juggling.tv

outlink competition from kendama.co.uk/forum

4th trick for Outlink

Outlink trick one - big cup cheek trap!Visit www.kendama.co.uk/forum to have a look why I am doing this, but hurry!

Second trick in outlink, with a cheeky ender to compensate for the not-so-straight tomoken. To follow the competition, visit www.kendama.co.uk/forum

Over the shoulder spacewalk combo attempt 1. Check out www.kendama.co.uk for info on what I'm doing!

Attempt two in a different file format

slam downspike combo for outlink./nVisit www.kendama.co.uk for more info!

Round 3 of Outlink: Fork catch > Spike > Grip change (Secret Grip) > Flying top pivot > Grip change (penguin) > Grip change (normal) Keyword: Overcome Deadline: February 22nd 22:00 BST

From forward with the right hand when the staff comes in front of you start the movement off as if you were going to do a 180 fishtail, but instead of taking the staff behind you (on the other side) you do a quick 360 and tuck your hand behind your head then go back into forward fishtails (it feels a bit like you untwisting your body underneth the staff). p.s. you don't really need to hold your chest wheil doing this move

Here's a non-trailer trailer for an upcoming mini-series of Boppo's Whiteboard ... namely, several different methods to calculate or deduce transition sequences between excited-state siteswap tricks. If you know the get-in and get-outs, that's enough to make transitions. If you know of or can find a trick that has states in common with the tricks you wish to transition between, that is enough to make transition sequences. If you know the states themselves and can find throws to convert between them, that too is enough. Also, if you can give the total arrival schedule, if you will, of the entire sequence you wish to have transitions within, that too enables you to deduce possible transition sequences. They all work for synch, too, but the last is maybe the best method for me.

Hi jugglers: Pablo (clubs and balls) and my self (balls) got together to make a video. The tricks are most of them personal tricks so some of them you may have not seen them before. We are from Buenos Aires, Argentina hope you like the video. 2005

TYM.de - Freestyle German Masters 2000 von PAC

I love routining and choreography. But I also Love a free flow improv to music. Especially in a fire circle. /nThanks to Lane Lillquist for the footage/nPacific Fire Gathering 2015 3 Torch improv by Kevin Axtell

My promotional Showreel. For enquiries/bookings: [email protected] paddymccreacircus.com

Paddy Waters' artistic cycling act, performed at Crawley Circus Convention, 2009.

Here is my new and improved version of how to do a palm circle isolation. Its has better lighting and more information! Thanks for watching and thanks to the IJA youtube contest for motivating me to finally making a better version. Please comment and let me know if there are any other trick you would like me to explain!

A bluesy tour around the parks of York. Accompanied by some new 4-7 ball tricks that I have been meaning to film for absolutely ages! The balls used are (unsurprisingly) Panda Balls, made by George on his quest for the perfect juggling ball. They feel quite like Sportco Balls but look like pandas so are therefore inherently cooler! Music: 'Midnight' by William Elliott Whitmore

Panto, juggled by Graham, Joanne, Danny and Ed. Part of the Aidan Burns Project to juggle all 27 of his variations to the Scrambled V. Notation: __1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iA cB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the carried pass and walks on four count (rotating the positions anti-clockwise). 1. "sC": The manipulator substitutes a self from C to C. This takes place while the juggler is walking on four count. 2. "iA": The manipulator (M) intercepts a the pass from C to A. The juggler who was A is the new manipulator, and reads from the manipulator line. The old manipulator, reads A's line. 3. "cB": The manipulator carries a club to B. We found it useful for the manipulator (who was the feeder for 1 and 2) to say 3 during the carry, for continuity. All the jugglers are re-labeled and the new feeder starts counting the 3 passes. Panto gets it's name from the pass from A to B on beat 1, the club is quite close to the back of the manipulators head (He's behind you!).

i m close to my dream

Glowy Goodness spews out of this improve partner club jam. Music is Random Rab: - For My Corpse

several tricks with 3-6 clubs for two jugglers

This is Part 2 of Yuki and Bekka's "Sharing, Stealing and Take-Outs" Video Tutorial Series for the IJA Video Tutorial Contest. This video teaches a 2 part take-out combination.

This is Part 3 of Yuki and Bekka's "Sharing, Stealing and Take-Outs" Video Tutorial Series for the IJA Video Tutorial Contest. This video teaches a 5 club passing variation.

This is Part 1 of Yuki and Bekka's "Sharing,Stealing and Take-Outs" Video Tutorial Series for the IJA Video Tutorial Contest. This video teaches a 4 club 2 person shared columns pattern.

Steve and Sally's first live fire performance in front of an audience. Experimenting with partner poi moves!