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Filmed in Krystallpalast Varieté, Leipzig in Oct. 2005. Luke was always against having his act online, he always felt that if you wanted to see it you should see it live. Tragically that is no longer a possibility and so I hope he'd forgive me for uploading it now. His work is timeless and I truly believe he'd be happy to let us all enjoy what he spent so long building and be pleased to know that his work lives on to inspire future generations. One of the true greats. RIP old friend.

Ice Cream Man Marko's Treats Spends a Day in Venice Beach Videographer: Tim Maxeiner Music: The Electric SUndaes

Swopo will amaze you with feats of juggling inspired by danger, humor, and you the audience.

Ed Clark's "Minued", performed by Aidee Castro, Rhonda Murray, and Will Murray of Long Beach. The Minued is a pass-pass-self takeout pattern with a basic cycle of 9 beats. Each person takes a turn as the manipulator and then the pattern repeats in a mirror image, so one full cycle takes 54 beats. This video is just under two full cycles. It was shot at the Passing Zone Clubhouse in Huntington Beach, California on April 2, 2015.

MinuEd is a pass-pass-self base pattern, with some one beat manipulations, which makes it more difficult than standard notation patterns where every manipulation is given two beats. It is juggled in the Rhonda manipulation style http://juggling.tv/15646. First round of the pattern ever recorded (http://juggling.tv/15002) was in the iconic Rhonda styling, so it has set the default style for MinuEd Notation is in the video!

Panto, juggled by Graham, Joanne, Danny and Ed. Part of the Aidan Burns Project to juggle all 27 of his variations to the Scrambled V. Notation: __1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iA cB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the carried pass and walks on four count (rotating the positions anti-clockwise). 1. "sC": The manipulator substitutes a self from C to C. This takes place while the juggler is walking on four count. 2. "iA": The manipulator (M) intercepts a the pass from C to A. The juggler who was A is the new manipulator, and reads from the manipulator line. The old manipulator, reads A's line. 3. "cB": The manipulator carries a club to B. We found it useful for the manipulator (who was the feeder for 1 and 2) to say 3 during the carry, for continuity. All the jugglers are re-labeled and the new feeder starts counting the 3 passes. Panto gets it's name from the pass from A to B on beat 1, the club is quite close to the back of the manipulators head (He's behind you!).

Patrik Elmnert: Juggling -patrikelmnert.com Wes Peden: Filming & Editing -wespeden.com Music: Beats by Ratatat Samples from youtube by Wes Clubs: Henrys Delphins Location: Danshögskolan,Studio 9 Stockholm, Sweden

Aidan Burns' Scrambled V Variation (cA sA iA) The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "cA": The manipulator carries a club to A. 2. "sA": The manipulator substitutes a pass from C to A. 3. "iA": The manipulator (M) intercepts a the pass from B to A. The juggler who was A is the new manipulator, and reads from the manipulator line. All the jugglers are relabeled and the new feeder starts counting the 3 passes. We start the pattern with an unmanipulated pass on beat 1 and on beat 2 with sA. Once the pattern is running the sA happens while M stands close to the Feeder. It is still a substitution, but Feedee C really has to pass to M.

Here is my entry for IJA's Video tutorial contest 2016./nThe "Sync No-Beat Cascade" is a foundational pattern for poi jugglers, as it is stable and varies well into other patterns./nEnjoy!

A choreographed 1, 2 and 3 poi manipulation routine performed at Bath Upchuck Juggling Convention 2015./nThanks the Van Loop Media for the footage.

These can be done forwards and backwards. They arn't true elbow fishtails because there is only one beat of a fishtail at a time with other beats put in to get positioning. If anyone manages complete continuous elbow fishtails please let me know and i'll stick a vid up cos they are DAMN hard. The tricky bit of this move is getting your elbow across 180 fast enough to catch the fishtail but not so fast the staff flys off your elbow. (See also Elbow Fishtails)

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iC cC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "sC": The manipulator substitutes a self from C to C. 2. "iC": The manipulator (M) intercepts a the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator, reads C's line. 3. "cC": The manipulator carries a club to C. This carry is performed as an over the shoulder move. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iC cC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "sB": The manipulator substitutes a pass from A to B. 2. "iB": The manipulator (M) intercepts a the self from B to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line. 3. "cA": The manipulator carries a club to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

this video includes techniques of great difficulty of juggling staff, you can appreciate the accuracy when throwing, making contacts, numerology, no beats, mill mess, 4 staff and ball spinning 5551, 5 staff, I hope you like it and inspire you to follow creating in juggling, enjoy it as much as I enjoy doing juggling.

Starting off with the base pattern of rotating 2 count 4 count feed, we then add the maniuplators to do 3B (Brook in blue t-shirt the B maniuplator, Steve in black t-shirt the 3 manipulator). Every 30 beats you get back to the start, and so every 30 beats the B/V manipulator (Brook at this point) switches to the other pattern and the 5 people do around of 3B/3V. We do 3B/3V/3B/3V and then try to exit the pattern. Patterned invented by Aidan - see 'How to Steal From Your Friends' at http://www.juggle.me.uk/passing/ where 3,V,B and transitions between them are described. In Aidan Notation (X, Y, Z are the jugglers): X: Ps | Ps | Ps Y: Ps | ss | Ps Z: ss | Ps | ss 3: cZZ | sZX | iXY V: cXY | sYY | iXZ B: iXY | cYY | sYX I switch by doing the second column of the pattern I've arrived in (as manipulator) and then switching to the third column of the new pattern (and everyone responds accordingly).

Wicked 3 torch Burn at the Pacific Fire Gathering 2012 on the Oregon coast. Music : Paranoia by MainStream Beats Juggler : Kevin Axtell

Three things and a hat- Performed December 4th, 2010 in Bangor, Maine. Performer: Brian Maneely Music: "I Got" by Beats Antique

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sB iC cC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "sB": The manipulator substitutes a pass from A to B. 2. "iC": The manipulator (M) intercepts a the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator reads C's line. 3. "cC": The manipulator carries a club to C. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

I thought of the title all by myself years ago but it got shelved into the cold dark reaches of my brain until I felt I had enough tricks to warrant its use. Special thanks to Yuki Ituda and Tao Wei for inspiring me to explore the possibilities of tossing style.

Ice Cream Man From Long Beach California. Uses juggling to attract customers. Marko has developed a niche for juggling alongside rappers and DJ's in LA and Long Beach. You can follow him @markostreats https://vimeo.com/72992030 www.markostreats.com

2 male Chinese acrobats performing with tridents. I do not know which troupe they are from. This skill is sometimes called Fei-cha. It is a traditional Chinese acrobatic form. The tridents have loose elements at the head, which creates the characteristic jangling noise. From a video titled Chinese Acrobatic Feats.

Aidan Burns' Scrambled V Variation (iB cB sA) General information: The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. Walking: After pass three, B walks on a 4-count to the left side of A. All the jugglers are relabeled (A -> B', B -> C', C -> A') and the new feeder A' starts counting the 3 passes, starting with B'. The manipulation: 1. "iB": The manipulator (M) intercepts a pass from A to B. The juggler who was B is new M, and reads from the manipulator line. The juggler who was M now is B. 2. "cB": M carries a club to B. 3. "sA": M substitutes a the pass from B to A. How to do this pattern: We start manipulating the pattern by substituting the pass from B to A on beat three. You can skip the tree bit if you like.

The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "iC": The manipulator (M) intercepts the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line. 2. "cA": The manipulator substitutes a _pass_ from A to B. 3. "sC": The manipulator substitutes a _self_ from C (to C). The passes _from_ the feeder are not manipulated, the feeder does only normal pass throws to B, C, B

This is the biggest juggling festival I've ever been to in my life and it was a blast. This video includes the best jugglers that I talked to and had the opportunity to record with. I wrote down the names and social media of all the people who are in the video, so please go support them! (names are written on the YouTube video description because it doesn't fit here). Thank you very much to everyone who participated. Please check out my Facebook page and my Instagram: https://www.facebook.com/jugglingadverse/ https://www.instagram.com/lucasadverse Music: AudioTreats - Unforgettable Soundcloud: https://soundcloud.com/audiotreatsproduction Facebook: https://www.facebook.com/AudioTreatsMusic/ Jeriqo - New Places Soundcloud: https://soundcloud.com/jeriqo Facebook: https://www.facebook.com/jeriqomusic Location: Osaka, Japan YouTube link: https://www.youtube.com/watch?v=xRSq-qZQLF4 Thank you for watching!

33 Patterns. All with at least one zap. All period seven. All with five clubs. All with two people. All for 6 rounds (where one round is 14 beats of the pattern globally). For our more playful video also filmed at TADAH see: https://youtu.be/-rO6grGcPis The list is written in four handed global siteswap notation: 1. 6662555 2. 6672752 3. 6672625 4. 7572662 5. 6752555 6. 7562555 7. 7572752 8. 7772255 9. 6782525 10. 7582562 11. 7862255 12. 8572625 13. 8672255 14. 6682562 15. 6852662 16. 6862652 17. 8552555 18. 8582525 19. 8852255 20. 8882225 21. 6692552 22. 6962527 23. 9962225 24. 9952262 25. 6929522 26. 9629252 27. 9269225 28. 7592552 29. 9527822 30. 9552662 31. 7a72252 32. a862225 33. 8279225 Special thanks: James for creating his siteswap spreadsheet from which we got our list. TADAH for having us to stay for long enough to learn and film so many patterns. Music: From the album 'Money, Blood and Light [LCL14]' by Plurabelle; licensed under a Attribution-NonCommercial-ShareAlike 3.0 International License.