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We've been wanting to film big flames in slow motion for a long time. Finally at 300fps here's the result... Shot in lovely Bristol, UK. /nBig thanks to Clockwise Media for the fantastic work behind the Epic RED camera & to both LEO UK and DJ Alias for the remix of 'San Francisco Bay'. http://youtu.be/afkaQADWMJk

Here's a film of a really nice concrete wall, except that some juggler is blocking the view of part of this wall. He seems to be doing the wimpy pattern and then the inside halfshower, as if to show that the patterns are different. But check out that wall! (See the killer thumbnail!)

8x10 - Pieces of Stuff at EJC 2010 in Joensuu, Finland Pieces of Stuff: Marco Paoletti (juggling), Milian Vogel (music) and Christian Kielblock (video projection) World record on stage

I'm back if anyone remembers me. I took a year long hiatus cause of school, other hobbies but mainly because I lost interest. After coming on randomly and watching some videos a little while back I was inspired to start diaboloing again (the limits of diabolos have been pushed a ridiculous amount this past year...). So this vid is just a coming back vid of some stuff from the past couple days of practice that I filmed. I also threw in some stuff that I've learned over the past year at the end of the video.

NÄYTTÄMÖ 'Performing arts center, Joensuu, Finland' Pilkontie 7, 80120 Joensuu/nNÄYTTÄMÖ is a performing arts and concert venue situated at the Pilkontie 7, Joensuu, Finland. NÄYTTÄMÖ is the flagship arts and cultural venue in Joensuu, creating a year-round programme that encompasses the best in contemporary performance, arts participation, cultural education and outreach work for both its community and the sector as a whole./nSirkus Supiainen founded NÄYTTÄMÖ 2018 with support of Finnish Culture Foundation. The NÄYTTÄMÖ is the home stage for Sirkus Supiainen's perormances. We are committed to leading the way in the creation, production, presentation and artist/audience development of and for contemporary circus theatre. /nNÄYTTÄMÖ exists to ignite creativity within, diverse communities and works tirelessly to overcome traditional barriers - including age, socioeconomic background and geography – to achieve full engagement with the arts for everyone./nTechnical Specifications STAGE Block box Layout Stage

This video was filmed over the first 2 days of the 2007 European Juggling Convention in Athens. Music: Gypsy Kings - Zorba The Greek. This was on youtube with over 12,000 views until they blocked it!

Finale of the K8 Light Night Party under the tent EJC 2010 in Joensuu, Finland Only K8 props were used during this show: http://www.k8malabares.com//nDirection: Marco Paoletti Music: Milian Vogel Visuals and Editing: Christian Kielblock/nPerforming artists: Mark O'Sullivan, Markus Furtner, Declan Mee, Peter Bone, Valerie Sealey, Kaitsu, Dixy, Perry, Julio, Manuel Mitasch

Emily and I wanted to thank all the people who helped make our time at the IJA this year so fantastic. In this video, we show some of the great stuff that great people taught us over that week. -Mike/nMusic: Sonic the Hedgehog 'Clockwork Criminal' OC Remix - WillRock Legend of Zelda: A Link to the Past 'Sacred Flute' OC Remix - Blue.Nocturne Whip my Hair - Willow Smith

Clip combining the results of the music workshop of Milian Vogel and the video editing workshop by Christian Kielblock (both part of the ensemble Pieces of Stuff, with Marco Paoletti). 26/27 of July 2010 at the EJC in Joensuu Finland.

Phantom patterns in rhythm Some pattern analysis: LH=left hand / RH=right hand CW=clockwise/ CCW=counter clockwise S=spin / SS=spin-spin / AS=anti-spin 0:32-1:44: (RH & LH, CCW for the whole pattern) half S - RH full SS & LH full AS - half S - RH full AS & LH full SS 1:45-2:38: (RH & LH CCW) three quarters of SS (x4) (RH & LH CW) three quarters of SS (x4) 2:39-3:37: (RH & LH, CCW for the whole pattern) Half S - pass - full SS (x4 to complete a full pattern with 3 balls) 5:31-5:44: Balls Asymmetric. (RH & LH CCW) 1 quarter of S - 1 quarter of SS (x4) (RH & LH CW) 1 quarter of S - 1 quarter of SS (x4)

The first entry in a weekly Michael Karas video series designed to spark creativity and destroy juggler's block.

Hold the hat by the brim with your left hand so that the crown of the hat is facing away from you. Take the stick in your right hand. With a flick of your wrist, throw the hat up slightly so that it starts spinning anti-clockwise. As the hat descends, hit the brim with the stick slightly to the right of center, such that the stick curves slightly upwards and outwards. This will cause the hat to spin as it rises into the air. As it descends again, repeat the hitting action. The idea of the basic spin is to keep the hat in the air by hitting it repeatedly with the stick in this manner. I find it helps if you look at the top portion of the inside of the hat. Adjusting the spin rate and direction: Hitting the hat nearer the center will give you a slower spin and more height, nearer the edge will give you a faster spin but less height. Obviously striking the left side of the brim will reverse the spin and cause the hat to go clockwise. From the TricksWithHats archive

MiniEd - 4-person, extra-walking, period-6 MinuEd variation /nBase pattern: rotating PPSPPS feed, with C walking on 2 and A walking on 4; walking always on a left hand, clockwise Manipulation sequence as MinuEd without the zip-zip part; crossing pop helps to avoid clubbed heads/nNotation in video, underlining indicates walking/nPro tip: Pass to A on beat 1 should be aimed at M's head/n(This took us quite a few festivals to put together. Thanks for everybody who had the patience with me at MadFest, Mondo, Charlottesville, IJA, EJC, and Passout.)

clubcontact in some canyon close to TADAH 1beat legroll - footlock - kickup - fishtail

Sponsored by Drop Props!/nI did a performance at the Cleveland Fest that was WAY droppy and I was pretty down about it for a while. To try to cheer myself up, I tried to make a list of tricks/patterns that I liked that I could do, then figured it would make an okay video./nThanks to Nikki, Mike, and Princess for help with recording. And Quinn for encouraging me in the fight with inverted sprung cascade./nThe music is Dr. Wily Symphonic by Blue.Nocturne, one of many great remixes at OverClocked ReMix

__1__2__3 A: ps ps ps -> M B: ps ss ps -> C C: ss ps ss -> A M: cA sC iA -> B The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "cA": The manipulator (M) carries a club to A. 2. "sC": The manipulator substitutes a pass from A to C. 3. "iA": The manipulator intercepts a pass from B to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes. Juggled in memory of Aidan Burns by Nick Aikens, Jill Carson, Christian Kästner and Greg Phillips at the Not Quite Pittsburgh Juggling Festival, 9 November 2014.

The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "cC": The manipulator carries a club to C. 2. "sC": The manipulator substitutes a pass from A to C. 3. "iB": The manipulator (M) intercepts a the pass from A to B. The juggler who was B is the new manipulator, and reads from the manipulator line. All the jugglers are relabeled and the new feeder starts counting the 3 passes. It´s easier for the manipulator tells AND 1 2 3 as the cC actually happens before count 1. also take a look at the original file: http://juggling.tv/15101

Tiff and I just having fun and juggling in Leeds.

Aidan Burns' Scrambled V Variation (cA sA iA) The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "cA": The manipulator carries a club to A. 2. "sA": The manipulator substitutes a pass from C to A. 3. "iA": The manipulator (M) intercepts a the pass from B to A. The juggler who was A is the new manipulator, and reads from the manipulator line. All the jugglers are relabeled and the new feeder starts counting the 3 passes. We start the pattern with an unmanipulated pass on beat 1 and on beat 2 with sA. Once the pattern is running the sA happens while M stands close to the Feeder. It is still a substitution, but Feedee C really has to pass to M.

This is my entry to the 2014 IJA Video Tutorial contest. I am entering as a non-competitive entry (not wishing to be considered for prizes). Check out the IJA's Homepage: http://www.juggle.org/nThis is a sequel to my previous Claymotion Juggling Building Blocks tutorial, which can be found here: http://juggling.tv/11828

Panto, juggled by Graham, Joanne, Danny and Ed. Part of the Aidan Burns Project to juggle all 27 of his variations to the Scrambled V. Notation: __1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iA cB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the carried pass and walks on four count (rotating the positions anti-clockwise). 1. "sC": The manipulator substitutes a self from C to C. This takes place while the juggler is walking on four count. 2. "iA": The manipulator (M) intercepts a the pass from C to A. The juggler who was A is the new manipulator, and reads from the manipulator line. The old manipulator, reads A's line. 3. "cB": The manipulator carries a club to B. We found it useful for the manipulator (who was the feeder for 1 and 2) to say 3 during the carry, for continuity. All the jugglers are re-labeled and the new feeder starts counting the 3 passes. Panto gets it's name from the pass from A to B on beat 1, the club is quite close to the back of the manipulators head (He's behind you!).

This is from my appearance on The Late Show with David Letterman for the Stupid Human Tricks segment. I pop a balloon by firing a glowing dart out of a blowgun stuck up my nose. It was a blast being on the show. David was fun to be on stage with and his staff was incredibly friendly and made me feel comfortable and welcome.

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sB iC cC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "iC": The manipulator (M) intercepts a the self from C to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator reads C's line. 2. "cA": The manipulator carries a club to A. 3. "sC": The manipulator substitutes a self from C to C. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: iB cB sB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "iB": The manipulator (M) intercepts a the pass from A to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line. 2. "cB": The manipulator carries a club to B. 3. "sB": The manipulator substitutes a pass from A to B. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sB iC cC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "sB": The manipulator substitutes a pass from A to B. 2. "iC": The manipulator (M) intercepts a the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator reads C's line. 3. "cC": The manipulator carries a club to C. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.