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A new pattern created using Aidan notation. The manipulators in this pattern are dependent, as clubs are taken by one manipulator and replaced by the other.
4 count static Y base, with B at the back of the Y, D in the middle of the Y, A on the left of the Y (from the point of view of D and B) and C on the right. Aiden notation for the pattern:
A ps|ss|ps|ss|ps|ss
B ps|ss|ps|ss|ps|ss
C ps|ss|ps|ss|ps|ss
D ps|ss|ps|ss|ps|ss
M1 cD|--|sA|iA|cA|--
M2 sC|iC|cD|iD|cB|iB
Starting:
M1 starts back to back with D facing B
M2 stands in front of C facing C
We start with a ps and then the manipulators begin on ss. The manipulators start on the last instruction at ss as it is written above (M1 --, M2 iB)
When M1 reaches the end of the instructions, M1 becomes M2 (having reached the physical location of M2 at the start of the M2 instructions). Similarly M2 becomes M1
00:50
2918
0
29-07-2013
[0]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: sC iC cC -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "sC": The manipulator substitutes a self from C to C.
2. "iC": The manipulator (M) intercepts a the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator, reads C's line.
3. "cC": The manipulator carries a club to C. This carry is performed as an over the shoulder move. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
00:30
2914
0
06-01-2015
[0]
As you can see in the vid the right leg works very much like the left arm in a conveyorbelt. When you get the staff onto the foot you need to turn into the staff so you end up in backwards fishtails. Once your into the fishtails you really need to turn your whole body each half beat to get it smooth (no easy task when your balancing on one leg and trying not to make jerky movements with the other).
00:29
2832
0
09-05-2011
[0]
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C".
The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern.
On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "iC": The manipulator (M) intercepts the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line.
2. "cA": The manipulator substitutes a _pass_ from A to B.
3. "sC": The manipulator substitutes a _self_ from C (to C).
The passes _from_ the feeder are not manipulated, the feeder does only normal pass throws to B, C, B
00:52
2779
0
09-05-2015
[0]
I can't do this move yet so here's a description from Tim:
Bacisally this move is just a way of combining a full steve & a matrix into one move. As the staff rolls down the left arm you need it to roll so the centre is a couple of inches infront of the arm (too much and the staff will speed up, too little and the staff won't make it round). The staff then goes round the left shoulder, round the neck and rolls up the right arm. As the staff gets to the top you propeller round the right wrist then let it roll back down the right arm. This is where it gets hard (espcially if you want it to feel smooth). As the staff rolls down the right arm you need to roll it so the centre moves behind the arm then roll it round the right shoulder round the throat and back up the left arm. It's tempeting to bring the staff round the right arm before it gets to the shouder but it don't look as good and it doesn't have the same flow to it).
In short the move goes 1/4 steve - 1/2 matrix - 1/2 steve -1/2 matrix - 1/4 steve enjoy
00:34
2692
0
22-02-2011
[0]
Aidan Burns' Scrambled V Variation (iB cB sA)
General information:
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass.
Walking:
After pass three, B walks on a 4-count to the left side of A. All the jugglers are relabeled
(A -> B', B -> C', C -> A')
and the new feeder A' starts counting the 3 passes, starting with B'.
The manipulation:
1. "iB": The manipulator (M) intercepts a pass from A to B.
The juggler who was B is new M, and reads from the manipulator line. The juggler who was M now is B.
2. "cB": M carries a club to B.
3. "sA": M substitutes a the pass from B to A.
How to do this pattern:
We start manipulating the pattern by substituting the pass from B to A on beat three.
You can skip the tree bit if you like.
00:46
2681
0
09-05-2016
[0]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: sC iC cC -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "sB": The manipulator substitutes a pass from A to B.
2. "iB": The manipulator (M) intercepts a the self from B to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line.
3. "cA": The manipulator carries a club to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
00:31
2630
0
06-01-2015
[0]
This was the first move i learnt, it bruised my shoulder for about 2 weeks learning it but it gave me a good understanding of how a staff behaves on my back. Do a neck roll fairly horizontally and when you can see the staff coming round in the corner of your eye, lean to the left and bring your right shoulder up and catch under your arm with your right hand. After you've got this move try a 1/4 steve.
00:25
2572
0
10-05-2011
[0]
This is my favorite new move at the moment. Do the first half of a full matrix and you will find the staff wants to go behind your neck if you don't lean into the second half straight away. Let it go behind you and lean to the left to get it back in front of you (an extra spin on the back can help line up the centre point) and then do the second half of the matrix.
00:29
2569
0
07-03-2011
[0]
Steve Rawlings showed me this trick in Birmingham and said that he used to do it in every show, but now that he's older (and a little rounder :-) he can't get it every time any more. Steve uses a china plate for this trick, but it works with hats too which is why it's here! :-)
Take the hat in your right hand, using an inside grip and hold it so that the crown of the hat is facing to the left.
Throw the hat virtically with some spin, and then do the following while the hat is in the air...
Put your right hand between your legs
Take the hand around the back of the right leg
Stand on your left leg and move the right hand & foot behind the left leg
Then, catch the descending hat in your right hand, from that position. Without falling over.
Top Tips: Practice the "tangle yourself up" bit first without the catch. Keep your eye on the hat as it decends, practice loads...
Luke Burrage managed to get this on video within 30 minutes. I've been trying for weeks and can't do it. It's pretty hard.
00:06
2462
0
15-03-2015
[0]
I like this move because people don't normally expect you to go back up the same arm you came down. As the staff is on your neck let it do an extra spin on your back and lean to your left and back so it comes round in front of you. Then lean to the right so it throat wraps back to your left shoulder and hold your arm out and swing it backwards so the staff rolls back up your arm.
00:39
2436
0
10-05-2011
[0]
Manipulator passing pattern for four people. The base pattern is 4 count between two jugglers. Below is the Aidan notation for the pattern.
There is one round of four count and then the pattern begins
A: ps |ss |ps |ss | Becomes juggler B
B: ps |ss |cs |ss | Becomes juggler A
M: SA-B |SB-B |IA-B |CM-N | Becomes manipulator N
N: SB-A |SA-A |SB-A |SN-B | Becomes manipulator M
"ps":= pass self
"ss":= self self
"cs":= chop self
"SA-B":= Substitute from juggler A to juggler B
"IA-B":= Intercept from juggler A to juggler B (note that at an intercept instruction the juggler that was the destination of the club and the manipulator that performed the intercept change places)
"CM-N":= Carry from manipulator M to manipulator N
Starting positions in the video:
A patterned red shirt (right)
B dress (left)
M is blue shirt (middle-right)
N plain red shirt (middle left)
Oh, and the "niiaoow" noise is a cat-plane hybrid noise, performed on the carry (optional).
00:39
2358
0
11-11-2014
[0]
All four sprinkler entries within one combo on a sunnyish day at Kirkstall Abbey./nLeft-hand Frontwrap
Left-Hand Backwrap
Right-Hand Frontwrap
Right-Hand Backwrap
00:28
2295
0
19-05-2013
[0]
8 players left. Who's going through?
04:32
2234
0
07-05-2016
[0]
New part of the Random Juggling series ;)
Music: Anastacia - Left Outside Alone
04:57
2057
2
07-05-2015
[0]
This is a combination of parts of two other tricks, so it would probably help to learn them first. They are the Arm Roll and the Wipe Up
Start with the hat on your head. With the right arm, do the first part of a wipe up, just to the point where the hat comes off your head. However, instead of carrying it out to the side, push the hat back on your head so that the bottom of the brim comes into contact with your shoulder blades.
Use your upper arm to push the hat off and to the left, so that it can roll down your arm as though you were doing an Arm Roll, catching it in you hand as you do so
One variation that Mike is fond of, is to grip the front part of the crown with the crook of the elbow. Mike claims this gives him more options, and more control over where the hat goes. Try it, it may work for you too!
00:03
2042
0
15-03-2015
[0]
Back Rolls - Bend forward and roll the hat across the back.
Hold the hat with the crown facing backwards in an inside grip. Bend the body forward from the waist and swing the hat across the body tucking the hand into the arm pit.Let the hat roll across the back, aiming for the opposite shoulder.
Turn the head to the right and watch the hat as it drops off the shoulder. Catch it in an inside grip with the left hand.
If the hat is difficult to catch then you are probably throwing it too hard.
Learn this trick with both hands, as it looks nice if you roll the hat back and forth across the back.
From the TricksWithHats archive
00:05
2006
0
04-12-2015
[0]
Just some leftovers from a recent video that was shot. Not much but there's good stuff in there
Check out some more popular video's on youtube
YouTube channel : jugglerdavies
00:32
2005
0
13-02-2014
[0]
This trick is similar to the coatpeg drop but instead of dropping the hat and catching it behind your back, you catch it on your elbow.
Hold the hat in your right hand, and throw it up to a coatpeg catch in your left hand. Let go of the hat, and bend your left arm at the elbow, pointing your elbow upwards. Catch the hat on your elbow. To complete the move, straighten your arm and the hat will fall. The catch is similar to that in the wipe up
00:05
1860
0
04-12-2015
[0]
While walking forward grip the front of the brim (using any grip you like) with the right hand and the back of the hat with the left. Stop when your right foot is forward and lift up onto the toes. Hold the hat still above the head and pivot round so the left foot and hand are now in front of you. You can continue walking or turn back and forth on the spot.
00:07
1825
0
15-03-2015
[0]
Backcross to head catch - Throw the hat behind your back, and catch it on your head.
Like most throwing moves, this is a variation on the Throw to head - so it's probably a good idea to learn that first!
Hold the hat in your right hand using an inside grip, spread your fingers out nice and wide as you would for a normal throw to the head.
Swing your arm out to the side, so that the crown of the hat is pointing downwards. Bring your arm behind your back and release the hat so that it does a nice, high, slow spin above your left shoulder.
As the hat descends, look up into it and catch it in the same way that you would for a standard throw to the head.
Top Tip: The catching part is easier if you turn your head towards your left shoulder just before the catch. Oh, and obviously learn this throw from both hands...
From the TricksWithHats archive
00:03
1776
0
04-12-2015
[0]
A variation of the simple turnover:
Start with the plate flat in your right hand. Throw it slightly, and while it's airborne turn your right hand so that the heel of the hand contacts the underside of the left rim of the plate as it descends. Push upwards and over with your hand and turn it over so that the plate comes to rest back in your palm.
From the TricksWithHats archive
00:05
1750
0
09-03-2015
[0]
Hold the hat by the brim in an outside grip with the crown facing forwards.
Swing your arm up infront of you, until your hand is about eye level, with the hat tilting slightly upwards. If you let go at the top of the swing, the hat's momentum should carry it through, and it will roll down your arm.
The movement that follows is similar to the one arm tumble. Look down your arm, tuck your chin in, and raise your arm slightly so that the hat rolls downhill and on to your head.
Once you can do that, try throwing the hat from your left hand, and using the right hand to guide it into a dynamic arm tumble.
00:03
1733
0
04-12-2015
[0]
Hold the plate flat in your left hand, bring your right hand up and over the plate, cross your arms and put the heel of your right hand against the underside of the plate's rim. Bring your right hand up and turn it over so that plate ends up flat in the palm of your right hand. If you turn this round it becomes the Forward Turnover
From the TricksWithHats archive
00:03
1701
0
09-03-2015
[0]
At some point, your hat will end up on the floor and you'll want it back in your hand. You could just bend down and pick it up (boring!), use a normal foot to head (less boring, but relatively easy) or you could use this little move... (Far more studly way to kick a hat :-)
Place the hat on the floor, to your left, crown downwards and the opening tilting slightly towards you.
Point your right toe, and bring it behind your left leg. Place your right toe into the opening of the hat, and give it a quick upwards flick. With luck (and practice :-) you can make the hat jump up into your left hand.
Top tip: If the hat isn't quite in the right position, you can use your right foot to move it around a bit before kicking.
Bonus points: Do it without falling over about 20 times whilst filming the damn clip for your website...
00:04
1696
0
04-12-2015
[0]
