4hours to find it so please practice it. ;) Finally a trick that i haven't copied from anywhere.

A fun video of spring break, nothing to serious or full of effort but some nice tricks nonetheless. Most of the footage is from my trip to Oakland where I got to juggle with Shawn, Kyle and the rest of the people at the Vulcan and the Vagabond Ballroom. Hurray for nudists and juggling, two things that go oh so well together. The beard section in the middle is to make Sondre happy or disturbed depending on how he takes it.

3 Ball juggling and devilstick video I did to the song Suit & Tie by Justin Timberlake. I played around with a few different editing things to give it an old school feel. Routine/flow starts around 55 seconds or so. Check out my smoothness until once again I have a silly drop. Check it out, leave comments, follow me here or on youtube @ GregoryGazzano…just look up the name. Oh Remember to not where a suit and tie on a hot day! LOL

Starting off with the base pattern of rotating 2 count 4 count feed, we then add the maniuplators to do 3B (Brook in blue t-shirt the B maniuplator, Steve in black t-shirt the 3 manipulator). Every 30 beats you get back to the start, and so every 30 beats the B/V manipulator (Brook at this point) switches to the other pattern and the 5 people do around of 3B/3V. We do 3B/3V/3B/3V and then try to exit the pattern. Patterned invented by Aidan - see 'How to Steal From Your Friends' at http://www.juggle.me.uk/passing/ where 3,V,B and transitions between them are described. In Aidan Notation (X, Y, Z are the jugglers): X: Ps | Ps | Ps Y: Ps | ss | Ps Z: ss | Ps | ss 3: cZZ | sZX | iXY V: cXY | sYY | iXZ B: iXY | cYY | sYX I switch by doing the second column of the pattern I've arrived in (as manipulator) and then switching to the third column of the new pattern (and everyone responds accordingly).