juggling.tv

2 other tricks that didn't make it into my routine...

Here's a non-trailer trailer for an upcoming mini-series of Boppo's Whiteboard ... namely, several different methods to calculate or deduce transition sequences between excited-state siteswap tricks. If you know the get-in and get-outs, that's enough to make transitions. If you know of or can find a trick that has states in common with the tricks you wish to transition between, that is enough to make transition sequences. If you know the states themselves and can find throws to convert between them, that too is enough. Also, if you can give the total arrival schedule, if you will, of the entire sequence you wish to have transitions within, that too enables you to deduce possible transition sequences. They all work for synch, too, but the last is maybe the best method for me.

My 2010 IJA video tutorial contest. No prize, but it was fun to make. Still a work in progress--try to keep the idle straight while juggling, not in an arc.

Just your average chick... Doing things your average chick can't do.

Panto, juggled by Graham, Joanne, Danny and Ed. Part of the Aidan Burns Project to juggle all 27 of his variations to the Scrambled V. Notation: __1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iA cB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the carried pass and walks on four count (rotating the positions anti-clockwise). 1. "sC": The manipulator substitutes a self from C to C. This takes place while the juggler is walking on four count. 2. "iA": The manipulator (M) intercepts a the pass from C to A. The juggler who was A is the new manipulator, and reads from the manipulator line. The old manipulator, reads A's line. 3. "cB": The manipulator carries a club to B. We found it useful for the manipulator (who was the feeder for 1 and 2) to say 3 during the carry, for continuity. All the jugglers are re-labeled and the new feeder starts counting the 3 passes. Panto gets it's name from the pass from A to B on beat 1, the club is quite close to the back of the manipulators head (He's behind you!).

.....how we make our Fantastick - flowersticks ...................... hand made by Fantastick ...........................

I had been doing such serious shows recently, I decided to make a mockery of what I do and just goof off. The music is "Memphis Stomp" by Dave Grusin and "Boten Anna" by Basshunter

Basically like an extended halo roll. Make sure the staff rolls down your arm and the spin isnt too fast. When the staff is on your back turn back like you would with a halo roll and hold out your arm, it should roll down the inside of your arm.

Astrojax.TYM.de - Astrojax Tuning HowTo make your own UFOJAX

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sB iC cC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "sB": The manipulator substitutes a pass from A to B. 2. "iC": The manipulator (M) intercepts a the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator reads C's line. 3. "cC": The manipulator carries a club to C. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sB iC cC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "iC": The manipulator (M) intercepts a the self from C to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator reads C's line. 2. "cA": The manipulator carries a club to A. 3. "sC": The manipulator substitutes a self from C to C. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: iB cB sB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "iB": The manipulator (M) intercepts a the pass from A to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line. 2. "cB": The manipulator carries a club to B. 3. "sB": The manipulator substitutes a pass from A to B. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

Haymaker Yo-Yo Trick -Luke Renner. A trick that is fun to perform and features various catches. The Haymaker requires a non-responsive yo-yo. The yo-yo used by Luke Renner is the MagicYoYo N8. Special Thanks to MagicYoYo in Shenzen! String is 50/50 slick string courtesy of Shannon Jackson. Filmed outside in Northwest New Mexico in August 2012. The outside wind speed when the trick was filmed was around 6mph from the NW. The Haymaker is much easier to perform indoors without the wind factor. Music courtesy of Stuart and the Juice Tigers.

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: iB cB sC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "iB": The manipulator (M) intercepts a the pass from A to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line. 2. "cB": The manipulator carries a club to B. 3. "sC": The manipulator substitutes a self from C to C. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "cC": The manipulator carries a club to C. 2. "sC": The manipulator substitutes a pass from A to C. 3. "iB": The manipulator (M) intercepts a the pass from A to B. The juggler who was B is the new manipulator, and reads from the manipulator line. All the jugglers are relabeled and the new feeder starts counting the 3 passes. It´s easier for the manipulator tells AND 1 2 3 as the cC actually happens before count 1. We find it much easier to start the pattern on count 2 and miss the cC in the first round. Wolfgang (blue t-shirts) moves different on iB. Just choose your favorite style.

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iC cC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "sC": The manipulator substitutes a self from C to C. 2. "iC": The manipulator (M) intercepts a the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator, reads C's line. 3. "cC": The manipulator carries a club to C. This carry is performed as an over the shoulder move. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

We are two girls from Finland and we're here to bring you new flavor to your hoop dance! The idea is to show different level tricks in many angles. 
We won't be talking, because a.) we don't like tutorials with a lot of babbling ourselves, so we decided to do something different and b.) we would sound like idiots! ;)
 We welcome anyone to send us a trick of their own, please contact us at: [email protected] and be part of the Funland Trick team! You can also suggest a trick for us and we do our very best to make it true.
Now, we do this only for fun and for the sake of sharing hoop luv, so please understand that it might take a while to answer to your message. We will answer to every single one though.
Thank you for your patience! Enjoy the tricks, we will post a new one every sunday so remember to subscribe! Happy hooping! http://www.youtube.com/watch?v=3qMCQvBPIXA&context=C333ee05ADOEgsToPDskLuqYYWhtVcZpG9GaJBYhax/ https://moodforhoop.jux.com/ www.moodforhoop.fi http://www.tuliduo.fi/?page_id=84

Kickstart by Noora. Quick and easy way to get the hoop to the knees with a little flick of the foot. We are two girls from Finland and we're here to bring you new flavor to your hoop dance! The idea is to show different level tricks in many angles. 
We won't be talking, because a.) we don't like tutorials with a lot of babbling ourselves, so we decided to do something different and b.) we would sound like idiots! ;)
 We welcome anyone to send us a trick of their own, please contact us at: [email protected] and be part of the Funland Trick team! You can also suggest a trick for us and we do our very best to make it true.
 Now, we do this only for fun and for the sake of sharing hoop luv, so please understand that it might take a while to answer to your message. We will answer to every single one though.
Thank you for your patience! Enjoy the tricks, we will post a new one every sunday so remember to subscribe! Happy hooping! https://moodforhoop.jux.com/ www.moodforhoop.fi www.tuliduo.fi

As you can see in the vid the right leg works very much like the left arm in a conveyorbelt. When you get the staff onto the foot you need to turn into the staff so you end up in backwards fishtails. Once your into the fishtails you really need to turn your whole body each half beat to get it smooth (no easy task when your balancing on one leg and trying not to make jerky movements with the other).

All the footage that didn't make it into Kinetic / Potential. Either because it was badly framed/crap quality, or I did the trick better later on. Enjoy!

Teenage boy & girl from Chinese acrobatic troupe performing with tridents - a traditional Chinese acrobatic form. From the Chinese National troupe. The trident heads have loose elements which make the characteristic jangling noise. (This skill is also known as fei-cha)

Full arm roll (backhand release) - Roll the hat from hand to hand along outstretched arms Hold the hat with the crown back in an inside grip in your outstretched right hand. Flick the hat so that it spins up out of the back of your hand onto the arm and rolls across the back of the neck (make sure the head is ducked forward out of the way) and down the other arm. As the hat reaches the other wrist bend the hand up and catch it in a inside grip. Make sure the arms are sloped so that the hat is always rolling "downhill", and practice, practice, practice - this is a difficult trick. From the TricksWithHats archive

Performing at Play festival in 2007. Music is Media, by The John Butler Trio. Probably my favourite performance - lovely crowd and I had just come back from 19 months travelling the world the week before. The t-shirt reads: Make Siteswap History

The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "iC": The manipulator (M) intercepts the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line. 2. "cA": The manipulator substitutes a _pass_ from A to B. 3. "sC": The manipulator substitutes a _self_ from C (to C). The passes _from_ the feeder are not manipulated, the feeder does only normal pass throws to B, C, B

I can't do this move yet so here's a description from Tim: Bacisally this move is just a way of combining a full steve & a matrix into one move. As the staff rolls down the left arm you need it to roll so the centre is a couple of inches infront of the arm (too much and the staff will speed up, too little and the staff won't make it round). The staff then goes round the left shoulder, round the neck and rolls up the right arm. As the staff gets to the top you propeller round the right wrist then let it roll back down the right arm. This is where it gets hard (espcially if you want it to feel smooth). As the staff rolls down the right arm you need to roll it so the centre moves behind the arm then roll it round the right shoulder round the throat and back up the left arm. It's tempeting to bring the staff round the right arm before it gets to the shouder but it don't look as good and it doesn't have the same flow to it). In short the move goes 1/4 steve - 1/2 matrix - 1/2 steve -1/2 matrix - 1/4 steve enjoy