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Place the back of one hand against the front of the crown and the palm of the other hand against the back of the hat. Lift the hat off and roll the hands round each other so that the hat tumbles through one complete spin as you carry the hat down to waist level.
Reverse the process to return the hat to the head.
00:05
1822
0
15-03-2015
[0]
This is a combination of parts of two other tricks, so it would probably help to learn them first. They are the Arm Roll and the Wipe Up
Start with the hat on your head. With the right arm, do the first part of a wipe up, just to the point where the hat comes off your head. However, instead of carrying it out to the side, push the hat back on your head so that the bottom of the brim comes into contact with your shoulder blades.
Use your upper arm to push the hat off and to the left, so that it can roll down your arm as though you were doing an Arm Roll, catching it in you hand as you do so
One variation that Mike is fond of, is to grip the front part of the crown with the crook of the elbow. Mike claims this gives him more options, and more control over where the hat goes. Try it, it may work for you too!
00:03
2082
0
15-03-2015
[0]
Some juggling next to all the monuments I could find in my neighbourhood!/nAlso stumbled across a dog that seemed mesmerised by what I was doing. He was actually quite helpful...
03:33
2155
0
12-03-2015
[0]
Hold the plate by it's edge and spin it so that the rim stays in contact with your thumb. After a single spin catch it again. Once you've mastered singles try longer spins. This trick is very versatile and can be used to add lots of flourishes.
From the TricksWithHats archive
00:03
1721
0
09-03-2015
[0]
Hold the plate by it's edge and spin it so that the rim stays in contact with your thumb. After a single spin catch it again. Once you've mastered singles try longer spins. This trick is very versatile and can be used to add lots of flourishes.
00:12
1435
0
09-03-2015
[0]
Hold the plate flat in your left hand, bring your right hand up and over the plate, cross your arms and put the heel of your right hand against the underside of the plate's rim. Bring your right hand up and turn it over so that plate ends up flat in the palm of your right hand. If you turn this round it becomes the Forward Turnover
From the TricksWithHats archive
00:03
1740
0
09-03-2015
[0]
A variation of the simple turnover:
Start with the plate flat in your right hand. Throw it slightly, and while it's airborne turn your right hand so that the heel of the hand contacts the underside of the left rim of the plate as it descends. Push upwards and over with your hand and turn it over so that the plate comes to rest back in your palm.
From the TricksWithHats archive
00:05
1778
0
09-03-2015
[0]
A variation of the simple turnover:
Start with the plate flat in your right hand. Throw it slightly, and while it's airborne turn your right hand so that the heel of the hand contacts the underside of the left rim of the plate as it descends. Push upwards and over with your hand and turn it over so that the plate comes to rest back in your palm.
From the TricksWithHats archive
00:05
1705
0
09-03-2015
[0]
The plate is held and thrown vertically, and spins in the vertical plane. Jugglers will recognise this as the way that rings are usually thrown.
From the TricksWithHats archive
00:04
1537
0
09-03-2015
[0]
What do you think about that one?
Something new at all? Dunno. Have fun!!!
00:58
2094
1
06-03-2015
[1]
Musique: I've got that tune- remix- Tha Trickaz
jongleur: Mosu
Filmé et monté par Mosu
page facebook: https://www.facebook.com/pages/Mosu-Technical-Juggling-Video/333462850172030
05:15
1919
0
03-03-2015
[2]
So we did some ring passing the other day, and I am really happy with the result, considering that I hardly ever do this. Big thanks to Daniel for being an awesome passer and friend.
01:33
2136
0
20-02-2015
[0]
Aidan notation for both patterns:/n"ps":= pass self
"ss":= self self
"SA-B":= Substitute from juggler A to juggler B
"IA-B":= Intercept from juggler A to juggler B (note that at an intercept instruction the juggler that was the destination of the club and the manipulator that performed the intercept change places)
"CM-N":= Carry from manipulator M to manipulator N/nKennedy notation:/nA: ps |ss |cs |ss | Becomes juggler B
B: ps |ss |ps |ss | Becomes juggler A
M: SA-B |SB-B |IA-B |CM-N | Becomes manipulator N
N: SB-A |SA-A |SA-B |SN-B | Becomes manipulator M/nControversial Kennedy Notation:/nA: ps |ss |ps |ss | Becomes juggler B
B: ps |ss |cs |ss | Becomes juggler A
M: SA-B |SB-B |IA-B |CM-N | Becomes manipulator N
N: SB-A |SA-A |SB-A |SN-B | Becomes manipulator M
01:38
2401
0
16-02-2015
[0]
This is a collection of video I shot over the years as I developed a routine around the tennis ball and can./nHere's my recollection of the history of 3 tennis balls and a tennis can: On easter of 1989 I was bored and picked up a can of tennis balls thinking, "I can probably throw all of the balls out of the can and then go into a 4 pattern that includes the can." I quickly discovered some of the centrifugal properties of the can and began developing a routine at the Celebration Barn with people like Fritz Grobe and Steven Ragatz helping to critique my idea. At the same time in another part of the world, Scott Slesnick had discovered the same prop, but was doing different things with it. Neither of us knew of the other for years, but when we met at an IJA convention in Vegas one year, we pieced together the rumors we had heard of each other and decided that we had both come up with it independently and had been spreading it around the world over the years.
02:43
2564
0
10-02-2015
[0]
Hold the hat by the brim with your left hand so that the crown of the hat is facing away from you. Take the stick in your right hand.
With a flick of your wrist, throw the hat up slightly so that it starts spinning anti-clockwise. As the hat descends, hit the brim with the stick slightly to the right of center, such that the stick curves slightly upwards and outwards. This will cause the hat to spin as it rises into the air. As it descends again, repeat the hitting action.
The idea of the basic spin is to keep the hat in the air by hitting it repeatedly with the stick in this manner. I find it helps if you look at the top portion of the inside of the hat.
Adjusting the spin rate and direction:
Hitting the hat nearer the center will give you a slower spin and more height, nearer the edge will give you a faster spin but less height. Obviously striking the left side of the brim will reverse the spin and cause the hat to go clockwise.
From the TricksWithHats archive
00:05
2936
0
24-01-2015
[1]
The hatstand made its debut at chocfest 7, where I was compering. After a period of prototyping and refining, I built the version that worked. I demoed this a couple of times then it broke. I replaced the elastic and set it up for the big day, used it on stage and it worked, then broke next time I used it.
Be prepared to spend significant tinkering time in between uses, and for frequent breakdowns. That said, it's never let me down when I've needed it.
All in all I've found it a great way to get chicks[1], if you don't count the long evenings spent honing the design and strewing the house with geeky construction equipment, and the fact you'll be laughed out of most nightclubs if you go in wearing a topper. But on stage it works, and it has drawn admiring glances from fellow jugglers and even won us a bag full of croissants on one occasion.
Sweavo, June 2003
[1] facts may vary
From the TricksWithHats archive
00:07
3249
1
24-01-2015
[1]
I'll film another time soon if this is feeling good enough that I'm sure I can do considerably better.
00:40
2958
1
22-01-2015
[2]
5,6 and 7 ball juggling in 1987 at the National Circus of Austria (Althoff-Jacobi). Believe it or not, but when I performed 7 balls in these years I had never seen any other juggler doing this before.
I used tennisballs filled with rice. 1987 was my only booking in a circus, usually I performed in night-clubs, casinos and cabarets with low ceiling. You notice that I didn't juggle very high.
14:22
4674
1
19-01-2015
[4]
Manipulator passing pattern for four people. The base pattern is 4 count between two jugglers. Below is the Aidan notation for the pattern.
There is one round of four count and then the pattern begins
A: ps |ss |ps |ss | Becomes juggler B
B: ps |ss |cs |ss | Becomes juggler A
M: SA-B |SB-B |IA-B |CM-N | Becomes manipulator N
N: SB-A |SA-A |SB-A |SN-B | Becomes manipulator M
"ps":= pass self
"ss":= self self
"cs":= chop self
"SA-B":= Substitute from juggler A to juggler B
"IA-B":= Intercept from juggler A to juggler B (note that at an intercept instruction the juggler that was the destination of the club and the manipulator that performed the intercept change places)
"CM-N":= Carry from manipulator M to manipulator N
Starting positions in the video:
A patterned red shirt (right)
B dress (left)
M is blue shirt (middle-right)
N plain red shirt (middle left)
Oh, and the "niiaoow" noise is a cat-plane hybrid noise, performed on the carry (optional).
00:39
2420
0
11-11-2014
[0]
Now that the JJF has finished, time to start working on new stuff...
01:09
2891
1
10-11-2014
[1]
Some new stuff that I am working on
01:47
2482
0
10-10-2014
[0]
My diabolo throw over the coach house at Warwick Castle. Have any of you thrown over something that was hard to spot the other side? Managed this 3times in a row. Great crowd pleaser.
00:09
1864
2
01-10-2014
[0]
club stuff that I'm working on
01:33
2054
0
05-09-2014
[4]
A devil sticking video I put together to in a few hours…no choreography, just flowing. Haven't really practiced all that much recently but have wanted to do a video for a while. I have a unique style that combines, spins, traps, contact and high tosses, along with a little bit of smooth style….Stick life baby!!!
05:46
1987
0
13-08-2014
[1]
In case you are wondering why everything's so Japanese about the video, the reason is because we wanted to convey the message that we are very influenced by their juggling in a different way. The main idea of the video is not to copy tricks from Japanese people, but to show variations and tricks that we made based on their tricks. The second part of the video is coming soon and won't have Japan as a theme. Thanks so much for watching!
(P.S. half of the description is supposed to be in Japanese, but since there isn't enough space here I couldn't include it. To read it, check out the YouTube link).
Inspirations:
Adverse – Jr. (Ryohei Kimura), Kota Hayashi (3hirota), Kouta Ōhashi, Yoshiya and HITOketsuraku.
Rick - asf360, Shiomi (shiomi2112), Koichi Miyamoto (m5813k) and Lucas Adverse.
Music: I had to merge two tracks into one because we had too much footage :P
Rip Slyme – Galaxy
Rip Slyme – Joint
Location: Praça da Liberdade - Belo Horizonte, Brazil.
06:28
3906
2
01-08-2014
[7]
